Happy birthday to us! We turned one year old today. What a great year it's been, thank you all for the support! And it's only bound to get better and better. What a day to celebrate, cheers and congrats to all Americans!
trying on a metaphor
we're not kids anymore.
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DEAR READER
Alisa U Zemlji Chuda
RMH
Jules of Nature
d e v o n
Three Goblin Art

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hello vonnie

祝日 / Permanent Vacation

if i look back, i am lost
YOU ARE THE REASON
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Game of Thrones Daily
art blog(derogatory)
Monterey Bay Aquarium
cherry valley forever
TVSTRANGERTHINGS

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@orpheusstandingalone
Happy birthday to us! We turned one year old today. What a great year it's been, thank you all for the support! And it's only bound to get better and better. What a day to celebrate, cheers and congrats to all Americans!
We are happy to announce that Volume 7: Analysing the Evidence is now available for Pre Order! £6 per volume.
Within Analysing the Evidence, 11 photographers question truth, the limitations of photography and the complexities the photograph represents not only for the viewer, but also the photographer. Concerned with our rooted relationship with photography and what that relationship means, Analysing the Evidence studies the photograph through a forensic lens, questioning everything.
Photo projects by: Lisa Barnard Peter Watkins Nicholas Albrecht Alex Webb Floto and Warner Haydn Ward-Streeter Lola Thomas Robin Cracknell Clay Smith Orpheus Standing Alone
Contributors: Patrick Graham Rory Duckhouse Cliodhna Ryan Harry Rose Ryan Grimley Christian Fowler
http://darwinmagazine.bigcartel.com/…/volume-7-analysing-th…
Cover image ©Lisa Barnard
Menq Enq Mer Sarere / Available at www.draw-down.com / A collection of works that chant an ode to memory. Collages, photographs, poems intertwined seek a new way to think our memory. As something intrinsic and ever-lasting, a memory for which no recollection is necessary. These works have purposely been produced in commemoration of the Armenian Genocide (1915-2015) #design #book #collage #images #memory #ArmenianGenocide
JONATHAN CHERRY: What did you want to be growing up?
CAMILLE LÉVÊQUE: I definitely wanted to be in the creative industry. I studied Arts and Literature and since high school my work always bounced from fine art to photography until I slowly realized it could be both. I also considered being a professional basketball player at some point which was ridiculous since I’m rather short and sucked at it.
JC: Who or what is inspiring you at the moment?
CL: I have various very strong influences. Sergueï Paradjanov, AndreÏ Tarkovsky, Sophie Calle, Martin Parr, René Magritte, remain absolute references when it comes to visual arts.
Lately I have been following the work of a few young photographers that have been inspiring me loads: Alessandro Ruggieri, Ren Hang, or Lukasz Wierzbowski among others.
JC: What are you up to right now?
CL: Moving to Los Angeles and working on a new website for my non photographic works.
Also in 2014 I created a small self-publishing house with my sister Anna. It is called Orpheus Standing Alone and we are on several projects right now. We just published a pretty neat book of texts, collages and photos about our Armenian roots. And we’ll soon publish a fanzine on the father figure. It’s taking most of our time.
JC: Have you had mentors along the way?
CL: Not really.
JC: Where are you based right now and how is it shaping you?
CL: I am currently in transit in Paris, where I’m from but will soon be going back to California. I was in Oakland for a while and it was amazing living there. It had stopped photography for a few years and living in Oakland definitely woke up an urge in me to document things and produce pictures.
I am now moving to Los Angeles which I love and am hoping to incorporate a strong and active community to be challenged and stimulated. California’s natural light really is amazing for a photographer and there is something about Los Angeles that makes you want to take pictures of everything, so I am looking forward to being there. Moving a lot shaped me into a stronger more independent person, it is quite an amazing feeling to re-create everything from scratch and being able to feel comfortable everywhere rather quickly.
JC: One piece of advice to photography graduates?
CL: I didn’t graduate myself because I believed school wasn’t for me and still strongly believe it is always better to be « street smart » than « school smart ». Obviously it’d be amazing to be both but what I am saying is even though I value education more than anything I wanted to learn from myself, which I did (I am self-taught in photography) and felt like I was evolving more on the field. That being said, today I miss the fact that school builds you around a community. It would have been nice to have classmates, friends that share interests and goals. I am a total loner and start to realize it is slowing me down to be isolated like that. So yeah, if you study photography try and enjoy the facilities you have (access to great lectures, equipment, showcases) but be sure to always be working on the side, you should learn from other but see for yourself.
JC: If all else fails - what is your plan B?
CL: The idea of having a wide range of life plans freaks me out. In what kind of state are you when you reach plan K? Everything is so unsteady and you never know what life has in store for you so I feel like one should take it one step at a time and adapt to the situations while fighting to stick to its goal. If you have a passion there are no plan B’s, you’ll just make it work.
JC: Is it important to you to be a part of a creative community?
CL: Having thought about it a lot recently, yes. Very much actually. I always thought I wouldn’t fit in a group of creative folks or a community and even thought I am still not sure that I would, I want to give it a try. I keep seeing artists that have great creative surroundings and they obviously blossom from it. You have a network, you spread your work faster and more efficiently, you are stimulated, challenged, it seems highly beneficial. Also you get actual feedback on your work, that are relevant and constructive, especially in criticism.
MULL IT OVER on twitter MULL IT OVER on instagram
Menq Enq Mer Sarere / Available at www.draw-down.com / A collection of works that chant an ode to memory. Collages, photographs, poems intertwined seek a new way to think our memory. As something intrinsic and ever-lasting, a memory for which no recollection is necessary. These works have purposely been produced in commemoration of the Armenian Genocide (1915-2015) #design #book #collage #images #memory #ArmenianGenocide
This is the 13th edition of our Q&A blog series titled “The Expired Eight”. Our aim is to highlight instant film photographers using expired film in a variety of formats. Today’s Q&A is with Camille Lévêque Lévêque! Camille is a 29 year old French photographer based in Oakland, California....
Good news just won't stop coming. We'll be LAUNCHING OUR BOOK IN PARIS. It'll be on the 24th. It'll be atOfr.librairie,galerie. It'll be marvellous. There'll be beautiful people. There'll be booze (so that people come). There'll be music. There'll be films. There'll be our new book! The more the merrier. SPREAD THE WORD!
https://www.facebook.com/events/1585209508412442/
Camille Lévêque (website/tumblr)
Camille Lévêque
camilleleveque.com
camillelevequephotography.tumblr.com/ insidecamilleleveque.tumblr.com