☾ ✹

   Stavi ・24・Greece

[nutty-as-a-fruitcake]

Αντιθέσεις

Βαριέμαι πια να γράφω, αλλά σκέφτομαι τόσο πολύ που δε ξέρω τι να την κάνω όλη αυτή τη θάλασσα. Την πρώτη φορά που σε φίλησα, ένιωσα σαν εκείνα τα ζαχαρωτά που παίρναμε παιδιά και σκάγανε στο στόμα. Την πρώτη φορά που μ'έκανες να κλάψω, ένιωσα όπως τότε σ'εκείνο το κατάστρωμα τέλη Αυγούστου. Αδειάζει το στομάχι και γεμίζει η καρδιά μαζί σου.

"Θα το πάμε το καράβι;" με είχες ρωτήσει "Θα το πάμε" σου είχα απαντήσει

"Θα το πάμε" θα είναι πάντα η απάντηση

Απλά δε ξέρω γιατί ενώ καιρό τώρα έχουμε μπαρκάρει εγώ ακόμα ρωτάω αν φτάσαμε λιμάνι.

[petitworld]

by Darya

[listaosjecaja]

[experiences-of-extremity]

Και σένα, αν με τα τόσα που περάσαμε

τίποτα μέσα σου δε σακατεύτηκε,

μην πολυκαμαρώνεις.

Ίσως,

δεν είχες τίποτε να διακινδυνεύσεις.

[ "Αντιδικίες", 1955, Τίτος Πατρίκιος]

[haverst]

source

Haverst on Instagram

[haverst]

source

Haverst on Instagram

[bgoldenstudio]

B (20)⁠

[pois0niv3y]

[genterie]

Monica Bellucci

[sendenuzakk-deactivated20230930]

[madamlaydebug]

[mo-ira-de-su-deactivated2021053]

[sarhoskedi-deactivated20241211]

[untitled-1991]

ana mendieta “people looking at blood, moffit, iowa” 1973

[dearorpheus]

“In this piece, Mendieta spilled a large amount of what appeared to be chunky blood over a doorway and sidewalk on an Iowa City street. Then she removed herself from the scene and, from a distance, photographed the reactions of various passersby. […] It intimates to passersby that a grievous and dramatic injury has taken place, but it gives no explanation and, more important, no recourse to action. It may incite horror, concern, compassion, and revulsion—in short, pity and fear—but it doesn’t offer anywhere for these feelings to go. […] Each pedestrian’s only real choice is to walk on by, which looks from the outside—and likely felt, on the inside—like an uncaring abandonment, even if of an indeterminate or imaginary entity. […] And somewhere out of sight lurks Mendieta, a voyeur of each passerby’s involuntary voyeurism. […] People Looking at Blood says, Look at this pile of carnage, with no clear story, source, assailant, or victim. Just look at it. Now look at others looking at it. (And I will be looking at you looking.)”

— The Art of Cruelty, Maggie Nelson

[keirametzbrassknuckles]

Ana Mendieta was murdered by her husband and fellow artist Carl Andre. This work became a self fulfilling prophecy and meditation on tragedy, the nature of violence, and peoples unwillingness to help.

And no I will not shut up about this.

[vdayucla]

By the way, her husband never went to prison for what he did.

[zegalba]

Yoshitomo Nara: Aomori-ken (Aomori Dog), 2005

[photografya-deactivated20230917]

you and me

[pinkdreamland]