Hiroshima mon amour (1959) dir. Alain Resnais
Color Me Curious

if i look back, i am lost
One Nice Bug Per Day
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ellievsbear

pixel skylines
🩵 avery cochrane 🩵

❣ Chile in a Photography ❣
Mike Driver

Love Begins
let's talk about Bridgerton tea, my ask is open

#extradirty
Doug Jones
Noah Kahan
occasionally subtle
tumblr dot com
Lint Roller? I Barely Know Her
NASA
almost home
★
seen from Guatemala

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seen from Colombia

seen from Netherlands
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@piranhajuju
Hiroshima mon amour (1959) dir. Alain Resnais
Hiroshima mon amour (1959) dir. Alain Resnais
this might come back as a sza appreciation/devotional blog
bea camacho, efface, 2008
Kelly Reichardt’s Certain Women (2016) arrives today on Blu-ray & DVD! The expanses of the American West take center stage in this intimately observed triptych from Kelly Reichardt. Adapted from three short stories by Maile Meloy and unfolding in self-contained but interlocking episodes, CERTAIN WOMEN navigates the subtle shifts in personal desire and social expectation that unsettle the circumscribed lives of its characters: a lawyer (Laura Dern) forced to subdue a troubled client; a wife and mother (Michelle Williams) whose plans to construct her dream home reveal fissures in her marriage; and a night-school teacher (Kristen Stewart) who forms a tenuous bond with a lonely ranch hand (Lily Gladstone), whose longing for connection delivers an unexpected jolt of emotional immediacy. With unassuming craft, Reichardt captures the rhythms of daily life in small-town Montana through these fine-grained portraits of women trapped within the landscape’s wide-open spaces.
Victor Meeussen
René Magritte, Georgette, 1937
when u get clocked
Barbara Valentin in Rainer Werner Fassbinder’s World On A Wire
where are the photos of nicole kidman celebrating signing the papers from her divorce from tom cruise
i found them
Kamasi Washington, Harmony of Difference, 2017
Happy birthday, Mary Wollstonecraft (b. 27 April 1759)
“My own sex, I hope, will excuse me, if I treat them like rational creatures, instead of flattering their fascinating graces, and viewing them as if they were in a state of perpetual childhood, unable to stand alone.“ - A Vindication of the Rights of Women (1792), Mary Wollstonecraft