no, this is who i am.

indie canon divergent emma swan from ouat. under co. penned by jen. 21+. icons credit to firstofthefcllen heavily affiliated with jhatters and 31fcked

[notasavicr]

                                      ......no, THIS is who i am.

                        ind. pri. sel. EMMA SWAN, from abc’s ONCE UPON A TIME.

                                          penned by jen. (she/her, 21+) est. dec 2022.

[soulprompts]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

[nightprompts]

&. 𝐬𝐮𝐛𝐭𝐥𝐞 𝐬𝐦𝐮𝐭 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

(  an  assortment  of  smut  /  nsfw  implied  dialogue  prompts  with  not  so  explicit  language.  feel  free  to  change  how  you  seem  fit.  )

❛ i’ve been thinking about you all day. ❜

❛ you can kiss me, you know. ❜

❛ how badly do you want me? ❜

❛ i can’t get enough of you. ❜

❛ i’ve never done something like this before. ❜

❛ i like being close to you. you’re warm. ❜

❛ you look good like this. ❜

❛ you look like you were jealous. ❜

❛ i’m not jealous. ❜

❛ shh. there’s people in the other room. ❜

❛ say you want me, and i’m yours. ❜ 

❛ i won’t bite. unless you’re into that sort of thing. ❜

❛ i’m not wearing any underwear. thought you’d like to know. ❜

❛ would you like to go somewhere a little more private? ❜

❛ i’ll take care of you. ❜

❛ there’s so many things i wanna do to you. ❜

❛ take off your clothes. ❜

❛ i’m going to ruin you. ❜

❛ show me how much you missed me. ❜

❛ is this okay? ❜

❛ you know you love me. ❜

❛ i want you to feel good. ❜

❛ i want this. ❜

❛ come back to bed. ❜

❛ you’re such a tease. ❜

❛ want me to model these for you? ❜

❛ we have to make this quick. ❜

❛ what are you looking at? ❜

❛ it’s hot when you talk back. ❜

❛ you don’t have to be gentle. i won’t break. ❜

❛ don’t you know what you’re doing to me? ❜

❛ i really want to kiss you right now. ❜

❛ it’s okay, you can touch me. ❜

❛ this is a one time thing. ❜

❛ you know where to find me. ❜

❛ did i say you could stop? ❜

❛ you’re soaked. let me grab you a towel. ❜

❛ i want to see you. ❜

❛ are you wearing my shirt? ❜

❛ no ones here. we can be as loud as we want. ❜

❛ you look good with my hands around your throat. ❜

❛ i’ll be good, i promise. ❜

❛ you’re really good at that. ❜

❛ shut up and kiss me already. ❜

❛ you better watch your fucking mouth. ❜

❛ don’t mind me. just enjoying the view. ❜

❛ tell me what you want. ❜

❛ you can be rough. i can take it. ❜

❛ and where do you think you’re going? ❜

❛ if you called just to get off on my voice, i’m hanging up. ❜

❛ i shouldn’t allow myself to get this close to you. ❜

❛ what if i hurt you? ❜

❛ you won’t hurt me. ❜

[myricds]

AESTHETIC REQUESTS  HAPPY BIRTHDAY !!      ↳  emma  & jeffy for @personatvs​

you’re like a mirror reflecting me. takes one to know one, so take it from me. you’ve been lonely —— we’ve been lonely —— too long

[notasavicr]

                                      ......no, THIS is who i am.

                        ind. pri. sel. EMMA SWAN, from abc’s ONCE UPON A TIME.

                                          penned by jen. (she/her, 21+) est. dec 2022.

[goodnightmemes]

BONES SENTENCE STARTERS / s01e12 - s01e14

❛ Don’t use your charm smile on me. ❜

❛ Every family has its secrets. ❜

❛ Are you a nerd? ❜

❛ Go ahead. Don’t let me stop you from - What are you doing exactly? ❜

❛ You know I gotta tell you, I never bought all that English 101 stuff. Sometimes a river is just a river. ❜

❛ Could you please, maybe just for once try not to piss everyone off around you? ❜

❛ My God, it’s like we lead parallel lives. ❜

❛ You’re just one of those guys who’s way too good at lying. ❜

❛ I’ll see you in the comic books, buster. ❜

❛ So what you’re saying is that reality falls far, far short of the fictional. ❜

❛ I was just using it as an excuse to make conversation and reestablish our connection. ❜

❛ Great, how he’s ignoring us in two languages. ❜

❛ You know that book I’m reading, about getting along with your coworkers? It says that sarcasm is never helpful. I could lend it to you if you want. ❜

❛ Did you hear what I said about sarcasm? ❜

❛ I call shotgun. ❜

❛ I called shotgun. What does it mean to a society when the niceties are no longer observed? ❜

❛ Is anybody here? You don’t have to be afraid. ❜

❛ Of course they’re gonna be afraid, I have a gun. ❜

❛ I am asking you as a favor not to make me do this…to scare her. Please? ❜

❛ Interesting or horrible? Because sometimes, it’s the same thing with you. ❜

❛ Mega tough old bastard. ❜

❛ I’ll tell you what, because I like you so much, if I find out who did it, I’ll kill him. ❜

❛ You think you can intimidate people into doing what you want? ❜

❛ How do you handle someone who isn’t afraid of you? ❜

❛ That’s gonna hurt in the morning. ❜

❛ I know you’re all about self-reliance and fighting your own battles and standing up for yourself, but now, as your friend, and knowing how much you hate psychology here, you need therapy. ❜

❛ Later I found out it was three days. But, I thought it was a week, maybe more. ❜

❛ He came in every day and made me believe I was going to die. ❜

❛ I promised myself if I ever had the chance, I’d get even. ❜

❛ You put a hit out on my partner? ❜

❛ If anything happens to her, I will find you and I will kill you. I won’t think twice. ❜

❛ Come here, look in my eyes. Look at my face. If anything happens to her, I will kill you. ❜

❛ Should I keep talking as though you are paying attention? ❜

❛ The information that I’m about to tell you must not leave this room. ❜

❛ I am philosophically imposed to institutional secrecy in all its forms. ❜

❛ So now politics are more important then murder? ❜

❛ Next time you know, you miss me, pick up the phone, call me, we’ll do lunch or something. ❜

❛ He doesn’t know what it’s like to lose a parent, you do. ❜

❛ You want to back down a jot there buddy? ❜

❛ Well maybe he discovered that being pushy is how you get cops to pay attention. ❜

❛ What are you hawking at me for? ❜

❛ Ugh, you’re so sweet, honey. You really are. ❜

❛ We get it. You’re a rebel. ❜

❛ Yeah, I know at times like these not to get hopeful, but on the other hand you’ve got to have hope. ❜

❛ I’m not really interested in bonding over the loss of my parents. ❜

❛ Ah, good one sir, very droll. ❜

❛ Never. Freeze. On. Me. Again. ❜

❛ Well, I’m never trusting any of us again. We’re that good at lying, huh? ❜

❛ Some people find it harder then others to get over the loss of a loved one. ❜

❛ Either talk loudly enough so I can hear all the way or whisper so I can’t. ❜

❛ No, we are going to keep doing what we are doing behind [name]’s back. ❜

❛ Oh, I’ll do that! Was that overly enthusiastic? ❜

❛ You just want to see what happens when you toss some frozen pig into a wood chipper. ❜

❛ Your primary job is to do what I say, failing that your job is to fool me. You failed to fool me. ❜

❛ I can be vindictive and petty. I will take you down even if it means striking at you through your friends and co-workers. ❜

❛ I know what it’s like not to know what happened. I know how painful that can be. ❜

❛ Even if you don’t believe it, I know your parents are somewhere proud of what you do. ❜

❛ Hey, you know, your people are my people. ❜

[loisnclark]

     𝐒𝐄𝐍𝐃   "  𝐒𝐌𝐀𝐒𝐇   𝐎𝐑   𝐏𝐀𝐒𝐒  “   𝐅𝐎𝐑   𝐌𝐘   𝐌𝐔𝐒𝐄   𝐓𝐎   𝐀𝐍𝐒𝐖𝐄𝐑   𝐇𝐎𝐍𝐄𝐒𝐓𝐋𝐘   𝐀𝐁𝐎𝐔𝐓   𝐘𝐎𝐔𝐑𝐒.   𝐍𝐎   𝐋𝐘𝐈𝐍𝐆   𝐀𝐋𝐋𝐎𝐖𝐄𝐃  .

[jhatters]

@notasavicr / don't you recognize me ?

he   had   long   lived   between   two   worlds   ,   the   curse   lifting   from   their   little   haven      (      or   hell   ,   in   his   case      )      did   little   to   change   that   fact.      memories   of   his   daughter   always   there   and   now   memories   of   all   he   had   done   to   get   back   to   her   remain.         once   a   stone   cold   gaze   now   softer   in   appearance   jefferson   offers   emma   a   smile.         "         of   course   i   do   ,   special   one.      i   don't   believe   i   will   be forgetting   you   in   a   hurry.         "         despite   the   wrongs   he   had   done   ,   to   emma   herself   ,   she   will   always   be   the   one   who   brought   grace   home.   

[notasavicr]

"...i see you found your daughter." she said, standing there as she looked at jefferson. it didn't escape her that this is the man who kidnapped not just her, but also mary margaret. the same man who drugged her and tried to force her hand at magic. but....still. emma knew what drove him was exactly this. was his daughter. getting her back into his arms -- and emma knew that, if it had been her and henry, she didn't know what lengths she'd go to to get him back. so she couldn't fault him. "...and you can just stick to emma."

[soulprompts]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

[notasavicr]

                                      ......no, THIS is who i am.

                        ind. pri. sel. EMMA SWAN, from abc’s ONCE UPON A TIME.

                                          penned by jen. (she/her, 21+) est. dec 2022.

[fockers-archive]

What do you want?

[jhatters]

#𝖮𝖥𝖥 𝖶𝖨𝖳𝖧 𝖧𝖨𝖲 𝖧𝖤𝖠𝖣 - a   story   of   loss   ,   torment   and   reconciliation.         an   exploration   of   ;   doing   whatever   it   takes.     ( EVERYONE WANTS some magical solution for their problem & everyone refuses to believe in magic. ) triggers including but not limited to ; violence , reference to kidnapping , grief , mental torture , nsfw. || told by lea 25+

[notasavicr]

                                      ......no, THIS is who i am.

                        ind. pri. sel. EMMA SWAN, from abc’s ONCE UPON A TIME.

                                          penned by jen. (she/her, 21+) est. dec 2022.

[notasavicr]

                                      ......no, THIS is who i am.

                        ind. pri. sel. EMMA SWAN, from abc’s ONCE UPON A TIME.

                                          penned by jen. (she/her, 21+) est. dec 2022.

[notasavicr]

shield? what the fuck was that? what was he talking about. emma moved over, walking to go and examine the front door of her little office with a frown as she shook her head. "never heard of it." she said, prodding the door handle before she turned to face the man again. "recruiting agents? what are you, the fake fbi?" emma moved to walk back to her desk as she shifted to take a seat again, feeling idly under her desk and frowning when it came up empty for her spare revolver. clearing her throat a bit, emma looked back up at the man before she spoke. "look i already have a job, so whatever it is you're selling i am really not looking to buy it so. you know the way out."

[notasavicr]

shield? what the fuck was that? what was he talking about. emma moved over, walking to go and examine the front door of her little office with a frown as she shook her head. "never heard of it." she said, prodding the door handle before she turned to face the man again. "recruiting agents? what are you, the fake fbi?" emma moved to walk back to her desk as she shifted to take a seat again, feeling idly under her desk and frowning when it came up empty for her spare revolver. clearing her throat a bit, emma looked back up at the man before she spoke. "look i already have a job, so whatever it is you're selling i am really not looking to buy it so. you know the way out."

[notasavicr]

I am driving back to ny today so I will be gone a majority of the day. and ofc my tummy has gotta start being weird while that’s happening too 🥺 anyway I’ll be in periodically on wire / discord throughout the day today til I make it home around 8 ish est xx

[classsymemes]

a comprehensive list of scenarios

feel free to combine multiple prompts or add  “ + reverse ”  to switch roles !   for reference, the one sending in the prompt is the one committing the action.

1.  GUEST :  for one muse to offer the other a place to stay. 2.  STORM :  for both muses to find shelter from a severe storm. 3.  MEDIC :  for one muse to show up at the other’s doorstep injured. 4.  SURPRISE :  for one muse to come home and find the other already inside. 5.  TRIP :  for both muses to road trip or travel together. 6.  BABYSIT :  for one muse to help the other home while they’re drunk. 7.  INSOMNIA :  for one muse to find the other still awake at 3am. 8.  AMBUSH :  for both characters to come under attack by the same enemy. 9.  DANCE :  for one muse to ask the other to dance at a party. 10.  STRANDED :  for one muse to help the other who’s stranded on the road. 11.  SERVICE :  for one muse to cover the cost of something for the other. 12.  SAFEGUARD :  for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13.  DAZE :  for one muse to wake somewhere and find the other hovering over them. 14.  STOWAWAY :  for one muse to find the other hiding on the same ship. 15.  TAXI :  for both muses to share the same taxi ride. 16.  MAKEOVER :  for one muse to help the other with a new outfit or hairstyle. 17.  LIFEGUARD :  for one muse to rescue the other from drowning. 18.  DISASTER :  for both muses to work together to escape a fire, flood, or other disaster. 19.  TRANSIT :  for one muse to sit next to the other on a public transport. 20.  SPRAIN :  for one muse to carry the other after spraining their ankle. 21.  EMPLOY :  for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22.  QUEST :  for one muse to help the other with a task in exchange for compensation. 23.  SOOTHE :  for one muse to calm the other during a panic attack. 24.  RECOVER :  for one muse to return the other’s lost belonging. 25.  UMBRELLA :  for one muse to share their umbrella with the other on a rainy day. 26.  HEAL :  for one muse to nurse the other back to health from a sickness or injury. 27.  NIGHTMARE :  for one muse to comfort the other after a nightmare. 28.  REUNION :  for one muse to run into the other again after a long time. 29.  PRIZE :  for one muse to win the other a prize at a carnival. 30.  NUDE :  for one muse to walk in on the other while they’re changing. 31.  BED :  for both muses to wake in the same bed, naked or fully clothed. 32.  TRAIL :  for one muse to notice the other has been following them. 33.  EVADE :  for one muse to pull the other into an alleyway to escape their pursuer. 34.  THIEF :  for one muse to confront the other after having something stolen by them. 35.  CAUGHT :  for one muse to walk in on the other singing / dancing. 36.  FESTIVE :  for both muses to decorate for a special occasion. 37.  PRESENT :  for one muse to give the other a  (birthday)  gift. 38.  WEARY :  for one muse to wake up after falling asleep on the other. 39.  CAPTIVE :  for one muse to hold the other against their will. 40.  SNAP :  for one muse to yell at or push the other out of frustration. 41.  SLEEPOVER :  for one muse to stay the night at the other’s place. 42.  TRESPASS :  for one muse to trespass on the other’s property. 43.  BREAK-IN :  for one muse to discover the other robbing their place. 44.  MERCY :  for both muses to come across an injured animal. 45.  UNKNOWN :  for both muses to wake and find themselves in a strange place. 46.  ACCOMPLICE :  for one muse to assist the other at the scene of a crime. 47.  ASTRAY :  for both muses to take a detour and lose their way. 48.  RELAX :  for both muses to share a hot tub or hot spring. 49.  MUSE :  for one muse to model for the other’s art project. 50.  ACCOMPANY :  for one muse to give the other an extra ticket to an event. 51.  SALVAGE :  for one muse to retrieve the other’s belongings from a thief. 52.  MEAL :  for both muses to prepare and share a meal together. 53.  CEMETERY :  for one muse to find the other at a gravestone. 54.  REFUGE :  for one muse to shelter the other from enemies. 55.  ARRANGED :  for both muses to date or marry out of convenience. 56.  FAVOR :  for one muse to owe the other a favor. 57.  VACATION :  for both muses to book the same hotel on vacation. 58.  DEFEND :  for one muse to save the other from one or multiple assailants. 59.  CATCH :  for one muse to return the other’s pet that escaped. 60.  RESTRICTED :  for both muses to sneak into someplace they’re not supposed to be.