that weird shit don't surprise me no more i just be like damn you one of them too
Sweet Seals For You, Always
Xuebing Du
Claire Keane
I'd rather be in outer space 🛸
Mike Driver
Sade Olutola
sheepfilms
Monterey Bay Aquarium

blake kathryn

Discoholic 🪩
One Nice Bug Per Day

Game Changer & Make Some Noise

izzy's playlists!
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🩵 avery cochrane 🩵

roma★
almost home
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Noah Kahan

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@ozzzxy
that weird shit don't surprise me no more i just be like damn you one of them too
Susan Sontag, from As Consciousness Is Harnessed to Flesh: Journals and Notebooks 1964-1980
PAM GRIER Sheba, Baby (1975) | dir. William Girdler
the ocean at sunset is the most beautiful thing
Peonies 💐✨💗 (prints | originals)
The shirt is available HERE!!!
Ralph Gibson - Lovers, Central Park, 1968.
Carved rose quartz, enamel, and diamond heart pendant, Vaibhav Dhadda, c. 2021 (at 1stdibs)
漫画大快楽
Adit Priscilla by Alice Neale for POP Magazine - September 2021
Cameos featuring detailed profiles of Black men and women in precious metals and jewels were popular in many European countries. The ones above date circa 1600-1800. Some art historians relate the style above to depictions of the goddess Diana, others relate them to the association of Blackness and wealth that came though trade in the Middle ages and Renaissance.
You can read more about cameos like these in Black Africans in Renaissance Europe By K. J. P. Lowe, p. 204-206, and Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England By Peter Erickson & Clark Hulse, p. 193-198.
Aretha Franklin photographed by Barry Feinstein in Los Angeles, 1972.
Doechii & Ravyn Lenae
shot by Ryley Paskal
art direction by Gregory Vogel