I need to go into the forest and scream for an hour and a half

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@orchid-child
I need to go into the forest and scream for an hour and a half
sorry for romanticising the mundane. i have little else
If you're struggling to write sex, write food. if you're struggling to write food, write gore. if you're struggling to write gore, write sex. They're all variations on the same themes.
it's all sensation and consumption and intimacy. it's all violence and beauty and taste. it's all wild and animalistic and elevated by our humanity. it's all deeply cultural and symbolic. it's all enjoyed by every sense the body has to offer.
"copper syrup drenched her tongue as she dug into its flesh" can be the act of eating pussy, biting through skin, or eating a piece of fruit.
{Words by Anaïs Nin, from The Diary Of Anais Nin, Vol. 4 (1944-1947) / Cynthia Cruz from diagnosis,The glimmering room}
Andrea Gibson, Lord of the Butterflies
I remember one of my favorite professors saying that the way he read the iliad changed when he became a parent and I think about that a lot
like it’s about thetis helping her son to disastrous ends it’s about zeus knowing his son is doomed and being unable to save him it’s chryseis’ father trying to bargain his daughter back from the greeks it’s hector and andromache wishing their son will survive but knowing he won’t it’s priam kissing the hand of the man who killed his son just to be able to bury him. the iliad is so fundamentally familial
via @thesarosperiod
'bear in mind' well yes there are bears in my mind. hibernating and eating berries and hunting for salmon and such, etc etc
what the fuck is rizz. tell me i’m the knife you twist inside yourself
I’ll embrace all your versions.
Details by Roberto Ferri.
Louise Glück, from “Blue Rotunda”, Averno
𝔚𝔥𝔞𝔱’𝔰 𝔫𝔬𝔱 𝔱𝔬 𝔩𝔬𝔳𝔢? 🥖🍷🧺🍇🪟☕️🫖
The Hanged Man. Art by Nicolas Bruno, from The Somnia Tarot.
Andrea Gibson, Lord of the Butterflies
– Stephen Crane, “In the Desert”
Sorry I’m late I was touching soft moss on a stone wall