No paperbacks today, just working.
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@paperbacks4today
No paperbacks today, just working.
As a major Stephen King fan (I got nearly all his books if ya wanna borrow one)(he's unfortunately my special interest) it always urks me when I talk to other "horror readers" and they've only read King. Like yeah, he's a great writer, but there's a whole world out there of spooky authors. So in honor of October, here's a list of some of Ur Older Brothers fav non King horror books/authors:
Shirley Jackson (read the lottery in ninth grade and oh. My god)
Ania Ahlborn (I've only read Brother but I plan on checking out some more of her stuff, too. Not my favorite but still good)
Clive Barker (LGBT rep. Writer and movie director. My favs by him are Candy Man and Hellraiser)
Aron Beauregard (Gotta be real. I could not stomach Playground. Horrifically great and gory.)
Nat Cassidy (I regret putting off When The Wolf Comes Home for so long)
Toni Morrison's Beloved. (WOC. Beloved is a great book and Toni also wrote one of my favorite books: The Bluest Eye)
Stephen Graham Jones (Native American horror author. Gonna be real he ain't my favorite but I've only read two books by him. Doesn't mean he isn't a good writer though don't get me wrong. His longer stories are better than his short ones in my opinion.)
If you have any to add feel free to and if you've read any of these don't be shy to let me know.
I’ll bat for Jackson, Barker and Jones! “The Lottery”, Haunting of Hill House, Books of Blood and My Heart is a Chainsaw are mandatory reading, great horrors all. Here’s a few more names to consider...
Jack Ketchum. Haven’t read The Girl Next Door – it’s a kind of book you have to “prepare yourself”, as if that’ll mean anything, though I have read Mendal W. Johnson’s Let’s Go Play At the Adams’, which I will recommend – but I have read his first two novels. Off Season is as essential a textbook of horror as it is brain-fryingly horrific (those in the know, no that was not a pun), but those who are not yet prepared to take the deep dive in primeval terror can do well with Hide and Seek, which is just as touching and heartbreaking as Dathan Auerbach’s Penpal (another recommendation).
Koushun Takami. He wrote one book, but hot damn what a book. Before its title got commodified into a popular video game subgenre Battle Royale actually meant something, though those who’ve read the book and/or seen Kinji Fukasaku’s film still know it means a lot. Especially those who read the book. If you thought Hunger Games was a tad tame and The Long Walk wasn’t devastating enough (if Lord of the Flies was lacking automatics), let this 600-paged tome ruin you. There’s a lot of kids in there, and you’ll know every one; by hook or by crook (by lead-splattered grey matter), you will.
Alison Rumfitt. Tell Me I’m Worthless must’ve been what it felt like back when Dell Abyss published Poppy Z. Brite’s Lost Souls back in 1993, but those van-hoppin’ vampires back in New Orleans seem a lot cozier than whatever subterranean red rooms Rumfitt unveils in the casual complicit heart of London (as if that could ever happen here in the US...). It’s a dark, heavy, and dare I say an evil novel, but “evil” in the sense that I consider The Texas Chain Saw Massacre to be evil: both of them stare deep into the abyss, they report back without a flinch, NOT ONE WORD OMITTED… But in the case of TWIW, it might just stare back at you. She has also written some great short fiction: “The Nonce” and “Leechdog” (of the Eerie anthology podcast) are also worthy of your attention.
SHORT STORY COLLECTIONS: Songs of a Dead Dreamer by Thomas Ligotti (20th century existentialism), The Dangers of Smoking in Bed by Mariana Enríquez (that too, but also terrible pasts revisited with a vengeance, Argentina style), Gathering the Bones edited by Ramsey Campbell, Jack Dann and Dennis Etchison (mix of quiet and not-so-quiet horror; some great tales, but what I do remember all the years since I read it is a name: “Li’l Miss Ultrasound” by Robert Devereaux) and The Dark Descent edited by David G. Hartwell (big mother of a book, but a worthy excavation of horror fiction history).
HONORABLE MENTIONS: Testament and The Totem by David Morrell, The Drive-In by Joe R. Lansdale, By Reason of Insanity by Shane Stevens, and the works of Michael McDowell.
PAPERBACKS FOR TODAY # 22 : it's fast times on hell on earth so let's go do the hop
Dig that Godfather font being used on The Word for World is Forest (to all those who stopped by here from that VOTD repost, what up?), but check out that cover for Web of Angels. A number of cheeky lil bumpkins have shared this piece over the years across many "bad sf cover" forums, which comes to show you that Dio was right: when you listen to fools, the mob rules.
Those in question...
The Word for World is Forest by Ursula K. Le Guin, Berkley 1976, art by Richard Powers (uncredited)
Web of Angels by John M. Ford, Pocket 1980, art by Terrance Lindell (uncredited)
The Fire Ants by Saul Wernick, Award 1976, art by [uncredited]
Deadeye by Sam Llewellyn, Sphere 1991, art by David Scutt
The people yearn for sleaze.
NOVELTY FOR TODAY # 6 ...and a kick of lanzoni
Did you know golden-foil paperbacks can scorch enemy vessels? No shit, try it yourself.
The Conqueror by Brenda Joyce, Dell 1990, art by Elaine Duillo (uncredited) (stepback included)
PAPERBACKS FOR TODAY # 21 : a touch of hirschfeld, a dash of robbins...
Either the weathered speech bubble inked on this copy of The Betsy reads "Read 1.25" or "Red Lips". More bang for your buck, really.
Those in question...
Provincetown by Burt Hirschfeld, Bantam 1977, art by [uncredited] (stepback included)
Secrets by Burt Hirschfeld, Pocket 1976, art by [uncredited]
Generation of Victors by Burt Hirschfeld, Pocket 1977, art by [uncredited] (back cover included)
The Betsy by Harold Robbins, Pocket 1977, art by Mort Engel
No paperbacks today, sorry, trying something new.
tasting salt on my lips and hearing poorly-rendered jazz, is that normal?
oh shit
No paperbacks today, sorry, trying something new.
tasting salt on my lips and hearing poorly-rendered jazz, is that normal?
No paperbacks today, sorry, trying something new.
PAPERBACKS FOR TODAY # 20 : ain’t nuthin but a valancourt throwback
A lot of these titles can be great band names but hear me out: KILLER KATIE THE GODSEND ... WILLARD THE TRIBE ... RAPTURE THE ENTITY ... COLD MOON OVER BABYLON 5, I dunno.
Those in question...
Killer by Peter Tonkin, Signet 1980, art by Ken Barr
Katie by Michael McDowell, Avon 1982, art by [uncredited]
The Godsend by Bernard Taylor, Leisure 1991, art by [uncredited]
Willard (aka Ratman's Notebooks) by Stephen Gilbert, Lancer 1968, art by [uncredited]
The Tribe by Bari Wood, Signet 1981, art by [uncredited]
Rapture by Thomas Tessier, Leisure 2006, art by [uncredited]
The Entity by Frank De Felitta, Warner 1983, art by Charles Moll
Cold Moon Over Babylon by Michael McDowell, Avon 1980, art by [uncredited]
HOLY SHIT!!!
Long since its publication back in 1980, we have word from Will Errickson of Too Much Horror Fiction that Sandra Scoppettone’s holiday crime-horror novel Such Nice People will be coming back from the lovely folks at Valancourt Press!
Valancourt has already pulled some miracles - reprinting Michael McDowell, Joan Samson’s Auctioneer, Mendal Johnson’s Let’s Go Play at the Adams’, freakin’ Carnosaur - but for their last and final adieu for the Paperbacks From Hell reprint line (I’m as sad as you are right now) they’ve decided to pull one last hurrah. It’s no Voice of the Clown, and it’s certainly not Eat Them Alive, but as someone who sought it through Interlibrary Loan years ago I tell you that you ain’t read nothing yet.
Scoppettone is well-known for her Lauren Laurano mystery novels and young adult works (most notably 1978’s Happy Endings Are All Alike, one of the first works in YA lesbian fiction), but those of us deep in horror literati know her best for having written one of the most harrowing true-to-earth American horror stories to ever twist the collective nerve. Such Nice People is on good terms with the likes of Richard Bachman’s Rage and Ronald Kelly’s Father’s Little Helper - all of them novels regarding this country’s all-too-easy proneness for mass slaughter and gun violence, works that would’ve seemed as science fiction back in the day but are now (unfortunately, and by the hour) today’s torment nexus headlines - but SNP might just hold itself a level higher. Its depictions of the American nuclear family at its most dysfunctional finest is so sharp, so pungent, and so vividly psychological that it’s honestly a shock George A. Romero didn’t attempt to adapt it at his most cynical, as it is such a needle-to-the-eye at the All-American hell that demons and magic need not apply (though there may be one or two here… again, different times…)
Father’s Little Helper is out of print. Rage was infamously pulled out of it. But Valancourt reprinting Such Nice People is a rediscovery of revelations, a last great reveal of those deep and dark secrets we are often too terrified to touch, a bitter truth we often find the courage to confront through art: we are an odd, strange and fucked up bunch, and if we don’t acknowledge and accept the strangeness of ourselves and detest the societal systems set on “normalizing” us through “traditions” that will stump out all progress, then we will only fool ourselves towards absolute obliteration. It’s the kind of thing that encourages us to scream for the better.
PS., Errickson's announcement also announced that Richard Haigh's UK creature horror, The Farm, will also be published through Valancourt. This is great news, but I also wish they'd at the very least publish the follow-up, 1986's The City, if only for just the slim chance to print Les Edwards' cover art in all its full unexpurgated beauty. Imagine going to Barnes & Noble, seeing all those gen fic metropolitan abstractions, those James Patterson covers more tack than taste... before you come across this:
It’d make a somber soul cry with joy.
PAPERBACKS FOR TODAY # 19 : on through the nether we must go
I’m gonna throw a wild guess and say that Lost Futures cover might be a Marshall Arisman piece, or at the very least Arisman-lite? He was involved with the Dell Abyss line, though seemingly (as far as I can tell) with covering Kathe Koja’s novels.
Those in question…
Lost Futures by Lisa Tuttle, Dell Abyss 1992, art by [uncredited]
Death’s Master by Tanith Lee, DAW 1979, art by David Schleinkofer
Altered States by Paddy Chayefsky, Bantam 1979, art by Lou Feck (uncredited)
The Damnation Game by Clive Barker, Charter 1988, art by Marshall Arisman (uncredited)
PAPERBACKS FOR TODAY # 18 : executioners’ war songs
Those in question...
The Executioner's War Book by Don Pendleton, Pinnacle 1977, art by Gil Cohen
C.A.T. #1 : Tower of Blood by Spike Andrews (Duane Schermerhorn), Warner 1982, art by [uncredited]
Chopper Cops by Rick Mackin (Michael Kasner), Pinnacle 1990, art by [uncredited]
Dirty Harry #3: The Long Death by Dane Hartman (Ric Meyers), Warner 1981, art by [uncredited]
PAPERBACKS FOR TODAY # 17 : leading roster of the modren man-jackers
SPORTSCASTER #1: Missing from the roster is Coma after a discombobulating stint over surgery last summer, but some say Tengu just might make up for it this season.
S.C. #2: Well I sure hope so Jim, that’s some heavy shoes to fill. We’ll see today whether he’s got the juice.
Those in question...
The Shockwave Rider by John Brunner, Del Rey 1975, art by Murray Tinkelman
Tengu by Graham Masterton, Tor 1983, art by [uncredited]
In the Enclosure by Barry N. Malzberg, Avon 1973, designed by Lila M. Culhane
The Unsleeping Eye by D. G. Compton, Pocket 1979, art by Alan Magee (uncredited)
PAPERBACKS FOR TODAY # 16 : last love used to call me an executive penetrator
For some reason the cover for Sicilian Slaughter seems funny to me. I know Mack here’s really shooting up some mobsters, but if we didn’t have that tagline in place we’re only left to assume he was mowing down some poor farmhands on a quest to execute the entire countryside by SMG and tractor. Typical operatives - must’ve heard about casu martzu and got the wrong address.
Those in question...
The Executioner #32: Tennessee Smash by Don Pendleton, Pinnacle 1978, art by Gil Cohen
The Penetrator #33: Satellite Slaughter by Lionel Derrick (Mark K. Roberts), Pinnacle 1979, art by George Wilson
The Penetrator #34: Death Ray Terror by Lionel Derrick (Chet Cunningham), Pinnacle 1979, art by George Wilson
The Executioner #16: Sicilian Slaughter by Jim Peterson, Pinnacle 1973, art by Gil Cohen (uncredited)
PAPERBACKS FOR TODAY # 15 : eminence fronts of a lunatic fringe
Those in question...
Seeds of Man by Woody Guthrie, Pocket 1977, art by [uncredited]
Earth Dreams by Janet Morris, Berkley 1983, art by Don Ivan Punchatz
Doomsday Warrior #1 by Ryder Stacy, Zebra 1984, art by [uncredited]
Day of the Animals by Donald Porter, Ballantine 1977, art by [uncredited]
PAPERBACKS FOR TODAY # 14 : fast times on the discordia discotheque
For some reason I assumed Signet must’ve printed a lot of the earlier Star Trek novels before the rights shifted over to Random House, while in actuality many of the first Star Trek paperbacks were published through Ballantine. Guess I figured it made a better story as to why Signet eventually published these Best of Trek Magazine collections with gorgeous nondescript Enterprise covers.
Those in question...
How Much for Just the Planet? (Star Trek #36) by John M. Ford, Pocket 1987, art by [uncredited]
The Blithedale Romance by Nathaniel Hawthorne, Dell 1962, art by James Hill
Nature's God (The Historical Illuminatus Chronicles, Vol. 3) by Robert Anton Wilson, Roc 1991, art by Jon Burleson (uncredited)
The Best of Trek #9, eds. Walter Irwin and G.B. Love, Signet 1985, art by Paul Alexander (uncredited)
Aside from influencing much of what is now known of Klingon lore, John M. Ford has also been held in high cult writer status for his original works, having predated both William Gibson’s Neuromancer (1984) and George R.R. Martin’s Song of Ice and Fire (1996-) with such works as Web of Angels (1980) and The Dragon Waiting (1983).
This little guy was found in Nature’s God as a bookmark. Don’t know where it’s from but it’s certainly not Telemachus Sneezed.