The Wire - Interview with Jun Togawa
thank you for this
Fieri Frames
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Not today Justin
"I'm Dorothy Gale from Kansas"

Jimmy Eat World

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Claire Keane
cherry valley forever
PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies

#extradirty
YOU ARE THE REASON
Aqua Utopia|海の底で記憶を紡ぐ

roma★
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Interview Vampire Daily
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The Wire - Interview with Jun Togawa
thank you for this
leonor fini wearing costume for the Bal de La Nuit du Pre Catelan, Paris, June 1946 by Andre Ostier
who knew some random scans I made in undergrad would be my most popular post
Katharine Lyons, You Can’t Get Lost When You’re Only Keeping Up, oil on canvas, 52.5 x 58 inches
The history of Czech perfume bottles
fuck it I'm back
長い午後 / A long afternoon
2020
242 × 333 mm
Watercolor on paper
Orson Welles Interviews Isidore Isou / Lettrism / Paris 1955
‘‘looking for new words…’‘
Boof | Last Night In St. Kilda
Jean Seberg
logbook
Art book of visual poetry logbook by hiromi suzuki
published by Hesterglock Press on March 17, 2018
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96 pages in colour, logbook by hiromi suzuki (Hesterglock Press, 2018 ISBN 978-1-9999153-1-5) It’s available to order logbook for £10.00 + postage worldwide via Hesterglock Press.
Purchase logbook in Japan : NADiff modern
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"logbook is a collection of collages reminiscent of Hannah Höch and Kurt Schwitters, occasionally combined with marginalia. It’s a journal where ephemera, ennui and nostalgia are woven together in handsomely crafted, dream-like, porous narratives that bring together references from pop culture, graphic design and visual poetry. This rather bold, yet unpretentious edition by Hesterglock Press stands out as an archive of the ineffable in the age of communication.“ ― The review in back cover by Bruno Neiva
* * * Editor / Publisher : Paul Hawkins of Hesterglock Press Art Directior : Paul Hawkins and ichigo yamamoto
the last few months
i was homeless and slept in the tent I got for idapalooza, for 3 weeks, so that was fun!
not. i’m living with a former spanish professor that i had, who has been even before this one of the real beacons of humanity in my life, and their family.
i got promoted to full time at work, gonna need that fucking money indeed. before i was only making barely 400 a month which is why i was homeless, because before i had financial aid to help see me through, so yeah.
but the real story is how my grad school bid panned out: 2 rejections (Arizona & Brown) and 2 acceptances. (OSU Cascades and Bard College). Sad the fully fundeds turned me down but i’m in debt already and they gave me most of the money themselves and plan to, and maybe if i play my cards right after grad school i can get it forgiven, so i’m not tripping, honestly
bard was the most left field school on my list, nothing about how that school operates is normal. seeing as how i wasn’t really considering the thought of grad school before last year, i’m surprised i’m actually excited to go to school again after being pretty burned out by life the last 7 years. i went to jail. i was homeless. i got kicked from the educational program. i had a hard time making things work, i was getting lazier in school, and less satisfied. i wanted it to be over. i literally walked across the stage for my mom and my family.
but anyway i wasn’t expecting to get as far as the interview, and i feel like i could have carried myself better in that, but they actually really like me and my work, and it shows that they want me to be there. they have 4 spots open for writing so.........................the fact that i got one means something. something real that no one can take away. so i wasn’t a good enough traditional student to be accepted into the fully funded programs, that’s fine. am i an interesting enough artist who cares deeply about my chosen art form as well as the others and loves to experiment? evidently, absolutely.
i’ve had a hard time coming into real confidence in myself. everything over the past year seems to have happened super fast, way more than i ever expected my trajectory to go in writing. it’s been scary. a few times i just wanted to stop the ride. because of this fear, apprehension, and ascent, or of how much i’ve invested myself into this idea of me as a writer and it never paying off and self-deprecating because of that, it created this split in me where its like i play myself up for people, but i also have to hide how inadequate i feel at times, how i don’t think i’m as good as other people think i am. and because of that split i grossly projected onto a former friend and now we’re not friends. all of that energy kind of deformed me for a while. i’m gonna try to set things right as far as that goes.
i don’t have a lot of moments in life where i just blow up at someone. its extremely extremely rare. she doesn’t owe me anything. but i’m gonna try. i’m in pain everyday because of this moment
people seem to really think i’m talented and worthy, and it’s been a game of catch up to their projections, my projection of myself, because i do perform well. there were times where people gave me sincere compliments and i sort of flinched in pain.
but now i’m coming around to this idea of me as someone who is actually good at what she does and has no shame in being so invested in it, who is a unique creative force, who is exceptional because i am me. yeah i’m worried about all the potential drama and chances to mess up...but i cant let those moments hijack my mind anymore. with more time i’ll know how to deal, and being will feel more natural. and no one really cares about me that much anyway.
i don’t know if i’m going to totally raise stakes and move to New York state. the thing about Bard is that its low-residency, so its formatted for people who have real lives outside of school, but the times you’re there (two months in the summer) its really intense. then you do independent study where you live and prepare for next summer i would like to, for convenience sake, but i have to find a full time job and a place to live while i’m there. i’ll try, but no promises. if i can’t i can just regroup down here.
going to art school / summer camp for writing lol
people havent seen anything yet
Virage Bleu (1944) by Erwin Blumenfeld
hiroahi ohya
hope y’all all are doing well out here in these mean life streets.
if y’all are still out here on this site at all. i was looking through people i follow and i’m surprised at how many people i saw daily haven’t been here for years or months. i’ve kind of really left here behind, and i’m honestly here by mistake. i’m kind of tired of social media in general to be honest, which is weird because my life these past years has kind of had this place as a real constant. never been a good sharer of life stuff. but it’s always been good to interact with y’all.
so i’m going to blog a bit and just leave it in the aether one time.
i finally graduated, so there’s that.
this part of my life is officially over. i came into undergrad an anxious and depressed mess and somehow with enough time, sweating out my emotions, going through things, i managed to come out on the other side 20 times more self actualized than when i came in. and none of it had to do with school itself, it was just a backdrop. it’s been nothing but trial and error and perseverance and marginal success. school has rarely been fun and i have to be honest i’m burnt out having pretty much anything to do with it. i felt like i lost my passion to do great here a long time ago and i’ve just been trying to get through.
i would definitely change some things given the opportunity. i wish i could say i didn’t have any regrets
the next step is grad school. i’m literally going because people told me to go. but also, i really see this as an opportunity to go to school for something i’ve always wanted to just do -- writing. i have like 6 i applied to, a few are really big, and i don’t think i’ll get in -- i only really applied to those because people said i should and these people are vouching for me. 3 are big and the others are like a step down in terms of ~prestige~. and i guess we’ll see about that next year for fall. i’m definitely leaving georgia. i’m not getting into any more debt eat my ass
i’ve wanted to do something else so long, anything, really -- so its really jarring and scary to me that i’m in a position to work actively a dream for real. i almost cant believe it and i almost dont wanna believe it. recently i feel like i came to the conclusion that a few of the issues i had coming into college i just compartmentalized and now are coming back out. i have better ideas about love and friends, how to treat people and myself, i know and have experienced a lot more, but some of the issues like shame, self-confidence, not being able to trust others are rearing their heads. the plan is to get some real therapy, some how in this economy.
and of course there’s always anxiety about the future. i’ve seen so many articles about how hard it can be and is to be, say, black in academia, or trans in academia, it’s hard to not think that the next few years are going to be uphill battles on a mountain in this bullshit world. and it seems like i have to sort of take this route, because if i don’t have a real salary in the next few years, i don’t know how i’m going to get any of my body stuff done. i can’t falter. i feel like i’m jousting against a building on a tank. scared to succeed, scared to fail, scared to live, scared to die. charging on anyway
anyway a few weeks ago i went to alabama to read at the u of a and it went really well. it’s so fucking humid there. thank you black warrior review for publishing my chapbook...you can buy it as a part of their 44.1 issue, which is filled with great stuff, here
later
Kiyoshi Saito, Red Poppies, 1948
Evelyn Dunbar’s A 1944 Pastoral: Land Girls Pruning At East Malling (via here)