Michel Groisman - Transference, 1999 (Full video)
trying on a metaphor
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast
Lint Roller? I Barely Know Her

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No title available

#extradirty
Mike Driver
KIROKAZE

祝日 / Permanent Vacation
taylor price
DEAR READER

⁂
I'd rather be in outer space 🛸
Claire Keane
No title available
sheepfilms
Sweet Seals For You, Always
$LAYYYTER
d e v o n

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@objectier
Michel Groisman - Transference, 1999 (Full video)
Hussein Chalayan, Damien Jalet, Gravity Fatigue, 2015
Kader Attia, Tawaaf, 2009
Kader Attia, When Cardboard repairs Plastic # 3, 2016
eXistenZ (David Cronenberg, 1999): hands
daria martin, soft materials (2004)
“Soft Materials was shot in the Artificial Intelligence Lab at the University of Zurich where scientists research ‘embodied artificial intelligence’. This cutting edge area of AI produces robots which, rather than being programmed from the ‘head down’ by a computer ‘brain’, instead learn to function through the experience of their physical bodies.Soft Materials introduces to these robots two performers, one man and one woman, trained in body awareness, acutely sensitive to the nuances of movement, primed to mimic the robots in a play of reciprocity. These performers shed skins of soft fabric, bear their joints like the frank structure of a machine, and, nude, approach the robots as if they were sentient beings. Creating intimate relationships that are in turns tender, funny and eerie, they bend flexible human fantasy around tough materials.“ (dariamartin.com)
https://vimeo.com/182680910
Didier Faustino, 2015, Exploring Dead Buildings 2.0 2015
Heather Rasmussen, Untitled (Butterfly legs on pillow) , 2018 . Pigment print, 23 x 20 inches
Heather Rasmussen, Untitled (Hunting glass on arm and fingers), 2014, Pigment Print, 20 x 30 inches
Hyun Cho, A Checklist B, 2020
DOUG WHEELOCK never really liked his spacesuit. “It may look cool, but it’s 35 years old, smells like a locker room and there’s some discolouration on the inside,” he says. Yet that dilapidated old thing was all that stood between him and deadly cold nothingness during the NASA astronaut’s six spacewalks. “It’s actually kind of scary when you think about it,” he says.
Joana Vasconcelos
Lilicoptère, 2012
Bell 47 helicopter, ostrich feathers, Swarovski crystals, gold leaf, industrial coating, dyed leather upholstery embossed with fine gold, Arraiolos rugs, walnut wood, wood grain painting, passementerie
300 x 274 x 1265 cm
“Ash Dome” a living sculpture by artist David Nash
Antony Gormley
Quantum Cloud I, (1999)
Simon Stålenhag, Things from the Flood: Gameboy and Modem