@travelicious_mona
TMBGareOK. The Official They Might Be Giants tumblr
NASA
let's talk about Bridgerton tea, my ask is open
RMH
Not today Justin
Mike Driver

No title available

No title available

tannertan36
No title available
occasionally subtle

Love Begins
taylor price
EXPECTATIONS
Cosimo Galluzzi
noise dept.

roma★

pixel skylines

Game Changer & Make Some Noise

oozey mess
seen from United States
seen from United States
seen from Germany
seen from United Kingdom

seen from United States
seen from Saudi Arabia

seen from Türkiye
seen from Germany
seen from Senegal
seen from Albania

seen from United States
seen from Türkiye

seen from United States
seen from France
seen from United States
seen from France

seen from Pakistan

seen from Brazil

seen from Ecuador
seen from United States
@parodiesofallkinds
@travelicious_mona
www.fbombtom.com
Imogen Cunningham
Triangles 2, 1928
Creative Influence
Creative influence suggests that artists are creatively challenged, inspired and or use other artists work to create new art. Creative influence informs all artists in some way or another, as artists learn new skills or view art they are consciously or subconsciously being creatively influenced. This is an important process in any artist’s practice.
Artists are constantly drawing on others artists for influence such as Duchamp’s artwork “LHOOQ”. he has clearly appropriate the Mona Lisa and completely turned it into a new work.
WW2 poster, Office of War Information. NARA ID 515883.
T’WAS THE DAY AFTER CHRISTMAS, AND ALL THROUGH THE WORKS, NOT A CREATURE WAS STIRRING - NOT EVEN THE CLERKS.
See also:
WW2 Christmas, Part I: DIY XMAS!
WW2 Christmas, Part 2: IS SANTA AN AXIS PLOT?
Holiday Humor in World War II, AOTUS blog
A Gift from an Archivist, Pieces of History
1941 Christmas Tree: A Bright Light in Dark Times, Pieces of History.
back to the shadows 🌑
inspired by the storm by pierre auguste cot, shri’iia and astarion running away from the sun bc he’s a vampire and she has sunlight sensitivity.
please zoom in to see the details! 🥹🫶
The Storm
(reupload) Direct sequel to my previous Avery painting. Based off the work of the same name by Pierre Auguste Cot.
Pierre-Auguste Cot, The Storm, 1880
When Cot exhibited this painting at the Salon of 1880, critics speculated about the source of the subject. Some proposed the French novel Paul and Virginie by Bernardin de Saint-Pierre (1737–1814), in which the teenage protagonists run for shelter in a rainstorm, using the heroine’s overskirt as an impromptu umbrella; others suggested the romance Daphnis and Chloe by the ancient Greek writer Longus. New York collector and Metropolitan Museum benefactor Catharine Lorillard Wolfe commissioned the work under the guidance of her cousin John Wolfe, one of Cot's principal patrons. Like the artist’s earlier Springtime, it was immensely popular and extensively reproduced. (Text from the Met)
the storm