do be do be do be do be do

BOOK OF NOTICE: from fiends for friends funny foes far fetched forever flat finally free furthermore fathoming fiercely forgetting forests fighting fucking filled full fat feathers forging forks faintly forlorn, figures.

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Descubriendo al Hortelano (III), by Ouka Leele (1980)

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Zgzislaw Beksinski, Eight Untitled Collages, (1955-1960)

 ”I wish to work in such a manner as if I were depicting dreams”.

-Zgzislaw Beksinski

 In 1955, shortly after studying architecture in Krakov, Beksinski returned to Sanok, a small city located on the bank of the river San, where he spent several years as a construction site supervisor, a job that he hated. At that time, feeling as though his architecture career had failed him, he became increasingly interested in photography and photomontage.

 Above are eight of Beksinski’s early photo-collages that served as “storyboards” for what he described as dreams. The themes of landscape, death, sexuality, war, architecture and identity (or the lack thereof), were themes that he carried throughout his career as both a photographer and a painter.

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Robert Rauschenberg

“Japanese Sky I” , from the ‘Bleacher Series’ 

Unique large-format Polapan print, 1988

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Walkabout (Nicolas Roeg, 1971)

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Hidden Curriculum is a project by artist Annette Krauss and commissioned by Casco. It looks at the unintended and unrecognized forms of knowledge, values and beliefs that are part of the learning processes and daily life within high schools.

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WHY NOT Otto Snoek

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Christopher Wool | My House II, 2000 | Silkscreen in seven colors, printed on 335 g matt custom art paper | 40 x 30 inches (102 x 76 cm) | Edition of 100, signed, numbered and dated | Printed by Brand X Editions, New York | Published by Counter Editions, London

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Found setlist at Motorco in Durham 20 minutes ago

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Here I came to the very edge where nothing at all needs saying, everything is absorbed through weather and the sea, and the moon swam back, its rays all silvered, and time and again the darkness would be broken by the crash of a wave, and every day on the balcony of the sea, wings open, fire is born, and everything is blue again like morning. Pablo Neruda, It Is Born Photography: Waves by Robert Mapplethorpe, 1980

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Pierre Soulages, Painting, 1963

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Robert Motherwell, Elegy to the Spanish Republic No. 34, 1953-54