how come they make you reinvent the concept of dinner every evening. I have to make dinner come true every evening like some kind of unpaid genie intern

oozey mess
Cosmic Funnies

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

⁂

❣ Chile in a Photography ❣
Stranger Things
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Peter Solarz
TVSTRANGERTHINGS
Xuebing Du
YOU ARE THE REASON
Three Goblin Art
Mike Driver

pixel skylines
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"I'm Dorothy Gale from Kansas"
ojovivo
NASA
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@opalescent-potato
how come they make you reinvent the concept of dinner every evening. I have to make dinner come true every evening like some kind of unpaid genie intern
Is Count Binface a hear me out, or is that a conventionally attractive bin?
Well?
hear me out
conventionally attractive bin
a world where we can meet
i feel like people aren't getting how dire ai is. we are running out of drinkable water. our brains aren't engaging as much with what we see and hear. people near data centers don't get clean water and experience electricity blackouts. it's being used to make pornography of underaged people and women. it often just lies. it affirms everything. it lies. it has made people kill themselves. it lies for gods sake. and people act as if im dramatic for being staunchly against it. 'now i KNOOW you hate ai and whatever, but look at this cute video' this isn't me being a new age puritan about internet videos, this is about the fucking earth and our future living on this planet. people are suffering now, people will suffer more, and my friends and parents will roll their eyes and think im annoying for despising ai so explicitly. we need to wake up because we cannot live like this
Kanto Pilgrimage Scroll
(available as a scroll print here)
🪩 🎶 🦀 🦀 🦀 🎶 🪩
drew a mbtv-ish version of one of my fav mental images from Fugitive Telemetry:
Ratthi and Gurathin halted behind me in confusion. I had trained them too well to step past me in a situation like this, walking into a strange place, but Ratthi peered around my side and Gurathin stood on his tiptoes to see over my shoulder.
re: training: made myself laugh with my own tag: also i keep thinking of that 'go my scallops' meme but in reverse. stop, my scallops (human + augmented human)
so i illustrated a chibi version of it:
This is the only known photo of the first trans woman to have her gender legally recognized in Switzerland.
In 1914, Adine T. sent a letter to her local police to grant her a pass to dress as she pleased. She petitioned that "I be granted permission to live as a woman, to wear female clothing and to pursue female occupations, and to be considered a woman before the world in all and every respect, since my emotional feelings are totally feminine and I feel unspeakably unhappy in male clothing."
Her gender was so clear that even the conservative Swiss government had to recognize it. Obtaining permission to live as a woman "is a matter of life and death for me," Adine added.
111 years ago, it was the first pass of its kind in her nation (although not the first in Europe). When interviewed, Adine described herself similarly to other trans lesbians in the 20th century: "a homosexual woman in a male body.” Source: Matthias Ruoss, "Arnold, Arnoldine, Adine."
all systems red
@justcakethanks I know you're "drowning in these" buuut... such an inspo 😂 (along with some "engineer English" from multinational workplace)
i love the phrase 'i dont go here but...' like you're so in awe of my work you have decided to trespass into a fandom you dont belong to just to appreciate it. i love everyone who doesn't go here
it’s not weird to find fanfiction from 2021, or 2017, or 2014 that you’ve never read and actually taking your time to read it.
it’s not weird to love it and comment and leave kudos because the author will probably still see it someday and it will make them happy.
it’s not weird to like said author’s work so much that you want to go look for other fics from them.
it’s not weird to go through the authors profile and look for other fics from the ships you like (or maybe some that you’ll give a chance because you liked the author) and maybe bookmark them for later.
it’s not weird to read these other fics and like them too and comment on them because you actually like them and you want to let the author know.
it’s not weird to read fanfiction from 5, or 8, or 10 years ago and actually enjoy and engage with it because it’s perfectly normal to relate to something that’s less than a decade old!
let’s stop treating fanfiction like they’re instagram posts that stop being interesting in 24 hours! fanfiction is NOT social media, fanfiction is art!!! and art doesn’t get old in one day, one year, or even a decade!
read fanfiction! write fanfiction! comment on fanfiction! let’s not let fanculture die people!!!!!
Not only is it not weird, it is ACTIVELY ENCOURAGED. Authors LOVE IT when people do this!!! Its not "weird" and its not "neutral" -- its a fucking DELIGHT. Feel very absolutely free to read though an author's entire back catalogue, leaving kudos and/or comments along the way; we absolutely freaking love when someone does this. There is nothing more joyful than getting a comment notification for an old fic. It will make our day, I promise.
"A Private Adoration" View on AO3
This is stunningly beautiful art
David Dastmalchian in Metanoia part 5
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.