VideoLab

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“Rodar es ir a un encuentro. Nada en lo inesperado que no sea secretamente esperado por ti.” R.Bresson, Notas sobre el cinematógrafo

Quiela Nuc, Beso Con lengua  

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Apuntes para una futura investigación en profundidad: el jansenismo y Pascal en Rohmer y de Oliveira 

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Jeff Wall on Pedro Costa

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SUNKKU RMX es una canción de (des)amor que suena fuerte en el silencio de los desiertos andinos, que tiembla, se rompe, que borra y transforma lo que estuvo y ha dejado de estar.

Una pieza de Quiela Nuc a partir de Lacrau (João Vladimiro / Portugal / 2013).

Colaboración entre Márgenes y Máster Videolab de Creación Audiovisual Contemporánea.

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Gonzalo Puch, punto de partida

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Desistfilm

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MacDonald: There's a very unusual technique used in The Beginning. We see what is essentially a still photograph, which then goes into motion. That gesture is done over and over during an early passage of the film. It's almost like looking at the beginning of cinema. Peleshian: I was thinking of my own visual language. I was making an analogy to the way a train starts, gets going, and then stops. The film has its start, slowly it stops and starts, and then eventually the motion is continuous, like a train's.

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Anthony Gormley

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Questions about cinema, a documentary on Alexandr Sokurov

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Fragmentos #03 Javier Rebollo. On Kawara y los Flaneurs