Sweet Seals For You, Always
Claire Keane
Keni
Monterey Bay Aquarium
almost home
macklin celebrini has autism

oozey mess
h
Cosimo Galluzzi

Kiana Khansmith
Lint Roller? I Barely Know Her
No title available
Doug Jones
KIROKAZE
One Nice Bug Per Day
taylor price
Fai_Ryy
official daine visual archive
No title available
let's talk about Bridgerton tea, my ask is open
seen from Iraq
seen from United States
seen from Chile
seen from Malaysia
seen from Argentina
seen from Canada
seen from Tanzania
seen from United States
seen from Chile

seen from United States

seen from Bolivia

seen from United States

seen from United States

seen from Malaysia

seen from Saudi Arabia
seen from United States

seen from United States

seen from United States

seen from Portugal
seen from United States
@pmjam
Victor Vasarely
Before the availability of the tape recorder and during the 1950s, when vinyl was scarce, people in the Soviet Union began making records of banned Western music on discarded x-rays. With the help of a special device, banned bootlegged jazz and rock ‘n’ roll records were “pressed” on thick radiographs salvaged from hospital waste bins and then cut into discs of 23-25 centimeters in diameter. “They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole,” says author Anya von Bremzen. “You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan — forbidden Western music captured on the interiors of Soviet citizens.”
http://objectoccult.com/
OBJECT OCCULT
Leslie Zhang
Harpers Bazaar UK April 2019 ‘Pure Of Heart’ - Aamito Lagum by Richard Phibbs
Green Stripe (Color Painting), 1917, Olga Rozanova
“Care about people’s approval and you will be their prisoner.”
— Lao Tzu (via minuty)
James Dean, February 8, 1931 - September 30, 1955.
Elia Kazan’s East of Eden (1955).
Portrait of a Man with a Floppy Hat (Portrait of Erwin Dominilk Osen), 1910, Egon Schiele
Medium: watercolor,paper
https://www.wikiart.org/en/egon-schiele/portrait-of-a-man-with-a-floppy-hat-portrait-of-erwin-dominilk-osen-1910
Grenzgebiete der Bildenden Kunst. Konkrete Poesie – Bild Text Textbilder – Computerkunst – Musikalische Graphik, Texts by Arnulf M. Wynen, Siegfried Cremer, Staatsgalerie Stuttgart, Stuttgart, 1972
(via UCL Art Library)
“I already said too much. I already shared too much, and I want all my secrets back. I hate getting close to people these days, I always regret sharing too much, caring too much, doing too much, feeling too much.”
— Unknown (via felicefawn)