@notevenabletoeven - Tumblr Blog

glitterghosts

stability

robotindisguise

lesbiantiana

“what’s your favorite position in bed?”

near the wall so I can use my phone while it’s charging

bruxabaiit

When the trouble dies down, I’ll go.

beyhive4ever

“what are we doing?”

no

They both know they got too much money to be blowing bubbles

rbmichael-deactivated20160826

spongebob a freak!!!!! succin squidward while the other fish watch!!!!!

need me one like that

lunaeregia

tomhardyvariations

About TABΘΘ ~

“But, of course, given that it’s come from the brain of Hardy, Taboo is not your average costume drama. […]

What I can tell you is that Taboo is seedy, gritty, knotty and complex. There are twists and subversions — even perversions — of character tropes that make most period dramas look like an episode of Peppa Pig. It was conceived in some ways, says Hardy, to be an “anti-Downton”, and despite having lush production values that make London, where it is mostly set, look dank and grubby and decadent and sumptuous all at the same time, and boasting a cast of period drama stalwarts including Jonathan Pryce and Tom Hollander, Taboo goes to places that other shows of that genre don’t. Let’s just say, the title of the show is no accident. […]

Hardy seems fairly relaxed, given that he’s under a reasonable amount of pressure. His production company, Hardy Son and Baker, which he runs with a producing partner, Dean Baker, has to send the finished series to the BBC and the American broadcaster, FX, by Christmas so that it can air in January. “And I’ve just handed in 14 pages of notes on episode three,” he points out, without much evident contrition. I ask him how he feels watching the episode back. “I know every line, and I know where everything is in every scene, and I know where most candles are,” he says. “So yeah, I’m never happy.”

Hardy had the idea for the show when he was playing Bill Sikes in a 2007 BBC adaptation of Oliver Twist, and conceived the character originally as “a Sherlock Holmes-type detective, a bit more physical as well as smart, but who has that hyper-vigilance; a spiritual, hybrid shaman-cum-cannibal-serial-killer-type thing”. He spent the next nine years going through many different iterations of the idea trying to get it made; and now he has. As Dean Baker puts it, who lets me into the edit suite before Hardy arrives: “It’s very much Tom’s baby.”

UK Esquire (Jan/Feb 2017) ~ Read the full interview at www.esquire.com ~ Available at newsstands now ➰ Photographs Greg Williams @gregwilliamsphotography Interview Miranda Collinge @mcollface Styling Nicole Schneider @nschneiderstyle

thatdiva

weavemama

@ November please honey u are one of our last hopes

weavemama

November honey u can choke

beeishappy

mysharona1987

prokopetz

You ever wonder how often it happens that identical twins unwittingly trade identities during infancy? Like, an exhausted parent accidentally dresses them in the wrong outfits or tucks them into the wrong cribs one day, and the mistake just never gets caught?

fruithonorific

don’t mess me up like this

le-sad-demiurge

We can talk about that goddamn shitty movie Maleficent till the cows come home, go on and on about how stupid it is to make such a simply evil but awesome villain the martyr for no goddamn reason.

But you know what I want?

I want a spinoff of the Beauty and the Beast about the one who cursed Adam (the beast,) the Enchantress.

Because this bitch

This fucking bitch, is possibly as evil, maybe even more evil and sadistic than Maleficent.

The Enchantress cursed the prince because he failed a test, he was unkind to her because she presented herself as an ugly old hag. She turned him into a werewolf minotaur hybrid (fucking cool I’ll give her that,) because he was rude to her and didn’t want her rose.

So she cursed him, along with every single one of his servants. What did his servants have to do with any of this? Why are they being punished?

Not only that, but this stood out to me when I watched the movie again. When the spell is broken, all of the monstrous statues and art pieces transform into graceful, beautiful ones, I’m assuming that’s what they looked like before.

So this enchantress not only cursed him and his servants (oh and his fucking DOG DID I MENTION THAT) she took away every beautiful thing he had, replacing them with things like goblins, dragons, ghouls and other monsters, just to remind him what he was and what she had done to him, and he would have to look at them every single day.

I’m going to rightfully assume she provided the magic mirror as well, all of the magic in the movie stems from her, the mirror most likely came from her. His only window to the outside world is a handheld mirror, so he can fucking look at himself.

But you know what the kicker is?

If we take these two lines into consideration

“The rose, which was truly an enchanted rose, which would bloom until his 21st year” ~Narrator

“Ten years we’ve been rusting…” ~ Lumiere

We can reasonably deduce that the Enchantress cursed the prince when he was eleven years old.

I want this filthy green bitch publicly exposed.

silenthill

Not only did she curse an 11 year old, she cursed an 11 year old PRINCE in the middle of a dark night who refused a stranger shelter because, get this, I’m 20 and if some weird old lady showed up at my door in the middle of he night and was like Yo Can I Sleep Here i would probably just close and lock my door because!!!!

Who is she!!!! I don’t know her!!!! What if she tried to kill me or stole everything!!

This boy is a prince living in a palace of luxury and he was probably given the “don’t talk to strangers” talk by his (dead??) royal parents!! Or at least Mrs. Potts!! He was probably like this lady’s gonna steal our silverware and candle sticks in the middle of the night and all she’s giving me is a rose that was probably picked from our own garden?? Bye lady.