<il neige> 2020, On Kim
One Nice Bug Per Day
Jules of Nature
RMH
The Bowery Presents

izzy's playlists!

@theartofmadeline
h

blake kathryn

#extradirty
Misplaced Lens Cap
he wasn't even looking at me and he found me
🪼

tannertan36
NASA

PR's Tumblrdome
Cosmic Funnies
No title available
official daine visual archive
🩵 avery cochrane 🩵
$LAYYYTER
seen from United States

seen from United States

seen from Italy
seen from Mexico
seen from Türkiye

seen from United Kingdom
seen from Germany
seen from Italy

seen from Singapore
seen from United States

seen from Mexico

seen from United States
seen from Argentina
seen from Ecuador
seen from United Kingdom
seen from United States

seen from United States
seen from United States
seen from United States

seen from Türkiye
@oooon
<il neige> 2020, On Kim
Bicho (study), 1960
Lygia Clark
Mixed MediaAdhesive tape, balsa wood, graphite, cardboard
28.5 x 42.5 Size (cm)11.2 x 16.7 Size (in)
Untitled, 2017
N. Dash
Mixed MediaAdobe, oil, acrylic, gesso, wood stick, string, linen, canvas, jute, wood support
236.0 x 155.0 Size (cm)92.9 x 61.0 Size (in)
All The Names (Legs), 2016
Liz Magor
Sculpture
Silicon rubber, miscellaneous objects27.3 x 44.5 x 33.0 Size (cm)10.7 x 17.5 x 13.0 Size (in)
Fergus Feehily Misako & Rosen “Early Lonesome” 16.1. – 29.2.2020
Artist: Channa Horwitz
Venue: Ghebaly Gallery, Los Angeles
Exhibition Title: Structures
Date: September 15 – October 20, 2018
How to Work Better, 1991
Screenprint on paper, in six colors27 3/5 × 19 7/10 in70 × 50 cm
"Peter Fischli David Weiss: How to Work Better" at Solomon Guggenheim Museum, New York
Installation view, Thea Djordjadze, 'listening the pressure that surrounds you', Sprüth Magers, Berlin, April 30 - June 25, 2016
Gedi Sibony That's Tall's Tale 2005 Plastic, tape 152.5 x 152.5 cm
In That’s Tall’s Tale, Sibony configures a ‘painting’ from plastic sheeting and packing tape, with the irregular shape of the ‘canvas’ drawing reference to artists such as Ellsworth Kelley and Frank Stella. By exposing exactly how the work was made, Sibony instigates a performative role for the artistic process, focusing attention on the subtle tensions within the composition and its very considered and sophisticated balance of form, materiality, and space. Through this intense scrutiny, Sibony affirms the authenticity of artistic integrity, positing a refined connoisseurship of, and heightened sensitivity to, visual tradition as an intrinsic and enduring value.
Gedi Sibony Untitled 2009 Plastic sheet, packing tape, ink 290 x 183 cm
Sibony’s Untitled is a monumental assemblage of plastic wrapping and packing tape. Its overwhelming scale magnifies its fragile physicality, making its precarious presence simultaneously awesome and embarrassed. At first glance Sibony’s piece seems happenstance, as if the packaging of a work had been hung, rather than the work itself. The brown tape however, forms a rough image of a canvas on an easel; sketched out on the clear tarpaulin, Sibony’s witty conceptual game challenges expectations of perception and demythologises the processes behind art production – from the laborious work in the studio to final exhibition - making the creative methodology quite literally transparent.
Here Is Information. Mobilise. Selected Writings by Ian White
Last August, a group began meeting at Artists Space to read essays by the writer, curator, teacher, and artist Ian White (1971-2013), taken from the publication of his selected writings, Here Is Information. Mobilise. (LUX, 2016).
JANICE KERBEL Score, ‘Blast’, 20159 silkscreen prints on paper Composition: 98 ⅜ x 64 ⅝ inches (250 x 164 cm) Sheets (each): 22 ⅞ x 33 ⅛ (58 x 84 cm)
JANICE KERBEL Installation view, Score, Catriona Jeffries, 2015
Adriaan Verwée
Mauro Cerqueira, ‘Interpunction # 4’ : Adriaan Verwée, ‘Early works, late monuments’ : Julia Spínola, ‘The drum in the mouth’ Gallery Tatjana Pieters 13 January - 17 February 2013
Exhibition view, A Room inside a room, Casey Kaplan, New York, 2015
Mateo López
1. Old Ideas Stuck in Corners, 2015 Pine, plywood, white enamel, paper, ink, watercolor, black string, veneer, graphite 7, each: 104 x 72.5 x 2.5" / 264.2 x 184.2 x 6.4cm
Mateo López 2. R/e/a/d/i/n/g Positions (After Bruno Munari), 2015 Cut books, found objects 11.8 x 90 x 72" / 30 x 228.6 x 182.9cm
Geoffrey Farmer: Cut nothing, cut parts, cut the whole, cut the order of time
Title : Exhibition view Website : http://caseykaplangallery.com/ Credit : Courtesy the artist and Casey Kaplan Gallery
Dora Maurer, « QuodLibet48ANo432 », acrylique sur bois, 244 x 50, 2006. Collection privée. - Topographie de l'Art
Ágnes Háy, Dóra Maurer at Badischer-Kunstverein Dóra Maurer
----
Proportions 1976 Film Duration: 10 minutes and 16 seconds Photo: White Cube (Prudence Cuming Associates Ltd)
Ulises Carrión, Reading II, 1974
Exhibition title: Under Construction
Venue: Páramo, Guadalajara, Mexico
Date: May 29 — July 18, 2015
Artists: Adrián S. Bará, Javier Barrios, Ulises Carrión, Thomas Glassford, Faivovich & Goldberg, Daniel Guzmán, Friedrich Kunath, Joel Kyack, Helen Mirra, Gareth Moore, Jon Pylypchuk, Amanda Ross-Ho, Carolyn Salas, Emanuel Tovar, Kerry Tribe, Naama Tsabar