tylerspangler:
Artwork Copyright © Tyler SpanglerBuy prints… typophile

Product Placement
Sade Olutola
untitled
art blog(derogatory)

Origami Around
"I'm Dorothy Gale from Kansas"

oozey mess
𓃗

❣ Chile in a Photography ❣

pixel skylines
Monterey Bay Aquarium

titsay
ojovivo
Interview Vampire Daily
Cookie Run:Kingdom Official!
Fai_Ryy
let's talk about Bridgerton tea, my ask is open
Noah Kahan
One Nice Bug Per Day

if i look back, i am lost

seen from Chile

seen from United States

seen from Malaysia
seen from Guatemala
seen from United States
seen from Argentina
seen from Kazakhstan

seen from United States
seen from Lithuania

seen from France

seen from Malaysia
seen from United Kingdom
seen from Venezuela
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seen from T1
seen from France
seen from United States

seen from Thailand

seen from Singapore

seen from Singapore
@noticeyourthoughts
tylerspangler:
Artwork Copyright © Tyler SpanglerBuy prints… typophile
garadinervi:
Bambini di Quatrelle, Il sole si diverte. Poesie,… typophile
Photo typophile
Photo typophile
garadinervi:
The turn about, think about, look about book, Text… typophile
Elsa Schiaparelli
Martin Margiela's conceptual fall/winter 1994–95 collection was comprised of five groups of garments which introduced new codes to the Maison's DNA, based on replicas of existing garments, both of his own hand and vintage garments. The third group of the collection was called "Clothing reproduced from a doll's wardrobe," and included this cardigan from the 1960s with buttons. The doll's garments were blown up to human size, keeping the disproportion of the doll's body, the garments and its closures intact. This conceptual direction in the oeuvre of Margiela introduced notions of the replica, the grotesque and deconstructed the idea of the perfect size or body type.