d e v o n
official daine visual archive
cherry valley forever
Monterey Bay Aquarium

Product Placement
𓃗
almost home

tannertan36
taylor price

oozey mess
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open

blake kathryn
NASA
Aqua Utopia|海の底で記憶を紡ぐ
he wasn't even looking at me and he found me
EXPECTATIONS
No title available
Claire Keane
we're not kids anymore.

seen from Guyana
seen from China

seen from United States

seen from Netherlands
seen from United States
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seen from Venezuela
seen from United States
seen from United Kingdom
seen from United States

seen from Türkiye

seen from Ecuador
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seen from United States
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seen from Malaysia

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@p-a-logo
Eventually I realised that I needed to look directly into the face of rhythm that turns the wheel of time, the rhythm that, moreover, doesn't exist. And I thought to myself that I needed to excavate the faceless face with language, excavate the face with the rhythm embodied in language. I came to think fervently more than ever that someone involved in such idle labour is a poet.
Meeting with X for feedback on the latest draft. He clearly dislikes it and I find myself playing along. For instance I say ‘This draft is a total shambles’ and he says ‘Yes, I see that.’
Their surfaces are smooth, matte. Somehow they give the impression of being yielding to the touch
Hepworth & Moore
Hepworth & Moore
In the epilogue, I am alive again. I spend my life serviced by AI entities called Humphreys. I dedicate my time to creating sculptural pieces based on my memories of the monument designed by the women we lived with back in the late 80s/early 90s.