Jonathan Wateridge
Two Figures, 2022
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@pacifyara
Jonathan Wateridge
Two Figures, 2022
Oil on paper.
ralph lauren fall 2006
Schiaparelli 26/27 haute couture by Daniel Roseberry
Schiaparelli 26/27 haute couture by Daniel Roseberry
“Without the aid of the imagination all the pleasures of the senses must sink into grossness.”
— Mary Wollstonecraft, Letters Written in Sweden
When through the water's thickness I see that tiling at the bottom of a pool, I do not see it despite the water and the reflections there; I see it through them and because of them. If there were no distortions, no ripples of sunlight, if it were without this flesh that I saw the geometry of the tiles, then I would cease to see it as it is and where it is—which is to say, beyond any identical, specific place. I cannot say that the water itself—the aqueous power, the syrupy and shimmering element—is in space; all this is not somewhere else either, but it is not in the pool. It inhabits it, it materializes itself there, yet it is not contained there; and if I raise my eyes toward the screen of cypresses where the web of reflections is playing, I cannot gainsay the fact that the water visits it, too, or at least sends into it, upon it, its active and living essence.
Maurice Merleau-Ponty, The Visible and the Invisible
"Queen of Earth". Mary Ukech by Bohdan Bohdanov for Silhouette Magazine March 2026
Simone Rocha SS 2024
RENZO PIANO MASION HERMÈS, 2001 Tokyo, Japan
daphne guinness
Philosophy di Alberta Ferretti, S/S 1996.
Ph. Mark Borthwick
Junya Watanabe Store Tokyo 1990s
Seated Woman of Çatalhöyük discovered in modern day turkey and generally thought to be a mother goddess
Ivan the Terrible and His Son Ivan by Ilya Repin
Easily one of my favorite pieces of art to exist. Look at the fear in his eyes, the horror, that as one of the many interpretations goes, he struck and killed his own son. That the blood of his own blood is currently seeping out in front of him. It's so viscerally and devastatingly human. Not that (hopefully) you or I have ever fatally struck someone, but the reminder that we are capable of it. That we are, as humans, are capable of harm. Especially when our own pride, self-righteousness, and anger blind us. To me, this image is a reminder that humility is a protection for ourselves and others.
Young Woman in Green (1932) by Tamara de Lempicka
Issey Miyake fw 2026 | La Vénus d'Alexandrie (Vénus bleue) by Yves Klein