My cat had surgery last week. Now he hides.
almost home
NASA

No title available
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium

â
sheepfilms

izzy's playlists!
ojovivo
The Bowery Presents
I'd rather be in outer space đ¸

shark vs the universe
Sweet Seals For You, Always
will byers stan first human second
đ
One Nice Bug Per Day
The Stonewall Inn
Show & Tell

Love Begins
"I'm Dorothy Gale from Kansas"
seen from Brazil

seen from El Salvador

seen from Latvia

seen from Brazil
seen from Venezuela
seen from Indonesia
seen from TĂźrkiye
seen from Morocco
seen from France

seen from United States

seen from Malaysia

seen from Argentina

seen from Portugal
seen from United States

seen from Russia
seen from Paraguay

seen from Colombia

seen from United States
seen from United States
seen from Iraq
@orangejulii
My cat had surgery last week. Now he hides.
Overlock Stitch by @clothes_reetzy
Damn, that's useful
ED NORTON SPRINGS TO LOVEâS DEFENSE Rocker-cum-actress Courtney Love and her People vs. Larry Flynt co-star Edward Norton have been less than forthcoming in the media in regard to their reported romance, but that was before Love was slighted in the pages of the venerable New Yorker. Now Norton - a knight in shining armor who realizes that the pen is mightier than the sword - has responded with that valiant defense, the Letter to the Editor. Nortonâs missive, published in this weekâs edition of the mag, was in response to last monthâs âEndless Love,â a piece by Daphne Merkin centering on Nick Broomfieldâs controversial documentary Kurt & Courtney. The film, filled with speculation that Loveâs husband Kurt Cobain was a murder victim rather than a suicide, features a litany of Love-haters anxious to air their grievances. The magazineâs coverage of Broomfieldâs film - along with Merkinâs thoughtful contributions - didnât sit well with Norton. âIf Nick Broomfield never found anyone with affection for Courtney Love, as Daphne Merkin suggests, itâs only because he conspicuously avoided the countless friends, colleagues, and fans who appreciate her talent and admire her as a person,â Norton writes. âBut then, why would Broomfield have opened up his film to those of us who work with Courtney and are close to her when there were so many bitter left-behinds and desperate attention-seekers eager to validate his attack on her character?â Norton compares Broomfieldâs documentary to a classic witch-hunt: âInquisitors in every age, scared of forceful women, have used all kinds of half-baked testimony to whip up chants of âBurn the witch!ââ The actor accused Merkin of âsimply capitalizing on the prurience of Broomfieldâs tabloid trash by repeating it. Her only original contribution is her conclusion that Courtney was of more value as an icon of pain and self-destruction than she is as a complex, evolving, and healthy human being - a conclusion that is sexist, intellectually shallow, and spiritually bankrupt. In the end, Courtneyâs achievements will speak louder than any of her critics.â - Mr. Showbiz (http://www.mrshowbiz.com) Tuesday, July 7, 1998
Repo Man
Have you seen The Hudsucker Proxy (1994)?
Yes
No
Havenât even heard of this movie
Have you seen Grosse Pointe Blank (1997)?
Yes
No
Havenât even heard of this movie
On the roof of a residential building, Earth
Have you been here?
I have been here
I have not been here
"This carnivorous and ferocious dinosaur demands much respect and caution."
I gotta hand it to sandler that this scene is exactly what listening to that song feels like.
me when i gET YOU
Vanessa Redgrave and Oliver Reed in The Devils (1971)
PowerWolf defiantly took inspiration from this film for their music video for âDemons Are a Girlâs Best Friendâ.
Godzilla movie posters created by the legendary artist Noriyoshi Ohrai.
The Golden Girls â 5.26: The Presidents Coming! The Presidents Coming!
Have you ever heard the story about the boy who cried wolf?