Samira Abbassy (Iranian, 1965), In the Land of Peacocks, 2025. Oil on canvas, 40 × 40 in.
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ellievsbear
Monterey Bay Aquarium
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Samira Abbassy (Iranian, 1965), In the Land of Peacocks, 2025. Oil on canvas, 40 × 40 in.
Hayley Chiu (Chinese-Canadian, 2001) - Let Me Tell You Something About You (2023)
In Luristan bronze horsebit,
Early first Millennium B.C.
Bit with rigid crossbar and plates in the shape of winged androcephalic animals, with bull legs and horns, the tail erect, with a central perforation. The curved wings decorated with engraved geometric patterns, the legs and neck decorated with a line of chevrons. A passerby at the back of the neck and on the croup. The end of a missing wing. Green patina.
Artcurial
Siouxsie Sioux at a fortune teller
Finally finished making a Kamikaze girls cd (☆▽☆)
Aboriginal painting by David Corby Tjapaltjarri
Keita Morimoto 森本啓太 (Tokyo, Toronto) For the light that left us (2025) acrylic and oil on linen 248.5 x 333.3 mm
the woods embrace us as their own, and the wilderness hums softly
lhackett
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Hanzomon train line x Ditto, 2026-03-03
Leonora Carrington
i 💘 trinket dishes
Pests such as rats posed a serious threat to supplies of food and animal fodder on British farms. During wartime, there were thought to be over 50 million rats in Britain. To help counter this threat, teams of land girls were trained to work in anti-vermin squads. Two land girls are reputed to have killed 12,000 rats in just one year. Land girls in anti-vermin squads also were also trained to kill foxes, rabbits and moles.
This was just one of many vital and often physically demanding tasks undertaken by the Land girls, who stepped in to fill the agricultural labor gaps left by men serving in the armed forces. Their work ranged from plowing and harvesting to dairy farming and working in the Women’s Timber Corps (“Lumber Jills”).
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Juliana Vasquez House and Dog, Brazil
_.maboroshi._