perhaps perhaps perhaps @oncemoreintothefray - Tumblr Blog

Droodles by Roger Price (from his 1953 book). Droodles (a blend of “doodle”, “drawing”, “riddle”) are simple drawings with a witty, often absurd, caption. The first one, as some of you may know, was used by Frank Zappa for his 1982 album, Ship Arriving Too Late to Save a Drowning Witch. (Zappa, a fan of Price's work, lived just a few miles from the artist and personally sought permission to use the image.)

These come from the 1972 edition of the book.

bakwaaas

immortalbeingz

athelind

If you search "Keyhole Gardening" on StartPage or any other search engine that isn't AI-corrupted, you'll get a bumper crop of information.

The Wikipedia page is very detailed.

victusinveritas

Also adding some book recommendations on Permaculture from the fine folks at Lithub.

mythigal1966

@gallusrostromegalus

fandom-man

thecollectibles

Art by John Park

eelhound

"In a famous scene in Book 6 of 'The Iliad,' Andromache, accompanied by her baby son and enslaved nurse, begs her husband, the great Trojan warrior Hector, to adopt a less dangerous military strategy, rather than face the enemy on the open plain. He refuses, and they part for the last time. In the original Greek, the wife and husband each use the same word to address one another: 'daimonios.' The word is cognate with 'daimōn' — 'spirit' or 'deity' (from which we get the English 'demon') — and presumably suggests, in its most literal sense, that a person is influenced by some superhuman power. Yet it is surprisingly common in Homer, generally used when one individual addresses another. It is sometimes taken to suggest little more than 'Sir' or 'Ma’am'; sometimes the context suggests it is negative ('possessed' or 'crazy'), sometimes the opposite ('You marvelous person!').

Many translators of this scene use different renditions of the word in the two instances. In Lattimore, Andromache calls Hector 'Dearest,' while he calls her 'Poor Andromache!'; in Fagles, Andromache calls Hector 'Reckless one,' while Hector calls Andromache 'Dear one'; in Fitzgerald, Andromache uses 'Wild one,' and Hector uses 'Unquiet soul' (a lovely phrase lifted from Shakespeare’s 'Merchant of Venice' — although oral poetry does not abound in clever literary quotations). I felt it was important to use the same word for both the wife addressing the husband, and the husband addressing the wife, to echo the symmetry suggested in the original, and I used 'strange' in both instances ('strange man … strange woman,' echoing the different genders of the original). I hoped that this word might hint at the Greek term’s suggestion of something unusual, perhaps divine or inhuman. This heartbreaking scene evokes both deep intimacy and profound estrangement between husband and wife, one of whom will soon be dead and the other enslaved."

- Emily Wilson, from "Emily Wilson on 5 crucial decisions she made in her ‘Iliad’ translation." Washington Post, 20 September 2023.

killtheshow

i love when characters lie to themselves in the complete privacy of their own minds

myjetpack

My next book of science cartoons Physics for Cats is available to preorder now! Links here: www.tomgauld.com

dearparentheses

Frances Featherstone

thememedaddy

american-auror-story

important-animal-images

A patron came in to the library a few weeks ago looking for a copy of "The Tale of Peter Rabbit". She said she wanted to replicate Peter's coat for her daughter's rabbit. Library staff found her the book thinking she meant a stuffed rabbit. But, lo and behold, it was a real rabbit! Introducing... Melvin Rabbit!