by Luyao Wu

tannertan36
Cosmic Funnies
Mike Driver
Sweet Seals For You, Always

titsay
Sade Olutola

oozey mess
wallacepolsom
ojovivo
The Bowery Presents
we're not kids anymore.

#extradirty
almost home
Show & Tell
art blog(derogatory)
NASA
"I'm Dorothy Gale from Kansas"
YOU ARE THE REASON
Fai_Ryy
The Stonewall Inn

seen from United States
seen from Colombia
seen from United States
seen from United States

seen from Guam
seen from United States
seen from Germany

seen from Australia

seen from India
seen from Brazil
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from Canada
seen from Japan
seen from United States
@outraspraias
by Luyao Wu
my own private idaho (1991) dir. gus van sant
Keeping Things Whole, Mark Strand
“Is not the most erotic portion of the body where the garment gapes? In perversion (which is the realm of textual pleasure) there are no “erogenous zones.” […] It is intermittence, as psychoanalysis has so rightly stated, which is erotic; the intermittence of skin flashing between two articles of clothing (trousers and sweater), between two edges (the open-necked shirt, the glove and the sleeve); it is this flash which seduces, or rather: the staging of an appearance-as-disappearance.”
— Roland Barthes, The Pleasure of the Text
A View Through a Window, with Vine Leaves - Maximilian Albert Hauschild
German , 1810-1895
Oil on paper , 13,4 x 12.3 cm. 5 1/4 x 4 7/8 in.
GEORGE OPPEN
Paper Magazine ad, September 2002
they are awarding me an honorary doctorate for my work on tumblr.com
jordan kristine seamón and jack dylan grazer in we are who we are (2020) dir. luca guadagnino