that weird shit don't surprise me no more i just be like damn you one of them too

祝日 / Permanent Vacation
Not today Justin

No title available

blake kathryn
he wasn't even looking at me and he found me
Xuebing Du
occasionally subtle

★
trying on a metaphor
Cosimo Galluzzi

izzy's playlists!

⁂
Sade Olutola
almost home

@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ
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Peter Solarz
No title available

shark vs the universe

seen from Malaysia

seen from Malaysia
seen from United States

seen from United States

seen from Spain
seen from United States

seen from Mexico

seen from Malaysia
seen from United States
seen from United States

seen from Czechia
seen from Indonesia

seen from United States
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seen from Bolivia
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@ozzzxy
that weird shit don't surprise me no more i just be like damn you one of them too
Susan Sontag, from As Consciousness Is Harnessed to Flesh: Journals and Notebooks 1964-1980
PAM GRIER Sheba, Baby (1975) | dir. William Girdler
the ocean at sunset is the most beautiful thing
Peonies 💐✨💗 (prints | originals)
The shirt is available HERE!!!
Ralph Gibson - Lovers, Central Park, 1968.
Carved rose quartz, enamel, and diamond heart pendant, Vaibhav Dhadda, c. 2021 (at 1stdibs)
漫画大快楽
Adit Priscilla by Alice Neale for POP Magazine - September 2021
Cameos featuring detailed profiles of Black men and women in precious metals and jewels were popular in many European countries. The ones above date circa 1600-1800. Some art historians relate the style above to depictions of the goddess Diana, others relate them to the association of Blackness and wealth that came though trade in the Middle ages and Renaissance.
You can read more about cameos like these in Black Africans in Renaissance Europe By K. J. P. Lowe, p. 204-206, and Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England By Peter Erickson & Clark Hulse, p. 193-198.
Aretha Franklin photographed by Barry Feinstein in Los Angeles, 1972.
Doechii & Ravyn Lenae
shot by Ryley Paskal
art direction by Gregory Vogel