Top 10 songs of the year (Part II)
Continued from yesterday, here is the second half of my top 10 songs of 2014. Again, they are in no particular order:
Jack White- High Ball Stepper
Jack White may be what is keeping rock n' roll alive. His 2014 album, Lazeretto,Ā became the best selling vinyl release in over 15 years. It was recorded, mixed and mastered with no compression (for lay people, that means its quiet compared to modern records, but sounds more "pure." As with all of White's projects, he pulls in blues, punk, rock, and pop influences by ripping them apart and smashing them back together. White one said he likes to have a "battle" with his guitar when playing, and that he likes to fight with his songs, and his instruments. in "High Ball Stepper," you are put in the middle of the war. From searing distorted leads to huge drum sounds, White proves yet again he is a master of making real, powerful songs. Ā Ā
Hip hop is in a weird place these days. I0ts never been more mainstream, ranging from superstars like Lil Wayne and Nicki Minaj to influencing many pop songs. However, much of what comes out are bland, repetitive beats (created or inspired by LA's DJ Mustard, Mike-WiLL-Made-It, etc), and lyrics covering one or a combination of four main subjects: sex, drugs, money, and cars. Very few artists have been able to achieve huge levels of success while maintaining what makes them unique and original, however Kendrick Lamar proves on "i" that he is not only still being himself, but he is in fact still improving his craft. Over a great samples from The Isley Brother's songĀ "That Lady,"Ā Lamar crafts his lyrics about self-confidence, hope, and not letting the world knock him down.If he keeps making music like this, no one will be able to.Ā
The War on Drugs- Red Eyes
Philadelphia's The War On Drugs is the brainchild of Adam Granuciel, who wrote, recorded and produced their latest album over nearly two years. What emerges is a stunningly consistent album that features layers of textured guitars, keyboards and synths, and driving percussion. Red Eyes is one of the finest examples of this, weaving multiple guitars and keyboard parts together, while always leaving enough sonic space for Granuciel's haunting vocals. He not only tell you about where he is in life, but brings you actively into it, riding the ups and down as he does, lyrically and musically.
Warpaint is the rare band that I learned of first from seeing live at Boston Calling in May of 2014. They were playing before Jenny Lewis, and I could tell they had something really interesting going on. Later on, Ben Gibbard (of Death Cab for Cutie) dedicated a song to them. That was enough for me to check them out. Warpaint's 2014 self-titled album takes you on a journey into a place where syncopated beats and psychedelic guitars and time changes meld with dreamy vocals to lull listeners into complacency before kicking them in a new direction. Disco//Very begins with a standard 4/4 beat over the lyrics "I've got a friend with a melody that will kill. She'll eat you alive." In addition, the confession midway through that "I make room for everyone...I need to take a break" rights true for many of us who are inclined to adopt others problems as our own.Ā
Jenny Lewis- Love U Forever
Jenny Lewis has always been one of my favorite artists, and I was very excited anticipating the release of her first solo album in many years in the late summer. The entire album, produced by Ryan Adams (with occasional help from others), stands out as what pop music should be. And the song "Love U Forever" stands out as the perfect pop-rock song of 2014. The song is complete with classic over driven guitars, Jenny's soothing vocals about love and happiness, a lush sing-along chorus, and a surf-y guitar solo. This song (and the whole album) picks you up and transports you to a care-free place, full of memories of summers, young love, and warm nights. .Ā