falling star, 1884 by witold pruszkowski

JVL
let's talk about Bridgerton tea, my ask is open
todays bird
trying on a metaphor

Discoholic 🪩
styofa doing anything
Not today Justin

#extradirty
Show & Tell
Peter Solarz
Sweet Seals For You, Always
he wasn't even looking at me and he found me
d e v o n
One Nice Bug Per Day
taylor price

JBB: An Artblog!
RMH
almost home

oozey mess

★
seen from Türkiye
seen from United States

seen from United States

seen from Bangladesh
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from Morocco
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Germany
@pervvvy
falling star, 1884 by witold pruszkowski
「…誰だって、ほんとうにいいことをしたら、いちばん幸なんだねえ。」 “…a person creates happiness around them when they do something good.”
- Campanella, from 銀河鉄道の夜 by Miyazawa Kenji
(From stupid anon pt2) There was one thing I wanted to ask. I know you mentioned you are not really interested in the usual get-together tropes (which I really appreciate, being more interested in how relationships grow), but I just can't keep myself from wondering what happened in those years after Hakone + after Haiji dated Fujioka (for 2 yrs?) and where we see Haiji with Kakeru in a relationship already. I would never ask/demand you write it, but maybe you could share some thoughts? Thank you
(BTW anon, you are not stupid!)
Oh yeah I haven’t really written the “getting together” part of that whole Keep Running series, have I? It’s not 100% cohesive as a unit; there are some overlaps and some reinterpretations (particularly between the No Time to Think and Reset (Restart)).
Thinking out loud, I guess the fic closest to Haiji and Kakeru getting together post-graduation is Less Than Perfect (not in the Keep Running series, but might as well be).
In What Remains Hidden, Haiji wound up staying pretty separate from Kakeru (and initially the entire team, but I went back and edited to make it more vague) during the period between their respective graduations. I know a lot of people’s gut reaction to this is something like, “He wouldn’t do that, he just learned how important it is to be able to rely on other people!” Honestly, that is my gut reaction too. But I’m not 100% convinced Haiji learned to rely on other people over the course of the show; his friends did, but he still kept himself largely apart, only opening up the most to Kakeru. Even though I like to think Haiji and Nico-chan are pretty close, I don’t think it’s close in a way that involves Haiji opening up to Nico-chan in a regular, consistent fashion. I think it would be similar to what we see him doing with Kakeru: Opening up through off-hand comments, during crisis moments that leave him no other choice, or when he has burrowed so deep into his own brain that he gets insecure (the train ride, a scene in which he is VERY avoidant, not making eye contact, not really appending his thoughts directly on to an existing conversation, not really letting Kakeru be privy to the context of them, etc.).
The Haiji in my little universe is very much learning how to build himself up again after Hakone. He’s in a very different place compared to where he was when he was trying to restart after his high school injury; not only has he learned something and proven to himself he can achieve something, he is also…alone. So Fujioka provided a needed support (I feel like the threat of falling into old patterns of thought is very real for Haiji in those circumstances), Fujioka perhaps learned from how he didn’t support Haiji well enough in high school (in denial of the extent of Haiji’s injury), and corrected to avoiding equating Haiji with his injury, and then overcorrected when he panicked and thought Haiji was going to try and run again (reducing Haiji to his injury). But yeah, I think Haiji just needed someone who would be devoted and cautious and have a shared history that didn’t need to be spelunker into or explicated or analyzed anew.
But critically, Fujioka also didn’t see Haiji at his most recent worst (post surgery at Aotake etc.). While Kakeru did. So that little meeting between them in What Remains Hidden is tense because Kakeru refuses to entertain Haiji’s blithe self-deprecations (like Fujioka at the beginning) and, like Fujioka, cuts to Haji’s successes but, unlike Fujioka, has the context of understanding what a huge victory small things are for Haiji? Not teaching and reading and shit but like…feeling like an independent person again. Butttt Kakeru has not quite yet learned that he can demand things of people; that Haiji’s circumspection and deflections might not be something he has to put up with.
(Now entering: UNDER CONSTRUCTION ZONE)
Sooooo after Kakeru graduates…idk. Maybe he would confront Haiji? Why haven’t you talked to me in three years? Maybe after the Aotake reunion. And something strange and nebulous starts up from that. And Kakeru just has to keep hounding Haiji into…not corners but out of his own mirror halls to move them forward. That’s a little dramatic, but it’s nice to think of Kakeru stewing.
Or maybe they start talking a bit after Haiji and Fujioka part ways. That moment seeing Kakeru seems to be a turning point of sorts—reminding him of a time when he was independent and almost free of himself? Maybe it blooms from there into something stumbling and stilted and reticent on Haiji’s part (fearful) but good. Onions. Layers. Shrek.
Or maybe Haiji just seduces Kakeru and then Kakeru confronts him like in the first scenario and the second unfolds. I dunno. “Getting together” feels like such a grey area to me, so it’s hard to answer. Like…If they’re eventually going to be together, isn’t the entire prelude kind of a “getting together” too? (This probably speaks to the weird nature of the relationships I’ve had; it’s never been just…oh we’re dating now! It’s always been a sea to navigate, a search for the boundaries, for the tools to use to make them.)
What are your thoughts anon? Would love to have a dialogue!
hi, it's stupid anon here haha. I realized trying to answer in an askbox with 150 word limit (or whatever it is) is gonna be painful, so I gave up the anonymous badge for this. Sorry for everything below haha, I’m horrible at rambling.
Thank you for giving such a long answer, I really appreciate you taking the time (oh god this feels like a work email haha) and talking to me about the stuff I asked about, it was very interesting to read and get some more details that I might not have realized before. You said that you would like to have a dialogue - I'm not sure how much I am suited to provide worthy/interesting dialogue or food for thought but it did make me think for a while about what you said.
before I go there just a disclaimer - it can be hard to not look at things from the lens of my own perception of the characters, I'm sure you understand, so in advance - sorry for this jumbled mess of thoughts.
Ultimately, there are 2 reasons why I asked that questions (besides the fact that I just like talking about kakehai). Reason #1 was because you painted Haiji from a lot of different angles in these stories (Kakeru as well, but not as many, of course), but for me it would be interesting to see what he's like falling in love. We've kinda seen Kakeru fall in love in There, that scene with thinking in the bath is the most bittersweet and heartbreaking moment in the whole series for me, watching the moon in the water (that Haiji hung), the moon is beautiful tonight, isn't it, etc etc (also if you say that it's not what happened I will sweat profoundly and apologise but in my head I'll go UGH AUTHOR BAKASHINJI BUT THAT SCENE *shakes fist*). Anyway, you can argue that we can see facets of this (Haiji falling in love that is) already but I'd say it's still different. I read your stories more or less soon after I finished the series so it was easy for me to assume and envision for those two to fall in love in a pretty profound and cinematic way following the finale of hakone and the way that scene is presented visually. But from what you mentioned, it being a strange and uncertain, it makes sense it could be something that Haiji doesn't realize in a way of "oh wow I'm in love let's be together" and more in a way of that at some point they already are and that's pretty much it. (I hope this makes sense, I'm not the writer here ok, no bully lol). It makes sense, but it doesn't really answer the question how and why that happened. Which brings me to reason #2.
(By the way most of this is due to the fact that my mind needs to find patterns for puzzles I can't get over, otherwise it just keeps bugging me until I can solve it or ask someone else to. So yeah... sorry!)
Reason #2 is my love-hate relationship with this type of plot: "people meeting each other again after years of being apart and then coming together". On one hand it's one of my favourite storylines (e.g. one of my fav kagehina fanfictions etc), I've read numerous mangas with the same premise, I think it holds a very strong appeal especially if the characters initially knew each other very young. How they matured, grew into a more established character and if they ever were close - the fact that they could grow close again, means they were attracted to something deeply meaningful inside each other that is still there etc etc etc. This kind of approach, imo, is very attractive to the fanfiction readers/shippers/fandom audience. However, (this is the "love-HATE" part) I find it wildly unrealistic, especially if those characters were close before. I find myself thinking that if you ARE in love with someone after N amount of years of no contact that kind of borders on obsessive/unhealthy tendencies. And if it's the "rekindling the flame" argument then again it looks unrealistic and still sorta obsessive. I can see people who were once in love becoming good friends on a very different level, but not lovers again. So yeah, sorry, let me bring this back on topic - I can't find it for these 2 specific characters given their history and my understanding of them to be able to get together and fall in love like that. Mind it's not that I think it's impossible (hello, I love kakehai to death, of course I think it possible and I need it like now and every day), more that I don't know how it happens so I was hoping you could show me. It's just the way my stupid head works - I see the problem setting (statement? uh?), and it needs to come to a certain outcome, but I struggle to find the path on my own.
Given how you've described Haiji I think the "he just seduces Kakeru" seems fair, seems like something he could do logically, I can see that in his character, but that whole situation also seems somehow unfair. It almost feels like it’s the same way it was with Fujioka and I somehow think it would be different? (Or maybe I just want it to be different. *shakes fist at self*)
(Also the reasons why it's so hard for me to imagine the "not keeping in contact for years" scenario for kakehai is simply because they looked way too familiar in the series during that re-union, not like people who are seeing each other for the first time in a while or the people who only have recently reconnected, etc, but that's beside the point).
I swear I have been thinking hard about it, I agree very much that this seems like a total misty silent hill area to me, Bermuda triangle of "getting together". “In love” being such a strange and fleeting thing that is very easy to let it slip away if you don't grab for it... hmmm. I suppose you can say there are examples of otherwise but I find most of them very overdramatic (e.g. Snape and Always, etc). Maybe for Kakeru it would be very simple to fall back into that feeling, now that I think more about it.
Would it be a physical casual thing that Haiji doesn't want (is scared) to explore deeper at first? And Kakeru being a pretty direct person (makes me think of the no-bullshit "I may not be gentle" vice-captain scene) could definitely push for answers. That somewhat fits what you were saying above, but it also feels like something that would happen to more disillusioned versions of themselves? I feel like at that point they both wouldn't be like that. Or maybe I'm wrong and it's the opposite because of how easy it would be for them to fall into that kind of relationship/routine before anything else.
Also hard to imagine for Haiji to want for something like that (I mean for being with Kakeru as together together) because of how much he likes to self-sabotage. And at that point if he's feeling like a self-independent person, fairly sturdy on his feet - wouldn't he find any kind of a close relationship a threat to his autonomy? Or is it the opposite way round? Maybe only on the surface. I feel like Haiji (from what I read in your series) is someone who will struggle to connect with anyone deeply. In his core - very uncertain to truly open up. Kakeru being shown as the "perfect" one who's always prying and suffocating with love is also situational due to the events you wrote in the stories specifically so it's hard for me to extrapolate further into his character. It could be exhausting to deal with that all the time, so it can't be happening all the time, there should be another facet of the relationship that makes them move forward or at all. Considering how the whole series seems to show turning points for Haiji, instead of focusing on perfunctory "this is a fanfic about x/x", idk if the fact that you don't know how they "got together" is a subconscious way of saying that it wasn't really a turning point? The turning points came later on when Haiji and Kakeru are dealing with the pitfalls of their developing relationship etc etc. And if that is the case, I think they could've started less passionate and more "it was easy enough to fall into this without thinking". With a side-order of an unidentified sometimes acutely felt... well... feeling.
I could also see them becoming just close, very close, in the span of however long, in a way that Haiji kinda craves, but not sexual. (Because I am a masochist and a sadist both and what can be better than making them suffer in the realm of the unknown for even longer ahaha amiright *cries in BDSM*). And then Haiji maybe "spoils" it with the whole "he just seduces Kakeru", but actually doesn't spoil of course. But does open the pandora's box, so to speak.
Why are you asking me this, so cruel!
Also PS about the Fujioka and “dating” – yes, I can see what you mean 100%, to me it did read like that, but I wasn’t sure if it’s my personal perception because I just don’t really care about Haiji and Fujioka that much or not. Also the word “date” is way shorter than “seeing each other” and when you are trying to fit into an askbox you gotta cut your corners haha.
Anyway, I’m sorry this is so fucking long and probably makes zero sense. I hope I didn’t make you angry with anything I’ve said because I truly like the world you created a lot, it makes me think, I like thinking haha. Also I hope it’s not completely impossible to read, English’s not my first language so all mistakes are my own and I hope it was somewhat readable. Thanks again. And be well <3
Flower Knight aka pretty princess De Lancey
Well, look who’s alive again and who finally finished this a year later. I’m really sorry @solitaryjo, I am the worst person ever, I hope its not hopelessly late even if it’s completely and utterly late. Anyway, hope you like this mural-ish De Lancey that I totally referenced from Le Chevalier aux Fleurs by Georges-Antoine Rochegrosse.
(you guys still into JSMR, right? right?? T__T)
Gorgeous. Thank you for remembering me 💗
( ˘ ³˘)♥
Flower Knight aka pretty princess De Lancey
Well, look who’s alive again and who finally finished this a year later. I’m really sorry @solitaryjo, I am the worst person ever, I hope its not hopelessly late even if it’s completely and utterly late. Anyway, hope you like this mural-ish De Lancey that I totally referenced from Le Chevalier aux Fleurs by Georges-Antoine Rochegrosse.
(you guys still into JSMR, right? right?? T__T)
Christian Köhler - Othello [detail]
Frank Gascoigne Heath - Gulls, Newlyn Harbour, 1909
Agostino Arrivabene - Corona Santa
f-l-e-u-r-d-e-l-y-s
Adolfo Belimbau (1845-1938)
Nicolas Poussin, The Empire of Flora, 1631
Portrait of Edith Hope Iselin (1930). Philip Alexius de László (Hungarian, 1869-1937). Oil on canvas.
American-born Iselin was painted in de László’s London studio over the course of three sittings in June 1930. The sitter was filmed in the gardens at 3 Fitzjohn’s Avenue wearing the dress and veil in which she was painted. George Eastman, of the Eastman Kodak Company, had presented the artist with a Ciné-Kodak model B, one of the first motion picture cameras for personal use. The resulting films offer a unique record of de László’s life and work.
Jan Davidsz de Heem. Detail from Still Life, 17th Century.
Can we talk about Vernet’s entire series about the Grande armee though
They look like preludes to Napoleonic military pornos
uhhh
UHHHH
OKAY THEN.
So is this the Vernet that Sherlock Holmes is supposed to have been related to? As in, “My grandmother was a sister of Vernet, the French artist?”
Roberto Ferri - Prigione di Lacrime
“The Nymph caught the Dryad in her arms.” The New World Fairy Book Howard Angus Kennedy Illus. by H.R. Millar London: J.M. Dent & Co., 1904.
The Valkyrie’s Vigil, Edward Robert Hughes (1851-1914), 1915. Via.
Dionysia by Pierre Auguste Cot, 1870, detail.