RMH
2025 on Tumblr: Trends That Defined the Year
Xuebing Du

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Not today Justin

Origami Around
Cosimo Galluzzi

bliss lane
taylor price

shark vs the universe

ellievsbear
$LAYYYTER
Today's Document
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oozey mess
The Stonewall Inn

tannertan36
KIROKAZE
YOU ARE THE REASON
trying on a metaphor
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@peridotbelle
I never liked those posts that reduce the Disney princesses to “girl who overacts about something and dramatically flings herself down and bawls” (super popular in the early 10’s and somehow that’s how a shocking majority view the classics now) but after an Aladdin (1992) rewatch, it’s especially egregious that they ever included Jasmine in that.
This part. This is the part I’m talking about
This is not a woman falling to pieces because her father won’t let her marry a man she just met.
This is a woman born to a life she has very little say in. She has never had a genuine friend (besides a tiger). She is facing a marriage to a man she doesn’t know and doesn’t like but duty (and the law) demands it. So she took a risk, ran away, ran to a world she doesn’t know or understand and when she landed in trouble (serious, serious trouble) a stranger came to her aid. She finally (finally!) made a real connection with someone but they didn’t get much time together before the guards showed up and she had to reveal who she was.
This moment when she’s crying her heart out? It comes after she’s been told that the first person she ever connected with, the first person to be genuinely interested in her for who she is and not what she is, the first real friend she has ever made, was executed… because of her.
She believes a good, innocent person has lost their life because of her actions, and what’s more, it brings home the reality for her that she cannot have a normal life or normal relationships, because see the consequences one little attempt wrought?
I actually love this trope. People treat crying like some kind of moral failure. Boys shouldn't cry, girls *can* cry, but that's also what makes them inferior. If this is not an example of toxic masculity, I don't know what is.
Crying is normal. Even if it's over something trivial. We all face a lot of struggles in their lives, whether we acknowledge it or not. Something minor might end up breaking the camel's back.
Anyway, here's one of my favorite scenes in Beauty and the Beast:
Belle's reaction is completely understandable. I think Mrs. Potts put it best: "The girl lost her father and her freedom all in one day." That's not overreacting!
Thank you so much for adding Belle!
Really, none of the classic princesses deserve the misinterpretation.
Cinderella?
Again, this is not after someone told her “yOu CaN’t MaRrY a MaN yOu JuSt MeT”—this is after she went to great lengths to get ready for the ball, adhering to the intentionally difficult (meant to be impossible) stipulations set by her abusive step-mother for her to be allowed to attend (when really she was invited and had as much right as the others to attend). She made that dress (I can’t recall off the top of my head if the classic animated version was also her mother’s old dress she restyled or not but still, she put in a ton of work on top of all the extra house work) and what did her step-family do? They tore to shreds while she was wearing it. Of course she’s lost hope: it’s the final straw after years and years of doggedly remaining optimistic despite constant harsh treatment.
Let’s go to another favourite: Mulan.
Mulan’s just had the worst day.
She tried her hardest to live up to her family’s and her society’s expectations and vision of a perfect bride but she failed. Not only did it go wrong, but she was publicly humiliated by the Matchmaker—by extension, humiliating her family.
Granted, her family has been kind and sympathetic about the whole thing. Her father even goes to encourage her, assuring her of his unconditional love for her and his confidence that she’ll get it right next time.
She’s just beginning to smile when the drums pound and news of war reaches their village. Her father—her beloved father who’s already a veteran and lives with a disability—is expected as the only male in their family to suit up and head out in the morning.
Mulan can’t help. Nothing she says will be listened to and she can’t take his place (until, of course, she thinks of a way to do so which this moment of crying it out in the rain leads to—score one for having a good cry and clearing your head).
There’s of course more. Take any princess’ dramatic crying momentTM and review the context and I’ll bet you’ll see it’s never as trivial as some have framed it. And, yes, like prev pointed out, it’s this awful thing of people believing boys can’t cry and girls can but then they can never be taken seriously.
Crying is healthy. And crying in response to emotional distress is totally normal. Writers and storytellers across the ages have understood it and portrayed it.
when you get an ao3.org comment where someone quotes fic lines back to you?? unparalleled. brain exploding. best feeling in the world
The Year So Far Book Ask Game
(I turned this old tag game into an ask game, and I'm bringing it back around before we get too far past the halfway point of the year).
Best book you have read in 2026 so far
Best sequel you have read in 2026 so far
A new release you want to check out
Most anticipated book release of the second half of the year
Biggest disappointment
Biggest surprise
Favorite new author (either new-to-you or debut)
Favorite new character
A book that made you cry
A book that made you happy
Most beautiful book you have bought or received this year
A book you need to read by the end of the year
Need one more to unlock the door
Erika Toliusis (b.1969) - Pacific Angel. 2022. Oil with palette knife on canvas.
Anakin Skywalker Playlist:
Everybody Knows by Sigrid
Favorite trope from real life experiences
"This is an adult, mature look at superheroes!"
Oh so it examines things like the emotional toll that sort of lifestyle would take on someone, the distance it creates between them and normal people, how society would actually deal with the knowledge of gods walking among them, basically just a really genuine look at the reality of superpowers?
"What no it means the heroes swear and have sex and graphically murder people."
Project Hail Mary meets Doctor Who Ryan Gosling as Dr. Ryland Grace
@swinging-stars-from-satellites
Kanan deserved to be able to raise his son.
Star Wars really said love is never just love, it’s always a force that either steadies you… or exposes exactly where you’re weakest.
Anakin and Padmé are what happens when love becomes possession disguised as devotion. They love each other deeply, intensely, but it’s built on fear—fear of loss, fear of change, fear of being alone again. And that fear doesn’t just sit quietly. It grows. It twists. Until love stops being something that frees you and starts becoming something you try to control. Their tragedy isn’t that they loved too much. It’s that they couldn’t trust that love to exist without clinging to it.
Han and Leia feel like the aftermath of that kind of intensity. They argue, they clash, they orbit each other like they’re constantly figuring it out in real time. But their love survives things it really shouldn’t—war, distance, loss, even the fracture of their own family. It changes shape over time, gets heavier, quieter, less cinematic. And somehow that makes it more honest. They don’t get a perfect ending. They get something real.
Obi-Wan and Satine are the embodiment of restraint. They stand on opposite sides of belief, yet understand each other more than anyone else ever does. There’s something devastating about the fact that nothing actually stops them from being together except who they’ve chosen to be. It’s love that asks, “who are you when everything is stripped away?” And both of them answer with duty, even when it costs them everything else.
Qui-Gon and Tahl feel almost like a secret the galaxy barely notices. Their connection is quiet, steady, something that exists beneath the surface rather than out in the open. And when she dies, it doesn’t explode into spectacle—it settles into him. His grief becomes part of his philosophy, part of the way he sees the Force. Like love didn’t end, it just… changed form and stayed with him.
Kanan and Hera are what happens when love is allowed to grow instead of rush. It builds through trust, through shared purpose, through the small moments in between everything else. They don’t need constant declarations. It’s in the way they stand beside each other, the way they lead together, the way they create a sense of home in a life that rarely offers one. And when loss comes, it doesn’t undo what they had. It proves how strong it was.
Cal Kestis and Merrin feel like two people who weren’t supposed to find peace, finding it anyway. Both of them come from devastation—different kinds, same weight. And instead of trying to fix each other, they just understand. There’s patience in the way they connect, like they both know how easily things can fall apart, so they choose to build something steady instead. It’s love that heals without pretending the scars aren’t there.
Ventress and Quinlan Vos are chaos that somehow becomes something honest. They meet in the middle of war, deception, and moral grayness, and still manage to see each other clearly. And what’s striking is that their love actually changes the direction of a life. Quinlan falls into darkness, loses himself completely, and it’s Ventress who pulls him back—not through rules or ideals, but through connection. And she pays for that with her life. Their story doesn’t pretend love saves everyone. It shows that sometimes it saves someone else, and that’s enough.
Rey and Ben are something else entirely—two people tied together before they even understand what that connection means. Theirs is recognition at its most intense. They see each other across distance, across conflict, across everything that tells them they should be enemies. And even when everything collapses, that bond remains. It doesn’t simplify anything. It complicates everything. But it also makes change possible.
And that’s the thing Star Wars keeps coming back to, over and over again.
Love isn’t safe here.
It doesn’t exist in peaceful conditions. It exists in war zones, in broken systems, in people who are already carrying too much. And because of that, it becomes a test.
Sometimes it becomes attachment, and that destroys you.
Sometimes it becomes partnership, and that sustains you.
Sometimes it becomes sacrifice, and that outlives you.
But every single time, it reveals who you really are.
Because in a galaxy built on destiny, prophecy, and endless conflict, the most defining choice anyone ever makes is still this—
who do you hold onto, when everything else is trying to pull you apart?
Me: *sees a random screenshot from Quest for Camelot (aka My Childhood Favourite Movie)* *thinks (again) of Kanan and Hera* *decides to draw it for night-time wind-down sketching*
Spongebob narrator: ~three hours later~
When you accidentally summon every Loth-cat in a 5km radius during Jedi training.
This one is for the first week of @therebellionevent (yay!)
I don't think much else is doing as much damage to small businesses than obvious AI graphic advertisements
it looks bad and EVERYONE knows