Making this a pinned post so I don't have to keep scrolling down to update it, but I figured I could put up a little guessing game about the remaining tarot garments (or just to update the lineup) and who relates to them on a painfully (un)subtle way. Also having the more than interesting lore drop from Aleph (more specifically with Feast of Imagery/Paracelsus) enforcing the idea that all the garments/garment series are alternate universes almost on par with Limbus' mirror worlds and may or may be some interesting fic potential in the larger story.
...And speaking of Aleph, the only one I'm really betting on is my man(s) (more than likely Zahir to complete the quartet) being The Fool for lore reasons :)
Here's a couple tarot explanations I could find for those who don't know the in's and out's of tarot divination (Labriynthos and Tarot).
0. The Fool: ???
1. The Magician: Melania (Red and White)
2. The High Priestess: Druvis III (Shrouded in Thorns)
3. The Empress: Eternity (The Golden Nurturer)
4. The Emperor: Igor (Returning Nevermore) [Yet another surprise patch spoiler with 3.8 but at least I can keep the story away with a thousand-yard pole too]
5. The Hierophant: ???
6. The Lovers: Jessica (The Sound of Paradise)
7. The Chariot: ???
8. The Strength: Marsha (The Ever-Burning Embrace)
9. The Hermit: 6 (A Hymn to Seclusion)
10. The Wheel of Fortune: ???
11. The Justice: ???
12. The Hanged Man: Medicine Pocket (Forever is Too Short)
13. The Death: Charon (Gift of the Dead) [The only thing on 3.7 I’ll spoil since, no matter how much he denies it, Charon becomes Death in another universe :)]
14. The Temparance: ???
15. The Devil: Anjo Nala (The Forbidden Fruit)
16. The Tower: Kakania (Guardian of the Broken)
17. The Star: Voyager (Choir of the Stars)
18. The Moon: Semmelweis (The Wax and Wanes of the Heart)
19. The Sun: ???
20. The Judgement: A Knight (The Evergreen Soul)
21. The World: Ulrich (A Glimpse of the Cosmos) [aka. The one-man powerhouse in Reveries right next to Flamey :')]
I'm honestly surprised that no one noticed all the way back in Turquoise Serpent Club (specifically Box-Bound Ruler) that a certain man with a black cloak and white mask was supplying a strange silvery substance (aka. quicksilver/mercury) to the human Perez to grind into a pigment and transporting it all across Europe and the US. Then once the mice Perezes took control of the club, the stranger suddenly took the recipe for the pigment and practically vanished from the face of the earth, as well as coinciding with that particular mine collapsing and cutting off that supply in the first place...
In Lorentz's mind, she assumes that it was Manus' work to create the pigment for the revival ritual sometime after the 10th Storm (from 1962 to 1929), but my little Aleph-obsessed brain immediately jumped to the conclusion that Merlin had a hand with the whole operation; whether he was even aware of its eventual consequences or doing everything in his power to deny it all like a certain river in Egypt.
Firstly, the 1900's were part of the Mexican Revolution (1910-1920); a time of internal war, hardships, and eventual artistic boom that Merlin seems weirdly particular about just when he was ranting to Paracelsus after the Uqbar phone call. Then he also complains to Zahir about how Laplace are "textbook sociopaths" despite being far more scientific in their research (except Lorentz for obvious reasons), meanwhile he's cutting up prisoners like they're a science experiment to cure the so-called "disease of the mind"...Did you know that the lobotomy was popular around the time to cure the mentally insane or help with deep sleep? Case in point, I'm all for Merlin being alive around that time until he got sucked into that entire mess in Ushuaia; trying to hold onto his individuality despite a certain someone trying to drill it into his head that they're all Aleph now, so they should just let go of their personal strife and return to the calmness of the Depths. Mind you, Aleph only mentioned "Merlin" being created in 1977 pre-4th Storm (in Folie's The Mask in the Mirror), so it could both be an instance of the era syncing up on top of Merlin trying to prove his own form of transcendence with the tools and knowledge he already has.
Now for the importance of mercury (especially with Enigma's new lab partner in First and Last Principles), it's an extremely important component in alchemy as one of three components of the Tria Prima: Mercury/Mind, Sulfur/Soul, and Salt/Body. Of course, while certain paint-savvy characters consider it to be silver since that was a prevalent material to mine at the time, it indirectly leads to the Awakening of the mice Perezes, Lady in the Lake, and even Muriel's whole scheme to revive Therasita by capturing/preserving memory and "reviving" the dead in a controlled environment. It's the reason why Musae III, Ludwig and/or Laplace as a whole just decide to slap a big glob of the stuff into the Toybox as a Storm simulator without knowing how volatile it is; which Enigma then takes the core for himself and named it Shannon (both for the utter whiplash in his Morning Bond dialogue and as an anglicized version of an Irish goddess of water, purity, and knowledge).
Going back to Comala Prison; while Aleph is more of the alchemy man of the group (Para actually being more of an author given his many literary references and possible cameo in Cristallo's A Dream in Stained Glass), how else would Merlin use such a powerful arcane material?
Well, as a pigment, it is a pretty good sealant to prevent water damage in an enclosed environment (or a possible reference of a certain sealant from a 1947 paint company); and while the arcanists inside have their sparks of inspiration, they still gets some pretty dangerous bouts of madness that Merlin then feels obligated to "fix" as the temporary warden of Comala. Rinse and repeat until Recoleta and the Foundation (ie. Vertin and Sonneto) stroll in to "ruin" all his hard work. And while Aleph himself is eventually secured in the Foundation in the Changeless Room, it seems that the mercury poisoning is starting to show itself in more telling signs that he just brushed off as symptoms of his hyperthymesia or his reflections of the prison fire...Then the disc burner in Vertin's War Room breaks down, and we all know whose been pretty superstitious about these kind of "omens".
Now I just want Aleph (moreso Merlin) getting the worst of both worlds now that he's stuck in the lair of these textbook sociopaths and possibly getting recognized on sight by the Perez family since they and Lady in the Lake are in the Suitcase for now...Or you know, holding a personal vendetta against the newest Laplace director for using "Shannon" as a personal lab partner and an indirect link to a certain living alarm clock :).
While I'm definitely going to wait tackling First and Last Principles once I get the depressed wet cat of a cryptographer, but with my sister rewatching Cosmic Overture got a massive brain-blast on its connections to The Depths as a whole and how it semi-neatly ties together with Vereinsamt, Pre-Storm Protocol(s) and even the current storyline...
Potential spoilers for the new gamemode (Focused Flashback) even if that goofy alarm clock is literally going to be the first thing people see :)
Right off the bat, it's kind of funny to realize that the Storm timeline between the Vienna Storm to now is concerningly short, even if time travel as a trope is perfectly balanced and only getting the pieces one disjointed patch at a time. Case in point with the side stories not exactly spelling out the dates/timeline in its story node outside of a few context clue in the story itself (ie. Midnight Whistle explicitly mentioning it happening just after the 5th Storm but not showing its exact date/time in the overworld), but it definitely tickles my fancy to put the timeline together on my own over semi-updated timeline on Gnomon or Huijiwiki.
Case in point with 1987 Cosmic Overture (especially everything with the Epitath chapter; a time when teleportation discs were still in open development and the 3rd Storm was just beyond the horizon for the LSCC (Plesetsk edition) to make the downright suicidal move to observe the Storm from space (if it even effects the world on that scale as well). The second Kiperina breaks through Earth's atmosphere, she experiences a complete sensory deprivation and almost all lines of communication are corrupted. Planets are being unraveled and breaking apart, a toybox of colors and lights, and her little robot monitor is a frantic stuttering mess of warnings about a massive influx of arcanum...
Funny to know that Turquoise Serpent Club follows this same style of mindfuckery once Ramona was sinking into the Depths of Myth. On top of that, Kiperina gets flashes of memories from her past in the circus, travels down a trail of light with a suspiciously floating set of stairs, and eventually finds little tokens and figurines representing her new Laplace coworkers and friends (excluding Voyager since it's literally the writing on her hand). The more she travels down that path, feeling the weight of her past slowing her down, the more the universe begins to darken around her and the more her mind begins to drift.
The sounds of a clock begin to tick, somewhere in a place where time becomes irrelevant and null.
Trying to hold onto everything at once is impossible.
"No! Not like this!!"
The objects in her arms scatter outwards, drifting like mist before vanishing into the cosmic sea.
At the dawn of the universe, all things were dust. So it remains.
All things become insignificant when examined on a cosmic scale. What meaning is there in chasing it?
Name Day: Maybe time is a concept that only holds meaning for humanity.
Han Zhang: Out of one, two is born; out of two, three; out of three, everything.
Hissabeth: It all started from an atom...
Now to get this tiny existential tanget out of the way, I believe that Annalith was more-or-less playing tug-of-war with the Depths in this scene, since the line between the two are surprisingly thin in this world. Although it would be a hilarious in-universe explanation on people believing in aliens or even the moon landing being a hoax...After all, if time and space get as screwy with the Depths trying to capture that information, it adds to the level of urgency to return to Earth if fuel and/or oxygen seems to drain faster than it should.
Something something Annalith might've been the Voyager-1 satellite that became Awakened and/or became twisted by the Storms and Depths...-I mean, there is a living Sputnik satellite and a pirate ship!? Why not we have something that represents Voyager-1 since it's real-life flight path exists far beyond 1999 while the Golden Record was retrieved by the "arcanist" Voyager in '77. Annalith, looking closer to a Living Consciousness like the Child of Fear, represents humanity's futility against time and understanding the true vastness of the universe. Everything seems infinitesimally smaller when looking at everything from above; and it all depends on if your mind will crumble from the weight of it all, or you become fascinated with whatever life exists on that tiny globe of light.
...Now I would like to introduce The Depths' representation of Time; something more grounded to reality (ie. in a dream world that's a step off the beaten path from Artificial Somnambulism), something that represents both productivity and haste, and something that urges people to finish their work no matter how close the deadline is or whether a paid-time off is just beyond the horizon...Fleeting Slumber (or Fading Slumber from the Huijiwiki translation)
After all, Hissabeth wasn't joking about indefinite discounts or infinite overtime pay for nothing (plus it definitely reflects on it with its passive and skills too) :)
Adding to the reason why it shows up now in 3.6 is somewhat simple; the LSCC was basically going through a gauntlet of living bureaucratic nightmares from Cosmic Overture, the Vienna Storm, and now with the Pre-Storm Protocol cast fighting to keep Laplace's independence against an all-out merger with the Foundation. Every member of the LSCC, no matter how big or small, are definitely struggling to race against the clock in one way or another; so that collective stress (and hope of some real validation for their work) eventually pooled into something like this. Although I'm also banking on the silly little headcanon that the Depths (aka. Knotted Thoughts/Thought Knot) created Fleeting Slumber as a direct response to meeting Annalith for the first time (obviously cause of the Cosmic Sea parallels), cause I'm sure meeting another "being" like Them had some kind of impression on them either way.
Extra bonus headcanon since I have to squeeze Aleph into this (even now as the new-ish LSCC advisor now), that everything with Cosmic Overture (and the 3rd Storm as a whole) is the reason why he decided to commit himself into the Comala Prison/Penitentiary in the first place. Why do I think that? Well...Where have we seen that eye before?
So I'm just imagining a younger "Aleph" trying to hunker down in some unknown safehouse hours away from Plesetsk, waiting the Storm out, and finally getting a couple hours of overdue sleep (for obvious reasons)...Only to get (mentally) dragged into the Depths Nightmare on Elm Street-style just for Thought Knot to show off this cool new alarm clock to their favorite new Consultant. While he definitely got brought back to reality so he can actually get some sleep (humans get extremely manic when sleep-deprived), but that definitely would've been the tipping point in getting himself committed so that "incident" doesn't happen again...And we all know how that went for him in the long run.
And before you ask: What about the weirdly goofy design? Don't worry about it :)
Nexomon Official: While there has been plenty of up’s and down’s in development, but here’s a sneak peak of one of the towns you will get to explore!! :D
Not too sure if it's a me thing, but apart from everything Félicienne Baron that show her off as that random France Renaissance lady that was thrown 500+ years into the future (or Reverse version of the future with the Storms and all) to eat macarons, be a bitch to her taxi driver and cause the apocalypse, is no one talking about her little speech in Grand Guignol more or less referencing two oddly specific figures/periods in time?
So of course, me being me and absolutely banking on the Myth Manifest theory, I did a little digging into some interesting points in French history for the fun of it :)
While I do love me some aristocratic sass, she didn't seem to be the one to spout off historical or literary references to win an argument (outside of Dogme et rituel de la haute magie/Dogma and Ritual of High Magic in AFF-01 to indirectly shame Brume). Of course, I'm sure she would've held that front around her Manus subordinates, it would be a convincing enough statement to claim she traveled across three different eras before she was "inexplicably" trapped in the Depths for an unknown amount of time.
Frankly though, I'm all for her originally being an ordinary noble in the late 1590's to 1610 when that era ended (namely with the assassination of King Henry IV) and was unwillingly swept into the undertow of the Depths of Myth (something something Reverse's ancient history being remade through cycles with a few survivors (aka. arcanists) to tell the tale through mythology and folktales).
32 years later, Jules Mazarin was succeeded as cardinal of The Duke of Richelieu to serve the king of France Louis XIII, then to The Sun King Louis XIV a year later. This helpful little financial advisor lived through a series of wars and peace councils, civil wars and diplomatic unions; all until officiating a wedding a year before his death between the Sun King and Maria Theresa of Spain of the Hapsburg line...Who just so happens to be Maria's double first cousin.
While I can definitely pick and choose which point of history "Félicienne" would've been a part of, the emotional and political turmoil at the time seems to be a prime time for the Depths to feed on those collective beliefs until the cycle begins anew. And since it seems to be growing knowledge in Reverse's lore that anyone that was Reversed reappear within the same age range when the Storm took them, having a clean slate in life outside of a strange sense of homesickness/deja vu...
Then in the early 18th century, Thomas-Francois Dalibard was a bright and ambition man with a passion for botany and physics, someone who was married to the author and playwright Françoise-Thérèse Aumerle de Saint-Phalier Dalibard (writing under the pen-name Mademoiselle Saint-Phalier) possibly around 1740's-50's. But it was during May 1752 when Thomas-Francois would make his mark in French history as the first to discover how lightning produces electricity by conducting a 40-foot iron rod during one particularly stormy night in Marly-la-Ville...Then in October, Benjamin Franklin took the credit on the US side of the history books.
While that piece of history isn't fully documented outside of Wikipedia or any of the Dalibards' books, but I like to think that "Félicienne" got Reversed again into a semi-comfortable life with a well-learned gentleman who suddenly made the hallmark discovery of electricity in France (even if there's no real way to know how rich he was). Mind you, Thomas only met Franklin in 1767, so that clash of the minds already missed its mark (besides Franklin's electricity proposal in 1750 that might've ignited Dalibard's drive to perform the experiment himself). And while it's going to be another rabbit hole entirely to see what kind of monumental event would've occurred for another cycle to kickstart, but I like to think it was sometime after Francoise completed her last book Murat et Truquia and the play La Rivale confidente, comedie en 3 acts et en prose in 1752.
Now jumping way forward after the 4th and soon-to-be 5th Storm (1936 Reverse Time and 2004 Normal Time if anyone was crazy enough to keep track), the Depths of Myth and Its Manifestations are exhausted at this point. Apart from Manus Vindictae messing up time and creating Storms in unnatural points in history, a certain psychology professor began harnessing the powers of Carl Jung and throwing people into a well to inject some kind of human emotion into the great Collective Unconsciousness. On top of all that, the Year of the Worker has been in full swing with factory workers from the States and Europe staging mass strikes; with France in particular eventually taking up arms after years of growing economic and political turmoil since 1931.
With this pressure-cooker of a era certainly reaching its boiling point, the Depths are more than ready to wipe the slate clean; even if some outside force were enacting the ultimate faux-pas of perceiving the unperceivable, stirring up the mental seabed and unleashing The Horrors (aka. the Beasts of Gévaudan and displacing the Wailing Whirl/Thought Knot from the abyss) onto the material world. But It needed to create something befitting the era and began the exodus to its (un)natural end...
Then a consciousness begins to stir, a soul that has experienced life after life under Its watch, began to resonate with these tides of conflict, of revolution, of poverty, prosperity, and hope. The Depths remember every face, every soul and every identity that sink into Its sea, and It especially remembers this one in particular.
All things happen for a reason, as above and so below, so It should not take this opportunity for granted. It coaxes this fragment closer to the surface, promises of opulence and abundance sparking memories from a time long long lost. Someone who was blessed with fortune and luck time and time again, and someone who will protect and uphold the will of a higher power. Delicate lace against rusted iron, a veneer of elegance over a cold and calculating intellect, and someone who knows how to get her way by any means necessary.
A fitting role for a noble of her past, and a perfect visage for a Myth Manifest of this age. A wave of apprehension rippled through the Depths at anointing a human (an arcanist, no less) to such a role, but an era for the people must be decreed in kind. No matter the time taken or the steps used, the cycle must be completed, and all will return to Its waves in due time.
......
It was raining when Félicienne Baron found herself on the streets of Paris, her mind and memories just as murky as the storm clouds above her. Her body felt weak and numb as if she was asleep for centuries, a weight pressing heavily against her chest like she lost something monumentally precious to her...
As if gifted by fate itself, a innocuous taxi car (a rather drab one though) pulled up in front of her. It wasn't the valiant chariot she hoped for, but the cold and the rain was quickly getting on her nerves. She just needs to go somewhere, anywhere but here, to finally ease her racing mind...
AFF-10: Paris in Hysteria
Brume, absolutely McLoosing It in the first of many gaslighting events by Beryl: You want proof? I’ll give you proof. Hah, madness! Never thought I’d have to actually convince someone that I work for that terrible woman...It was raining. She started complaining about the mud on her shoes the moment she stepped into the car, then insisted we head straight to the Champs-Élysées. You know, wealthy young ladies like her are always generous with payment. I often have to take time out of my evenings just to count all her tips. That very first day, she even gave me some gold francs as keepsakes. I’ve got them in here.
...?!
Her face twists in disbelief as she flips it open and closes it again.
Not a single coin or bill...
Thus the beginning of the end is set in motion, and all will eventually be washed away in the rain.
[And to finally wrap things up, I'm all for the Manus EP actually being Felicienne's ballad/"life story" about her newest chance in life and falling into Manus Vindictae's schemes hook, line, and sinker...Also listening to Paid To Exist (Original or Remix) since it fits Félicienne so well as an ironic self-affirmation song :) ]
Besides the fact of me essentially strolling up to a barside conversation with a mini research/rant essay, Reverse's 3.8 trailer made me feel some pretty strong opinions about it...Whether or not they've valid on my end is something I'll have to deal with until it eventually releases on global :')
Nevertheless, this is more or less about a pattern I've begun to notice with the story 3.6 onwards and how the character design is starting to lean more into the fantasy side of things over alt-history.
Some minor-ish spoilers about Turquoise Serpent Club, some of the 3.7 character reveals and 3.7's Truth a Posteriori will be mentioned, but I'm all hear about the internet sleuthing I did with the character lineup and story theme alone.
Even if I am starting to appreciate Bluepoch's move towards fleshing out the Foundation's and Manus' lore as potentially understanding the inner machinations of the Depths as well (since it's certainly becoming clearer by the day that the Foundation was utilizing its power without realizing and/or comprehending it); it also depends on how that experience is expressed through the characters, visually and emotionally, over the audience being an outside observer. It has more or less been a breath of fresh air for me to enjoy a gacha game like Reverse (and Limbus Company) since they add their own spin to historical/literary figures and references without being too tongue-and-cheek on whether the audience understands said-references if it's not spelled out to them.
Of course, in Reverse's case it wants to tell and overarching story about time being erased and folding into itself; of loss and bittersweet reunions, and of the sacrifices some people are willing to make to bring back the memory of someone that can never be replicated to its fullest extent. And while I haven't entirely completed TSC yet (or yet dare to peer into 3.7), I got a pretty good run-down from my sister since it heavily focuses on the Depths and how pretty cutthroat its deals are to whoever wishes to harness its power...Also Aleph and co. and the (human) Perez family being the catalyst to lead and/or mercury poisoning in Mexico City (Example 1, 2, and 3), more-or-less kickstarting the craze of the "magic pigment" to Manus and the Foundation was a plot point I was not expecting at all but appreciate immensely.
Still though, it's a major step-up from Triste Tropiques trying to find that fine line between expanding on the overarching narrative and respecting the culture/country it takes place in.
Nowadays, the playable characters have certainly shifted to letting the audience learn more about the inner workings of the Foundation and Manus. Of course, that means a massive chunk of them try to fit the status quo design-wise since both corporation/cult have a semi-lenient dress code, but they still squeeze in a few notable accessories and clothing designs that connect them to their given era/nationality/culture/etc (Hummingbird/Muriel being a prime example in Flowing Feast and TSC so far). So when the little preview poster for 3.8 came across my feed, I went to work coming up with my own theories on who will be significant to the story the day before the trailer dropped.
Everecho: Not exactly a name but a concept of sound that lasts indefinitely, but mainly used in musical riffs (I swear we get another instrument Awakened).
Cornerstone: Can't say for sure who that might be but it could be a prominent Foundation/Laplace member or something like the Razor Squad...Or if it's based on masonry, they could be a architect for the Foundation since the Storm should be wearing their foundations down for sure.
Grundriss: Apparently a German word that more or less translates to "A comprehensive and systematic outline, especially of a science"…I'm sure them and Cornerstone are best work buddies :)
Keena: A Irish/Celtic name that means brave, but it's certainly going to be a step up having a authentic Irish character that isn't riddled with stereotypes for once in gaming history 🙃
Irinei: The bastard that was managing the Foundation's (War) Hawks all the way back in A Long Long Walk and Campaign's Tale. Can't say for sure why he would be around, but given everything with 3.7 he could be working more as a supervisor alongside Constantine making sure there isn't any funny business going down.
Bkornblume: Possibly will be similar to TSC with Centurion and Latham/Loggerhead as a Team Timekeeper advocate since Vertin is definitely on the fence about whether or not she can trust the Foundation anymore. Or you know, especially after the headquarters blew up...
Then Temporal Scale dropped...
While yes, it does connect to the real scientific study of the varying forms of degradation to living/inanimate objects throughout time, observed or not, the references in this patch seem oddly disjointed and confusing at best. Nowa Miedz seems to be a combination of two different things: Nowa being Polish for "new or fresh", while Miedz is the Polish word for copper but there are some other words that mean boundary or foundation (między and miedza respectively); although Polish is definitely a pretty diverse language, even, but I figured it could line up with the Depths becoming more and more relevant to the Foundation itself. After all, this lost and clearly-abandoned Foundation site (likely as a prominent copper mining company) that used to be around until the First Storm and was abandoned since then, but the forces that be still linger after all this time, waiting to find some closure in the way they desired...
However, the things also I learned about Everecho particularly had some great potential if she learned more into the ghostly aspects of her character/story for now.
Since the concept of an everecho (if I wasn't fighting against ceramic/art companies, oceanographer, and AI brands using the same name) it is meant to be a form of sound that continues indefinitely, although it could be used in music to signify the passing of time (mainly with guitar riffs). So I'm going to lean on the theory that she's meant to be a Felicienne 2.0 and is a ghost of the Depths that is more-than lost to time/reality, although it would've made more sense for the story to crank up the incorporeal/ghostly vibe up to 11, maybe looking more like a shifting veil or haze in the shape of a human or the one ghost to out-ghost them all.
And yes, while her outfit and doll could connect to her country/era of origin in Czechia/Bohemia, I have yet to travel down that rabbit-hole on why she looks more like a combination Lorelei-Night Echo...Unless they're going to have some kind of found-family relationship or if she is Lorelei's bio mom since it's been pretty vague since A Series of Dusks on top of me finally having a big brain moment that she ticks off almost every mark of her possibly being a seer to the Depths), but I'm sure that will be shown later down the line.
Hell, I was having a blast theorizing about Truth a Posteriori and how it connects to the horrors of colonization, baseless rumors fueled by greed, and how the Foundation/Laplace don't exactly understand the concept of "dead men tell no tales" if the expedition team in El Dorado are going insane from a paradoxically abundant sponsorship budget...Or advocating for rainforest preservation efforts by a kickass ghost tree that may or may not being a Myth Manifest, that too.
Of course I have no idea how 3.8 are going to fare (or the rest of the story up in 4.x), but as someone who's played the game since the beginning, the story is starting to feel like a slow and steady decline in substance and overall dedication to the craft itself. Not that it is faltered with its worldbuilding, localization, and character development; but how it is being expressed through the playable characters (and a couple npcs on occasion) seems to be shifting towards a different direction to me. While it's definitely not as drastic as the current lineup of gacha games (Genshin, ZZZ, Neverness, Morimens, and the like) that use these tropes/themes on the wayside, but I'm honestly crossing my fingers that the next chapter of the story will focus more on the history of a character's look over true visual appeal just like the good ol' days.
Been thinking a bit about the Myth Manifests while I put my thoughts together on Carvings on the Sunstone cause it definitely recontextualize what's considered "mythological/otherworldly" in the Reverse '99 universe:
Gods and Deities
As stated in the pre-3.5 content, the Aztec mythos (both in-game and in real life) explains the creation of the world(s) through different cycles of creation and destruction; Four Suns that destroyed the world with drought, fire, winds, and floods while the current Fifth Sun was meant to end with devastating earthquakes and "all people will be eaten by sky monsters" (Thoughtco). Even if it's shown with a tiny portion of gods (especially with the god Tlaloc in Day 3), all of them have their own roles and wholeheartedly believe that they only exist to manage the balance of the world no matter if any unexpected events get in their way. They see humans as both their loyal followers and insignificant specks on the earth, only wishing that they hold some worth once they're reborn as anything other than humans.
In that case, you can basically think of any god in a certain country's mythos and they could count as a Myth Manifest, plus anyone on the artistic side of things can do a glow-up on their core concepts as well :)
2. Embodiments of Arcanum
While it's a smaller section since the only MMs that could fit the bill are the Ley Purifier Convergence in Farewell, Rayashki and the Tongue of Deception in Revival! The Uluru Games; it could be extra funny if any and all forms of ghosts could be considered smaller iterations of the MMs (Charon, Poltergeist, Click, etc.). After all, it takes a lot of effort for a person to exist beyond death (a strong belief per se), even if some of the drawbacks seem to be insignificant and/or an annoyance at best. Although another example of these embodiments could be manifestations from other arcanists (or human), especially if they are overwhelmed with emotions; Beasts of Niyuang in Notes on Shuori, Shumar's breakdown in Journey to Mor Pankh, Reunion of Three Swallows in Showdown in Chinatown, Santos, Reborn in Suffering in Triste Tropiques, and especially Singing Phantom in E Lucevan le Stelle and Ghost of Transcendentality in Folie et Deraison.
3. Wardens of Belief
Even if this was a earlier fact I found out through 3.4's Pre-Storm Protocol and Flowing Feast, but it seems really telling that the concept of an unconscious collective doesn't want to be directly acknowledged or interacted with; and they make that fact very clear through psychological torment or brute force. And in the SCP universe it would definitely count as an anti-memetic; something that fights tooth-and-nail to be as insignificant as possible no matter how dangerous it is to the human mind. Case in point with the Depths of Myth driving a person insane if they even attempt to enter its sea unprepared (everything with the Manus in 3.4 and Dr. Roseau's experiments with an ominous well) or anyone trying to "mine its seabed" have a very likely chance to unleash unspeakable horrors unto the world (ie. Humanoid Projections in Showdown in Chinatown and Beasts of Gévaudan in A Flowing Feast). The only way someone, be it human or arcanist, could interact with the Depths safely is to use one of its many many titles or follow a certain belief that's a smaller part of the bigger picture (truth, fortune, immortality, etc.); and there are already a handful of seers and prophets that have plenty of opinions about this universal memory bank.
4. Harbingers of the new era
While the first thing you could think of is Manus' influence in kickstarting the Storm, it all centers around the belief of such a monumental change; hence the Depths/Myth Manifests stepping in as that symbol of the changing eras. The Arcana/Guiding One's lineup are pretty emblematic of something that is formidable but unknowable (Guiding One's Creation in Tender is the Night and Guiding One's Harbinger in Vereinsamt (Breakout)), the more Depths-related monsters connect to their associated era more seamlessly, even if the circumstances to their manifestations (and subsequent Storms) vary. From The Brain: Security Robot marking the Technology Age in Theft of the Rimet Cup (and aptly named Harbinger of the New Era in the Depths itself), Annalith in 1987 Cosmic Overture, Aggregated Filth in London Dawning, the true might of Anjo Nala in Floor It! To the Golden City!, and the earlier MMs mentioned above that serve as a massive turning point to the new age whether the main cast was aware of it or not. The one massive-ish outlier to this is Félicienne (The Skyward Depths) in Flowing Feast since she's more or less the anti-Myth Manifest until her façade as a mysterious and extremely sassy noblewomen started to fall apart.
A major headcanon I have is that she was initially Félicienne Baron the normal arcanist up until 1610 with the assassination of King Henry IV and the end of the French Renaissance (since a certain streamer that does character analysis in the perspective of a fashion designer noticed her outfit seemed to be in the Victorian era compared to the rest of the cast being in 1930's Art Nouveau).
She likely was only brought back up from the Depths for the 1936 Year of the Worker (likely with a lot of nagging and/or going crazy from the information overload) either before or during Manus working on the Beasts of Gévaudan rumor mill. While she had stronger ties to Paris, she needed some kind of anchor to keep her physical form together (even if no one but a extremely tiny margin of people could see her) and something that serves as a symbol to the end of the era: The French Blue/Hope Diamond, a extremely infamous symbol of wealth and great misfortune during a time of extreme poverty and wage discrepancy. However, the diamond also has some pretty deep ties to the Tavernier family, so Brume inadvertently being the one to let the Storm reach its conclusion also lets her "family curse" to finally bite her in the butt among other wild mishaps.
And to wrap the little rant up on a sadder note, a likely headcanon to Félicienne's otherworldly sweet tooth is that it's both a coping mechanism for a time she's long lost and that her tastebuds are constantly plagued with the salt of the sea. Cause no matter how hard she tries to hide under delicate lace and fake jewelry, all must return to the cycle eventually no matter how hard she tries to fight it...
Bonus: Truth a Posteriori
While I know it's going to be a long time coming for 3.7 to be available on global (especially if the story is going to emotionally rip me apart), the fact that another survival management minigame managed to sprinkle in a bunch of Depths lore is so Bluepoch that it's hilarious. While I don't want to spoil too much from what I can scrounge up from Huijiwiki, it could also tie in with Turquiose Serpent Club and its South American mythology with the ancient city of El Dorado, plus the Foundation's Artifact Preservation/Restoration Department trying to find something important to take back to HQ. However, being a long-forgotten civilization with little-to-no information on its culture and sudden collapse, the Depths seemed to have taken a keen interest in making sure it stays hidden and undiscoverable no matter what.
And apparently that means unleashing a abomination of a skeleton-ghost tree (if it isn't named after or references the goddess Chie/Chia, I'm going to riot), and what I could find out about it design-wise is really intriguing; either being the central tree between Heaven, Earth, and the Underworld (Yaxche), or the first tree to bear fruit after the sacrifice of a great hero to the wardens of the Underworld (Cabalash/"The skull of One Hunahpu").
While I could add a few more tidbits on how the location adds to the mystery and certain psychological doom, nothing beats a story of history repeating itself and a plucky group of adventurers accidentally unlocking the Pandora's Box of cosmic/eldritch horrors. :)
It is utterly hilarious and foul that Tuesday's new garment (and the 3.5 story) is going to be released on Easter of all days...
You know, the day of Christian rejuvenation and is somehow neck-to-neck with a story patch about The Day of the Dead and its theme of remembrance (of the dead) and celebrating the future alongside the past.
While I absolutely adore the combination Mother Mary and La Llorona reference, the only nitpick I have with the garments in general is Kiperina's lack of uniqueness in her ult and the YBs in general keeping their default lines despite their stories absolutely having a separate identity in of themselves.
[And speaking of 3.5/Turquoise Serpent Club, I'll try to remember to put together an analysis of the pre-story tidbits for the week and the heaps of South American mythos that was mentioned just from Day 1...-Oh yeah, and the obvious Depths parallels too with Tezcatlipoca/Smoking Mirror" with the ability to create illusions at will and coincidentally being associated with a jaguar (one of many of Borges' themes and Folie's Jailer)] :)
A concept proposed by a psychologist, one of your dear colleagues’ favorite research topics, frequently invoked by so-called “deep thinkers” both inside and outside the toybox, and now thoroughly overused. It is an ocean, a can of orange juice, your dream — or the shared dream of the entire universe.
Do you believe it? A pure, empty, monistic utopia, no different from the illusory tower of the toybox.
-> [Believe]
[Refuse to play this game of metaphors] (Leave Event)
The hexagonal tiles beneath your feet rearranges themselves, drawn by some unseen force. A new pattern forms — and at the edge of the grid, a sea appears.
-> [Walk down the shore and take a look]
[Which colleague’s experiment is this?] (Leave Event)
You approach the sea, only to find it absurdly shallow. At its far edge, a line of text reads:
“This scenery is a temporary resource. Please note that your thoughts may strand themselves in the Depths of Myth at any time.”
Sounds rise from beneath the sea. Semi-transparent figures surface, like psychological archetypes — security robots, smoke, warped stars, an opera singer’s spirit…One shadow coughs. “They’re working us to death out here.”
Choice 1: [What are you trying to say?]
Choice 2: [I don’t actually know what the “Depths of Myth” means.]
[Choice 1]
The shadows exchange a glance.
“I suppose we never considered what we wanted to express.”
“The creator of this sea decided that for us.”
“Without being told why, we were forced to play specific roles: primitive urges, fogs of war, harbingers of a new era…”
The shadows collapse, resembling striking workers on the streets of Paris.
-> [How can I understand you?]
“It is simple,” the shadows say in unison. “We’re not the sea, we’re not orange juice, we’re not the Anima Mundi.”
“Someone keeps digging deep into the seabed. They even dug up that terrifying ‘Wailing Whirl’!”
“They summon us to spare those who fall in from even the worse mental torment!”
The sea stills, then begins to ripple again.
-> [Doesn’t anyone think reckless seabed mining is terrible for the environment?] (End Event)
[Option 2]
The shadows visibly relax.
“Somebody finally said it out loud!”
“Do you get it? I’ve got three different names across all the places I’ve appeared — Vienna, Paris, a magazine, even a wanted poster!”
“Please…All we want to do is rest quietly at the bottom of the sea.”
-> [At least they’re honest] (End Event)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Extra fun fact about seabed mining since it was a doozy to look for some kind of history between regular seabed mining versus deep sea mining.
[Source One, Two, and Three]
Other than that, it makes it extra interesting in hindsight that The Depths actually kept to the wayside (minus the Storms, of course) until Manus tried tapping into its power directly in Flowing Feast (at the end of the 4th Storm (1936/2004 Normal Time [N.T.]) and leading up to the 5th Storm (1936-> 1912/2006 N.T.)); hence the Beasts of Gévaudan and all the other mind-melting shenanigans from Brume's perspective. [Timeline on Huijiwiki, though it did update to 3.5]
Then there's the "shadows" of the Depths (aka. Myth Manifests): Harbinger of a New Era, Primitive Urge (and/or Ashen Beast), Star of Misfortune, and Operatic Reflection. While it's obviously not the full roster, I'm pretty sure the game mentioned them cause they're pretty big in the meta right now. :)
Also some added lore with the Depths on how certain manifestations function and definitely lines up with how Félicienne wanted to get as far away from that puddle as possible when she had the chance: They do have a sense of individuality but no real power to work for themselves (something something gigantic hive-mind of knowledge, feelings, and memories), plus the added surprise of the Myths essentially doubling as mental buffers for any hapless human/arcanist that fall into its depths...
Plus the added mention of "Having three different names depending on the location" is extra funny since it literally counts for Story encounters, UTTU, and Mane's Bulletin.
Now it also lines up with character accounts (and 3.5/Turquoise Serpent Club later down the line), the added context of the Depths essentially working overtime makes it kinda sweet for the Laplace crew to sympathize with the Eldritch Memory Bank itself :)
-Brume's No-Good Extremely-Bad Week in 3.2, Celia's hour or two hell in a well, and Félicienne very likely going through the ringer from the end of the French Renaissance until 1936.
-The Voices of the Depths (Beryl, 37, and Aleph for now) being in different levels of inconvenienced throughout the story; some finding amusement in the unpredictability and letting Fate flow past the diversions, others trying to figure out The Truth like a puzzle box, or going with the flow no matter how much the mental turmoil is going to wreck their brain in the long run.
-And speaking of Aleph, with his first interaction with the Depths (as mentioned in The Answering Machine) more or less confirming that all the garments in the game are alternate versions of the crew (and don't get me started on the Storm recycling people's consciousness), it also lines up with how his alters came to be: Both from his 17-year old self wanting to learn about everything in the world (said-child prodigy also downing a potion of mercury and sulfur cause a famous alchemist believed it'll work), and the Depths likely having a brain-fart on how to fulfill that strong of an ambition without causing a global paradox or his brain exploding from the inside-out.
So the Depths came up with a interesting compromise: Stop Aleph from getting mercury/sulfuric acid poisoning with the power of The Mind (aka. Granting him the Intellect "Afflatus" and pre-diagnosed hyperthymesia), give him the ability to tap into the Depths "safely" with alternate versions of himself (pre-insanity Idealist and Zahir for now), and letting him cope with this ultimate truth-bomb for a couple years just before the 1st Storm/Flood happens...
Yeah, I can see why its "workers" can relate to Laplace this much, especially after the chaos of 3.x :)
Your level of genius is making me both jealous & feel insightful dude i genuinely enjoy reading your blogs so much thank you for being in this world with us ❤🩹
Thanks a bunch, and I'd say the same for your AlephSys art as well since it's kinda hard for me to come by nowadays. Other than that, it's either making a funny/funnily-angsty analysis, fixing up a rant analysis from my sis (another avid Re99 fan but been pretty busy with work these days) on Root, or both...But it's still great to know that there's people that share similar ideas and bounce off each other with different interpretations and skills.
Hope you have a great summer and best of luck on any future ventures! :D
Obligatory fanfic idea since I'm getting flooded with Cookie Run hype about Timekeeper Cookie finally showing up in Kingdom after 5 years in Ovenbreak purgatory :D
- (Timekeeper) Vertin finding a strange little Timekeeper (Cookie) snooping around in her office, more-or-less just appearing out of nowhere and only sensing the flux of arcanum in a mousehole-sized tear that vanished in a instant.
- TC, bored as they are, slipped into a "timeline" where sentient objects and food intermingle with not-really Witches and humans...And they just so happened to find themselves in the office/living quarters of the world's "time director". Whether they know about Vertin working under the Foundation or the "Witch-centric cult" Manus Vindictae striving to destroy eras no matter how detrimental it is to the timeline is up to debate...But they're just excited about the matching hat for now :)
- Obvious headcanon that humans/aracanists can't understand Cookies since they're just a bunch of squeaking piles of dough (Ovenbreak-like), until TC activates Vertin's arcane Rosetta Stone/Book to understand them (Jiu Niangzi mentions it in her Introduction line).
- Introductions aside, especially with the obvious difference in their professions, Vertin eventually asks the titular question of if TC knows about anything about 1999 and beyond...Unfortunately for either of them, the Cookie world doesn't follow calendar years.
- Shenanigans naturally ensue once TC is unleashed upon the Suitcase and most of the crew are obviously trying to wrap their heads around what kind of Awakened they're supposed to be (give-or-take who will be caught in the crossfire). Bonus points on Regulus only trying to find if they're an APPLe tall or not.
- Finally and eventually, Croissant shows up to chew out TC for going MIA in the Time Balance Department while everything is clearly going to shit (cause it would definitely take place during Kingdom's Timeline of Fate, but ignore the potential discrepancy since I didn't watch the story yet). Before finally submitting to the fate of actually doing their job, TC makes their final remarks to Vertin by lore-dropping the fact that Croissant is their past alternate self (mainly wondering if she even had the chance to experience/document it)...And it finally breaks Vertin.
- Timekeeper is more than glad about having "Human/Witch's mind goes boom" crossed off on their bucket list, Croissant is just disappointed that it didn't happen before since they're going to be bragging about it for months now.
While I'm slowly puttering along 3.4's Pre-Storm Protocol, imagine my surprise with Marcus' tutorial through the Toybox and found this little nugget of dialogue:
Even if it took a bit of digging to find the actual The Idealist since it connects to either a poem/literature website, a 2014 book by Nina Munk, and finally landing on a 1950 page in the New York Times, the whiplash I got was pretty real (even if the conversation ends just as quickly as an Assistant recruit)...And then the (toy) pieces began to pile up on Aleph and co. interacting with the Toybox in less-than-subtle ways now outside a mysterious red phone booth, the linguistic breakdown, and a couple thought experiments on the side.
So that got me thinking about the potential timeline for the simulations and when Aleph was officially put in Foundation custody. Given X's direct confirmation that this P-SP likely happened a couple days after 2.8 Paradise Regained, well after Vereinsamt, and is a couple months before Long Long Way and Campaign's Tale (definitely trying to give Vertin a breather/cope with losing her mom to the 10th Storm)...Then I look at Gnomon's timeline, albeit still in-progress with Spring Unending mentioning 1996 and Heron’s time likely being 1596, and immediately remember that Time Travel is a perfectly balanced trope and will definitely not melt a person's brain with a chronological gaming experience :)
Other than that, it also brings out a another side conflict with Ludwig and the Aleph(s) on top of ticking off another box on my theory of The Depths + Zahir hijacking Laplace’s less-understood tech to figure out how their collective minds work under a microscope (among other funny hijinks in the earlier Storm Protocols if you read between the lines). Cause how else is the LSCC supposed to know about this strange human's connection to a mini Storm simulation box? Besides Lorentz aka. "Enigmatically Enigmatic Girl" of course, and I'm sure it's going to be a ride once Serpent Club gets released on Global since she wanted to avoid Argentina with a thousand-yard pole after her little conversation with Aleph.
And yes, even if it somewhat sucks that their psychoanalysis warzone is stuck on the sideline, and neither of them figuring out they're in the same building now, the fact they went down the mindset of "I want to pick apart your brain and find out what the fuck is wrong with you?? And I'm going to do it in the most unethical way possible, even if it's in a simulated environment, and make it everyone else's problem...Platonically, of course!" is extra hilarious if Adler is actually the third wheel in all of this and completely unaware of this "playground" cat-fight.
After all, he's mainly pissed with Ulrich freaking out about the toy pieces being more efficient Laplace employees (ie. Stripping away an arcanist's eccentricities and making them act more machine-like than the ferrofluid himself) and Ludwig creating a "universal language movement" through the power of Proteus (which also has theological backing from Carl Jung, alchemy, and the Collective Unconsciousness theory); he's still grieving Greta and trying to be a unofficial uncle-figure to Marcus for obvious reasons...
Typical Laplace office drama here :)
You wrote a post about Alephsys last year, and I wanted you to know it helped me massively! I'm writing a paper on plural representations and your analysis of the alters and their afflatus really spoke to me :>
Oh wow, thanks for that and good luck on your paper!!
While that post was initially made as a secret teaser to Reveries and before Wailing Whirls released on global, it also adds another layer to the AlephSys since it could connect to how his alters affect him passive/actively with their given Afflatus and/or "arcane skills"...Plus finally figuring out that Knotted Thought's phases also line up to when each of Aleph's alters were first created (which was majorly hinted at in The Answering Machine and the couple lines in Folie), so that could be something to look into system dynamics and how they might effect someone in the long-term.
Other than that, extra good luck with your studies and hopefully a great summer break too!
I feel like most of the global Re1999 players aren't aware of the current political issues between China and Japan, atomic heart was likely chosen because it was the few available and less risky IPs for them to collab with. Most of the IPs on that list are Japanese and you also have to consider the fact that the IP owners might not agree to do a collab with a gacha game.
Seconding this on the trailer since it dropped yesterday and why it feels more than off…Other than the sexy Soviet robot ladies being the one thing most people even remember about the game at first.
In the most likely chance that they're handing out free/summonable true-limited collab characters like Assassin’s Creed... Most people are most likely going to get it for resources, clear drops, and the atlas actually not burning a void into the pages for collab characters. Considering BluPoch used their cg budget for the robot twins and Lucy (using her alt I2 in Veriensamt as well), but the "horny on main" side of things obfuscates on the fact Lucy looking like this isn't for sex appeal. Regardless of the better mobility/versatility as an Awakened, she's just a steam engine piston with the mindset to keep moving towards the future, constantly fretting about her battery percentage and nothing more. Or to be more specific, a direct reference to Metropolis, a German 1927 silent film by Fritz Lang and Thea Harbou (who wrote the original novel) that almost became lost media and was considered the pioneering sci-fi movie of its time.
Going back to everything Re99 Lucy-related, employees begged her to wear a shirt and even opted for keeping on her (Greta Hofmann-modeled) face plate to make it theoretically easier to have more face-to-face conversations with humans/arcanists ala humanitarian gestures. Yet Lucy ironically doesn't understand the uncanny valley, which makes it hilarious in itself with the rest of Laplace spelling that out loud and clear and on a near-daily basis. She just logs it through a personal dataset and a growing pile of employee complaints, not once banking on decreasing the discomfort towards others (besides occasionally messing with Ulrich, a fellow faceless Awakened - for scientific reasons), and only knowing how to keep moving regardless of negativity... Her Chess Queen garment makes that even more obvious, and comes with a chibi version of herself for what she considers a "glitch" of a holographic chess piece. Even if it's uncomfortable system-wise for her having to deal with any imperfections, it's a win if it makes Vertin smile for once :)
While the trailer jumps right off the bat with a artistic robot exploration scene, Atomic Heart is the same game that has the only human character despise those machines for constantly trying to kill him, seduce him then kill him, or getting immensely uncomfortable that the upgrade station of a talking fridge that you’re supposed to interact with for obvious reasons gets horny off said-robot ladies and/or an unfiltered search history…All in all, I can kinda see where they’re going with the collab even if I’m not touching the story with a thousand yard pole (even if Reverse can somehow salvage, heaven forbid fix, this mess of a story either way).
But the real question is this: What do you do if a robot, someone who only knows about progressing science/innovation with humans and machines; stumbles into a world where humans are more or less extinct, robots hunt what’s left of humanity on sight, and shows the corrupt side of innovation if machines were to overpower the human mind?
Not that the game tackled the last part in its fullest potential, cause you know...Communism the good 'ol human way. But it could be an interesting wake-up call for Lucy since she’s never interacted/fought with robots of a similar caliber as her (maybe even being considered a "defected unit" if the human MC/some other human insert even makes an appearance). Just not in the emotional/common sense way, among other things...