Nigh Eve

Brae | 18

[hauntedbystorytelling]

André Varela :: The Rising Tide, date unknown. / source

[fragrantblossoms]

Masaya Nakamura, from Ema Nude in Africa (photobook), 1978.

[inneroptics]

Konstantin Kofta

[pedraqueandou-deactivated202008]

fevereiro, 2017 - diluiu-se em - des -

[mubiblog]

Josette Day & Jean Marais on the set of Jean Cocteau’s La Belle et la Bête

[thinkingimages]

Esther Teichmann | Untitled from Fractal Scars, Salt Water and Tears, 2012

[vaticanrust]

Debbie Harry airbrushed by H. R. Giger, 1981. Photo by Chris Stein.

[poetryconcrete]

Las Meninas, by Joel Peter Witkin, 1987.

[musicktoplayinthedark]

David Lynch

[poloniumtherapy]

Le train train quotidien

[habitantes-oazj]

PH - Frank Horvat - Rita Renoir. 1962

[regardintemporel]

Zygmunt Magner

[chamaland]

Moving Mixed Media made with a Corinna Rosteck photo of me dancing at Teufelsberg - Berlin, and one of my GENTLE MONSTER (automatic drawing)

[les-sources-du-nil]

Jeff Charbonneau & Eliza French

Gemini, 2007 from The Body Electric

[blueblackdream]

Hiroshi Sugimoto, Fox Theatre, Detroit, Mich., 1978

[unrar]

Neshat created the Women of Allah series between 1993 and 1997 upon returning from a trip to Iran after many years in exile during and following the 1979 Islamic Revolution. In this series, the veiled, gun-bearing women and the black-and-white photograph format suggest newspaper clippings showing Iranian women’s involvement in the Iran-Iraq War and Islamic Revolution. Handwritten verses over the body often act as an analogue to the spoken word and quote feminist poets and writers such as Furugh Farrukhzad and Tahira Saffarzada.

Shirin Neshat, Women of Allah

[tactilvision]

Shirin Neshat, “All demons flee”, 1995.