Pierre de Maupertuis – Scientist of the Day
Pierre-Louis Moreau de Maupertuis, a French mathematician and physicist, was born July 17, 1698.
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d e v o n
almost home
RMH

#extradirty

Andulka
Cosimo Galluzzi
dirt enthusiast
Sade Olutola

Origami Around

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Not today Justin
h
Monterey Bay Aquarium
Mike Driver
$LAYYYTER
KIROKAZE
occasionally subtle
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

@theartofmadeline

seen from Türkiye
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@poetryisbornfrominsecurity
Pierre de Maupertuis – Scientist of the Day
Pierre-Louis Moreau de Maupertuis, a French mathematician and physicist, was born July 17, 1698.
read more…
Nenad Bacanovic
One of the first images of Andromeda galaxy taken by Edwin Hubble in 1924
js
Man and His Mark – Les Mason
He [Nabokov] also reminds us of the main reason it is so hard [for us to notice that other people are suffering]: we all spend a lot of time inventing people rather that noticing them, reshaping real people into characters in stories we tell ourselves about ourselves, stories about how beautiful and rare we are.
Richard Rorty, from the introduction to Pale Fire (via morleyss)
Untitled,acrylic,oil,charcoal on canvas 70 x 60 x 2 cm
Desire is not form, but a procedure, a process.
Gilles Deleuze and Felix Guattari, Kafka; Toward a Minor Literature (8)
David Paterson. Showing the Tertiary Shades are Primary Colours Dulled with Grey, Simple Method of Creating a Spectrum, Six Figures Illustrating Dichroism in Colours, Simple Spectra Absorption, Different Results in Mixing Coloured Lights, Chromatic Circle, Primary, Secondary, and Tertiary Colours, Chromatic Circle, Suitable and Unsuitable Colour-Mixing, The Two Absorption Spectra. Textile Colour Mixing. 1915.
https://www.behance.net/gallery/47424469/FLYER-RECYCLING
The brain is not only a corporeal organ but also the inductor of another invisible, incorporeal, and metaphysical surface on which all events are inscribed and symbolized.
Gilles Deleuze, The Logic of Sense (223)
deadlyart: Desiree Dolron. Xteriors I , 2001
Hello, buddy. #ritarojo #rubble #deconstruction (at Bethnal Green (East London))
Adjectives throw us sideways, off-course — seductive, bifurcating, diverted. Literally parasitic, like static: surplus noise, beside the master devouring the substantive master’s share; blood-sucker. Adverbs cause action to deviate, to lose its balance. Both denote circumstances, limit and bring the act, person or thing into existence. A small deviation begins with corners, moments, qualities or restrictions, weather conditions; why don’t we take our time? So rare and precious, often enslaved, miraculously freed, superb, ecstatic, never monotonous, beside us, far away, secret, available, rich, full, tasty, free, mixed.
Michel Serres, The Five Senses (via zaanannim)
The past is just a story we keep telling ourselves.
To achieve harmony in bad taste is the height of elegance. (at The Photographers' Gallery, London, Ramilles Street, Oxford street)
What is peculiar about the signs I and you is that they are essentially empty of meaning except when they are being used. So the reality to which I or you refers is solely a reality of discourse. They refer to nothing but the fact that someone is speaking or has spoken….Language is not something the human subject uses (as Rene Descartes and the traditions of modernity that follow his lead had always asserted), but rather, the human subject is something only made possible by language.
John Phillips, “Who is the Subject of Enunciation” (via drnandi)