Trying to recreate a meme I tried throwing together on IG, back when "WandaVision" first premiered. I've since then left IG and lost the original meme. I tried putting a bit more effort into making it look more comic-book-y.
EXPECTATIONS
The Bright Sessions

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Product Placement
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Sade Olutola
Fai_Ryy
noise dept.
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Cosmic Funnies
One Nice Bug Per Day

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Keni
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d e v o n
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occasionally subtle
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@parasociallyawkward
Trying to recreate a meme I tried throwing together on IG, back when "WandaVision" first premiered. I've since then left IG and lost the original meme. I tried putting a bit more effort into making it look more comic-book-y.
Roll for initiative.
Don't forget your towel either.
The plot thickens.
My dumb brain.
I tried to share this on the official BB subreddit, but bullshit low karma gatekeeping bullshit said no. Fuck Reddit anyway.
Still, this is my nonsensical thought tonight for my fellow #BigBrother viewers. And for what it's worth, they are playing a messy but honest game this season.
It's another way too late in the evening for a man in his late 40s, and I find myself once again geek spiraling out over yet one more thing I don't really have anyone to talk to about.
Tonight, I settled on watching the criminally-underrated albeit it uneven Amazon Prime adaptation of "The Tick" that ran between 2016 to 2019.
Admittedly, as much of a "nerd" as I may have been all my life, my experience with comic books mainly comes from the numerous adaptations. As soon as publishers and studios realized how lucrative these collaborations could be, the flood gates flew open.
Just bathe in the nostalgia.
Memories unlocked and all that.
Every generation has found a way to bring their heroes off the page.
And there are a lot of options to mine for new "content" - a word I use begrudgingly but with no disrespect. There's just a lot of potential left untapped. Not everything works, but almost everything helps build its fanbase.
That being said, I mainly knew of The Tick from the old Fox animated series. And even then, I really know very little about the source material.
I had forgotten that Fox also attempted their own live-action series in the '00s. I know I watched it, but I just have no memory of it.
It's also worth pointing out that I am a fan of Blank Check with Griffin & David, but I only began listening more frequently over the last few years. I was a bit late to the Griffin Newman party to support the show sooner.
And there's the whole Amazon of it all. The world is complicated.
THE RETURN OF THE LIVING DEAD (1985) dir. Dan O'Bannon
The sake of posterity, this is the dumb shit my brain comes up with when given obscure things to play with.
My dumb brain.
Conclusion of review.
My own conspiracy theory-laden ideas suggest a similar outcome, based on countless examples the corruption of technology and the loss of humanity.
AI ultimately using humanity's vices, prejudices, values, beliefs, and ideas of entertainment as weapons against us. Most die. The survivors are used as energy. Nothing all that original. We've seen it before.
So GLHFDD isn't as completely as challenging as it could be, maybe because it's ultimately just admitting that we will always make the same mistakes, if we fail to learn from them.
The film does take a more light-hearted approach to the collapse of society, but not without some darkly satirical commentary on gun violence in schools. There are few moments that feel a bit vague, as if not to wade too far into explicitly partisan political issues, which was appreciated. But that also meant having to avoid other issues like race and religion.
Is it worth considering that demographics aside, the real great loss of humankind is the death of genuine community.
My own opinion is that with as many options as there are, in terms of sincere forms of human expression; be it art, music, sports, writing, or anything at all that brings positive value into our lives, there is no reason why we need to make everything into a fight. A toxic fandom can be just as off-putting as corporate greed. You may not know who originally said, "Beauty is in the eye of the beholder." but if you get what that means, you're ahead of the game.
And yet we still have to waste time arguing over so much of everything, who doesn't need a distraction? But if we no longer enjoy the same things because they don't make us feel good, are they really still good for us?
This is a film about addiction.
With as many ways as there are to supposedly find peace, escapism, hope, titallation, vindication, and truth, we prattle on and stare into the void.
Maybe we are just choosing to ignore our complicity, and just ignore the apocalypse collectively alone?
I couldn't begin to say. My living room often finds itself a digital proving ground daily. At any time, as many as 5 to seven screens could be competing for up to as many as for to six eyes.
I also had to repeatedly pause and RW this movie as I looke for my vape pen, looked up something on my phone, played through a few minutes of some mindless rogue-like, getting terrorized by the cat who suddenly wants attention at 1 am, as my wife has already fallen asleep, after she spent most her day playing Bingo, texting friends, coworkers, family, etc, and checking her cozy game island(s), as I mindlessly played whatever game I haphazardly stumbled onto on Steam, as we pass the weekends, interrupted by social interactions that mainly remind us of the passing of time, as we wait to return to work, after brief moments of resting, medicating, and recuperating. Time is ground into a flat circle.
You probably saw something like that in a meme someplace.
Probably not. I wasn't really paying attention.
I really did enjoy this movie. It was a fun and creative callback to big action comedies of my youth. I just wanted there to be a bit more bite to the story. There are a few too many plot points and character decisions that felt inconsistent and purely meant to influence the outcome.
The visuals, the music, the performances are all delightful, but mostly predictable.
"AI is building itself? Jesus Christ." - The Man from the Future
'Good Luck, Have Fun, Don't Die' (2025) dir. Gore Verbinski
Is this film as blatantly obvious as it is on purpose? Or is it simply just calling us all out?
TLDR: We are all responsible for how we spend our time. Phones bad.
I definitely connected with the themes of addiction, social media, technology, and the existential crisis of it it all. It's why I've chosen to avoid most platforms, but still continue seeking the approval of strangers online with my own performative means of self-expression.
I can attempt to prove my bona fides and point out all the cinematic references and tropes that are on display here, and why they all landed.
I can rave about Sam Rockwell. I can elaborate on why I think this would have worked better as a limited series, in order to give the other characters more development, as the rest of the cast was underutilized. This would have been more emotionally impacting, if we had more time with each of the ensemble.
I'd argue that while I do appreciate a good hopeful vibe for the future, I would have loved if this film went just a bit darker. I hate to be hyperbolic about it, but I have reasonable concerns about the dangers of AI. I wanted the movie to show us more of what the future could bring.
It's my own doing that I'm way too cynical to really buy into the grand romantic gestures Hollywood sells us. Who doesn't want to feel truly seen, appreciated, encouraged, loved, supported, empowered, and the other stuff that makes up this complete breakfast?
It's all the stuff that goes without saying, but feels kinda unrealistic. I mean, not all of us want to get up early and watch a sunrise. Some of us are just as happy to just rot together. That's basically it.
To be concluded.
🎬 Good Luck Have Fun Don't Die (2026)
At this point, we deserve whatever we get. It's all just a distraction from something.
Robert Englund (Freddy), Kane Hodder (Jason), George P. Wilbur (Michael- HALLOWEEN 4), and Bob Elmore (Leatherface- TCM 2) for People, November 1988
What was real? Who got out?
I was born right at the start of the year 1979, so that makes me a GenX kid, but by most accounts it was near the cut-off point for my generation. I basically am the kid who snuck into an R-rated movie, but was completely lost as to what was going on.
The irony is that I can absolutely buy into all the nostalgia of the "Kids on Bikes" trope that we associate with Spielberg, King, and Duffer(s).
But the truth is, I would have only been 4 years-old the night Will Byers went missing in 1983.
Drew Barrymore was 6 when she filmed 'E.T. the Extra-Terrestrial' a year earlier. I was only 3 and still had a bedtime.
I basically did a reverse Pee-wee. I didn't get to live it, but I definitely got to watch(see) it.
Again with the bikes?
It's almost like having false memories of experiences I never actually had. Which isn't meant to be as existential as it may sound, but there's something to be said for how well the 1980s motif is a perfect backdrop for telling a story about childhood. At least for those of us of a certain age.