Angus is alive. I doubt that I noticed this first, but I want to discuss . . .
By the way, itās time to talk about the fact that Aliceās ending is another chapter in the chronology of her madness. The station is a projection of a real place in her mind, but nothing more, and this is indicated by many things: the fog inherent in other gloomy locations, sparks that come from nowhere as echoes of a terrible past, Bumbyās deliberately villainous behavior in the process of Aliceās understanding of causes and consequences. And, of course, there is a scene that the developers would not have included so easily: the camera separates, covering the entire platform. Just for a moment, but this is enough to see that there is no one on the platform except Alice.
If Angus had been on the platform, then at least a piece of his shoulder, at least his back, at least the top of his head would have been visible, since he stood at the edge, between the columns. If we reject all the āifā and turn to perspective, then all of him would be clearly visible in this gap.
Actually, where is Bumby? He was thrown under a train? Oh, no! Bumby is in his office, savoring cĆøke and counting money, because the victory over the Dollmaker (an exaggerated image of Bumby) and Bumby are identical events. And both occur only in Aliceās mind, being dreams that differ only in the degree of realism.
Most likely, both the battle with the Dollmaker and the altercation with Bumby are a subconscious acceptance of her own innocence through the long-awaited āfindingā of the enemy and Aliceās metaphorical victory over guilt, finding the truth and destroying the cause of all events, at least in her own mind
It is extremely obvious and very, very interesting.
(If there are any mistakes here, forgive me, I used a translator. But I hope I managed to convey my thoughts ā”)
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