How and where do actors find work?
Most actors have agents and they find work for the actors it can be local work or work where you have to travel. Agents mostly get calls or emails from directors about casting calls but you can also go to casting calls for smaller productions but you will normally need a agent to get big time roles. What some actors also do is find local prodctions such as pantomimes where getting an audition isn’t too hard to get. There’s also many acting schools around Britain that hold open auditions even if you don’t go there. Another way of getting work as an actor i start small by auditoning for theatre and then build up to bigger theatre productions which is an easy way of earning money to then get yourself an agent. There are also websites you can look at to find casting calls.
Most places don’t really care for a CV they normally like to see a video reel of the actors past work or a video of them auditioning for the role. Once they’ve seen a video of your past work and they want to see you they will call you in for an audition. After auditions and they like you you’ll be called back for another audition after callbacks you’ll be sent back home while the decision is made wether they want you or not.
There are quite a few ways to promote yourself, here are some i found:
1. Submit to casting websites.
2. Find an agent.
3. Hire a publicist.
4. Seek out a personal manager.
5. Start a production company.
6. Start your own web-based business that has to do with acting, hosting, commercials, etc.
7. Go sign up to do stage readings.
8. Use post-cards to keep casting directors informed, as well as production companies and agents you would like to know or who you do know, about acting work you have done recently.
9. Take a workshop with a casting director or agent you would like to know.
10. Go to industry events.
As i’ve already said there are many websites to help you with casting calls, here is one for example:
https://www.equity.org.uk/home/
How to prepare for an audition?
I found these top ten tips and they seem very useful, link to the webiste in bibliography.
1. Confidence. It sounds simple but it takes practice. Walk in the door with your held head high. Be wary of shuffling feet. You don't get sympathy points if you're nervous, not feeling well, or having a bad day. Leave it outside the door. You are being sized up the minute you walk in, so practice good posture and body language before you arrive. And don’t forget to smile – that's the lasting impression you want to leave.
2. Personality. Let it shine through. Don’t give one-word answers when having a conversation with the casting director. Ask questions! The industry is looking for smart, curious actors.
3. Connection. Make one with the reader. Memorize the material or be familiar enough with it to maintain eye contact. Knowing the dialogue is important, but making a connection with the reader is what will make the scene natural and believable.
4. Character. Know the character. Read the entire script beforehand to pick-up as many clues as possible. We know about a character by the following:
What he/she says about himself/herself
What other characters say about him/her
What the playwright or screenwriter says about him/her
5. Objective. Go underneath the dialogue. What does he/she want from the other characters? What is the character’s purpose in the scene/story?
6. Obstacle. What's in the way of the character getting what he/she wants? Acting is what happens to you as you TRY to get your objective met, in spite of the obstacle.
7. Opposites. Yelling isn't the only way to show hatred or anger. Sometimes being quiet as you make your point is a powerful display of emotion. Playing opposites is a much more interesting choice than the obvious.
8. Love. Find the love in the scene. Even nasty characters should be likeable on some level. Find a moment in the scene where the love can show through.
9. Act. Acting means TO DO, not to talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone & Maggie Lloyd-Williams.)
10. Variety. Feel the levels and dynamic in the scene. Don’t play one emotion. If the character is angry or tough, when might he/she show some vulnerability?
During rehearsals, depending on what emotion the actor is supposed to be portraying the director will tell them to think of a time they really felt that emotion and once they have the emotion in mind the director will start rehearsing that scene so it looks like they really do feel that emotion.
Rehearsal time isn't just about practicing lines, it's about establishing characters relationships with the other actors. If your characters are supposed to be members of a football team, get them to workout together and play football as a team. Particularly when working with child actors, it’s important to form a natural bond that characters would share such as a mother and daughter, father and son or siblings. Perhaps the actors might go together to a baseball game or a theme park in character. The more inexperienced your actors, the more time they should spend in character focused bonding activities.
Improvisation is also a wonderful opportunity to allow your actors to own their characters. Create a scenario for the characters outside of the script, and allow them to play out the scene. Perhaps you want the characters to play out the day before the script begins or moments before two characters meet. Improv can also be a great teaching opportunity, swap roles with your actors allowing them to step into the shoes of other characters in the script and gain perspective into the relationships as well as how each character fits into the unique world represented in the script. Get involved in the improv games by acting out characters in the script so they can see how you would embody that character without you directly saying, “Play that character like this.”
It’s hard being an actor as it’s really hard to find work as you have a lot of competition from beginners to A-list celebrities. Sometimes places wont hire you if you have no exerience and some wont hire you if you’ve not hit it big time. It’s also hard finding work as if you don’t meet the standards of what the character looks like you have a slim chance of getting the role.
There’s also the fun side of being and actor, here’s a list of a few:
Wearing a whole variety of costumes from every period in history
Getting to wear a whole variety of wigs, both men and women
Getting to wear prosthetics and fun makeup for each different role
Getting to play characters from all throughout history, from various cultural, ethnic, religious, and socioeconomic backgrounds
Getting to speak beautiful dialogue, monologues, and soliloquies from great playwrights like Shakespeare, Oscar Wilde, Arthur Miller, and David Mamet
Getting the instant gratification of applause and standing ovations from a live audience
Getting to create art onstage with co-actors
Moving an audience to tears or to laughter, depending on the situation
Getting to work with like-minded artists to create a collaborative work of art
To learn history and other things about the human condition from meaningful historical plays or new works
Getting to work in all different theatre spaces (stages) from outdoors, proscenium arch, in the round, 3/4 thrust and more
If in film, getting to work in different locations all over the world
Having a part in making a difference in the lives of viewers
Entertaining people and making people happy
Educating people (audience)
Working with visionary directors and stunningly talented designers
Learning and executing complicated fight choreography
Researching the history and cultural background of your character
Learning new and unique accents and dialects
Learning about different cultures
Getting to escape from your own life, and be a different person, perhaps nothing like you
The hours (late mornings, evenings....good for night people)
Meeting celebrities, politicians, and people in the community
Developing close friendships and romances with fellow actors and crew
Interrelatonships with other arts proffesionals
A hair and make-up proffesional would be used for touching up the actors face when finishing a scene to make sure all the make-up is how it’s supposed to look. They also make sure their hair isn’t going to fall out of place during a scene and that they look how they should look during that certain scene.
A make-up artist is allowed to apply cosmetics only from the top of the head to the top of the breastbone, from fingertips to wrists and from toes to ankles.
A body make-up artist applies cosmetics as required to any other areas of the actor's body. While the regular make-up artist generally works throughout filming, the body make-up artist is hired per day when needed.
This department oversees the mechanical effects—also called practical or physical effects—that create optical illusions during live-action shooting. It is not to be confused with the Visual effects department, which adds photographic effects during filming to be altered later during video editing in the post-production process.
Special effects supervisor
The special effects supervisor instructs the crew on how to design moving set elements and props that will safely break, explode, burn, collapse and implode without destroying the film set. S/he is also responsible for reproducing weather conditions and other on-camera magic.
Special effects assistant The SFX assistants carry out the instructions of the special effects supervisor, building set pieces like breakaway furniture and cities in miniature, lighting pyrotechnics, and setting up rigging equipment for stunts.
The costume designer is responsible for all the clothing and costumes worn by all the actors that appear on screen. They are also responsible for designing, planning, and organizing the construction of the garments down to the fabric, colors, and sizes. The costume designer works closely with the director to understand and interpret "character", and counsels with the production designer to achieve an overall tone of the film. In large productions, the costume designer will usually have one or more assistant costume designers.
The costume supervisor works closely with the designer. In addition to helping with the design of the costumes, they manage the wardrobe workspace. They supervise construction or sourcing of garments, hiring and firing of support staff, budget, paperwork, and department logistics. Also called the wardrobe supervisor, although this term is used less and less.
The key costumer is employed on larger productions to manage the set costumers, and to handle the star's wardrobe needs.
The costume standby is present on set at all times. It is his/her responsibility to monitor the quality and continuity of the actors and actresses costumes before and during takes. (S)he will also assist the actors and actresses with dressing.
A breakdown artist may be employed during the pre-production period to break down garments. This specialized job includes making new clothing appear dirty, faded and worn.
On large productions a buyer may be employed to source and purchase fabrics and garments. A buyer might also be referred to as a shopper. This distinction is often made when the lead actor in a production has control over their wardrobe, and they may personally hire this person.
A costume technician who fits or tailors costumes, usually on-set. They might also be called fitter, seamstress or tailor. Some celebrity actors have favorite cutters, and larger productions may hire several and have them on set at the same time, particularly in period film projects that might have complicated or expensive extras wardrobe.
I’ve underlined where the requirements are needed and there doesn’t seem to be and qualifications neeed.
https://answers.yahoo.com/question/index?qid=20121208150750AACz2eT
http://www.backstage.com/advice-for-actors/backstage-experts/how-does-casting-process-work/
http://www.actingcareerstartup.com/self-promotion_for_actors.html
http://www.backstage.com/advice-for-actors/backstage-experts/10-tips-winning-audition/
https://www.videomaker.com/article/c18/17817-rehearsing-with-actors
https://www.quora.com/How-hard-difficult-is-it-living-the-life-of-an-actor
https://www.quora.com/What-is-the-most-fun-part-of-being-an-actor
https://vimeo.com/blog/post/whos-who-on-a-movie-crew
http://entertainment.howstuffworks.com/movie-make-up-artist1.htm
https://en.wikipedia.org/wiki/Film_crew#Costume_department
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