Thunderbirds Keep Clapping

[nowthatswhaticallthunderbirds]

the ORAKEL and the Narrator #ORAKEL #semperzwei #semperoper premiere Nov. 25 @aidan22aidan and Johannes Schmidt (at Semperoper Dresden)

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at Jomo Kenyatta International Airport

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Coming soon TELEMANN FOR 6 at the Dresden Semperoper with in collaboration with the @thesaxonz and the Statskapelle Dresden. (at Semperoper)

[nowthatswhaticallthunderbirds]

In performance with Joseph Hernandez

Guest choreographer, Joseph Hernandez, joins Whim W'Him to create a new work for the Choreographic Shindig. This innovative program supports emerging choreog...

Fantastic time creating with this illuminating group of people. #whimwhim #dance #contemporary #cthulu

[lottereinigerforever]

Yul Brynner by Matthieu Bourel

[thingsthatcannotsaveyou]

INTERDIMENSIONAL TRAVEL WAS NOT WITHOUT ITS DOWNSIDES

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The Werkstatt after hours (at Semperoper Dresden)

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Right now at S T O R E! (at S T O R E)

[andfilm-blog]

The Red Shoes, 1948

[pxrxllxls]

ZENG Fanzhi, The Last Supper, 2001;Mask Series No. 5, 1994

As a Chinese artist, the socialist discourse and education is an intrinsic part of our life. It has made a deep impact on our artistic endeavors. The socialist realist way of doing art unfolds our journey as young artists. Meanwhile it is also a departing point for our future pursuits. This is a matter of fact and should not be bypassed. Regarding historic reforms and artistic expressions, we choose to face the reality and be true to our feelings that the reality brought about. This concerns both our primary trainings and a potential way to get out of it. The unique social circumstances and ideologies enrich the artistic spectrum of contemporary China. While more and more artists pay attentions to societal and political issues, there are also some people who are more concerned with the life experiences of ordinary persons. The former may help remind the observers of the existence of a Chinese Art, or Chinese Contemporary Art, as in their capital forms. But I am certainly prone to the latter. I have a deep concern with the substantial life experiences of ordinary people.

ZENG Fanzhi on the political/cultural critique in his work

[knowyourdarkness]

[pxrxllxls]

Alice TRESCARTE, MEAT ME a hole is filling me

[nowthatswhaticallthunderbirds]

Sunday at 8pm @storecontemporary with this @ianwhalenphotography 14 pulsnitzer for performance and magic!

[nowthatswhaticallthunderbirds]

#thunderbirds

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#thunderbirds

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#thunderbirds self portrait after @ianwhalenphotography

[nowthatswhaticallthunderbirds]

There are lots of places to go from here.  You could ask yourself about the corners of things.  You could stare out the window.  I would like you to know that the only direction you can go is up, and its not because I will it that way.  It will never be known.  Just as the lady in the previous story, the one who slumped at the bar and edged her hands against the piano keys, just as she is a figment of a figment of something entirely differently, I now give you this figment of a pasture.  The assemblage of elements in tiny hand fulls, so they don’t have to be inspected to closely.  I give you an out.  I give you a prophecy.  

[nowthatswhaticallthunderbirds]

The earning takes giant spoonfuls out of it. There is less progress than you might think, but the rest of us find it pretty agreeable. If you need anything, I'll just be over here attending to all the things that need attending to. Have you got any dried meats? I would hiss and a half for dried meats.