The Overview Effect

Surrealism

[nobrashfestivity]

Hisao Domoto Untitled oil on canvas 76.2 by 147.8 cm. 30 by 58⅛ in. signed in Japanese and English, dated 1967 and inscribed NY on the reverse

[justanothermasterpiece]

Robert Motherwell.

[nobrashfestivity]

Hermann Glöckner Pink Stripes on Black Ground with Knots in Blue-Yellow Underneath [Rosafarbene Streifen auf schwarzem Grund darunter Knoten in Blaugelb] collage after 1945 Photographer: Jörg P. Anders

[istmos]

Joseph Cornell, “Constellation” (project for a Christmas card), 1953

[granstromjulius]

Willem de Kooning

[topcat77]

Sophie Taeuber-Arp

 Composition, c. 1918

graphite and body colors on paper

[arthuntblog]

John D. McLaughlin (1898 - 1976) [USA] - ‘Untitled’, 1954. Oil on masonite in artist's frame (38 × 32 cm).

[itscolossal]

Toon Joosen Splices Snapshots of ’60s Life into Tongue-in-Cheek Collages

[calcollage]

summer vacation

[granstromjulius]

Max Ernst

[rougejaunebleu]

Gunnar Aagaard Andersen

Hældningskoefficient 1:2:3

1950

Olie på lærred

130 × 97 cm

[nobrashfestivity]

Terrence Syverson, 1968

[iheartmyart]

Kathy Prendergast, Black Map Series (Deep South) detail, 2010, Ink on printed map, 84 x 101 cm

[nobrashfestivity]

Theo Van Doseburg, Color Solution, 1919

In 1919 Van Doesburg devised a so-called ‘colour solution’ for the house of Bart de Ligt with blue, green, and red planes on the walls and ceiling. Naturally, these colours could not be seen in the black and white photograph in De Stijl magazine. Van Doesburg used this photograph six years later for publication in L’architecture vivante. Now he made the planes in red, yellow, and blue. In the meantime, this had become De Stijl’s characteristic colour scheme.

[abstrakton]

Mark Rothko

[hellohaters]

Theo van Doesburg

[geo-metrie2-deactivated20160807]

Studie naar aanleiding van Glas-in-loodcompositie IV (1917). Theo van Doesburg