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@postprosereview-blog1
Broken Field Runner | Heavy Hanging Fruit https://jetsam-flotsam.bandcamp.com/album/heavy-hanging-fruit
Transformative is the most fitting phrase to put form to the elusive and exemplary work found on "Heavy Hanging Fruit"; in every nuance of this release there is something mournful & profound, striving to deliver a very specific kind of loss while also extending beyond whatever preconceptions it may present to the listener on the surface.
Souvenirs | Posture Of Apology | Other People Records (2017) If the combination of Transatlanticism, Planet Of Ice and the last few years of the emo revival sounds in any way appealing to you, a music enthusiast, stop wasting your time on the rest of this run-on sentence and listen to this damn record.
Oso Oso | The Yunahon Mixtape | Self Released (2017)
This group is so adept at creating albums with all the heat and hurt of summer inside them, records that earnestly sound like they were effortless to write; but from the first hint of feedback it’s painfully obvious the artists involved put more concentration and competency into curating this mixtape than most bands put into discographies.
Shannen Moser | Oh, My Heart | Self Released (2017)
Oh, My Heart captures the brilliant minimalism of basement tape style folk essentials like Pink Moon, The Glow Pt 2, The Creek Drank The Cradle and Either/Or immaculately; basically the only thing that could compel you to cry harder than Shannen’s humble dexterity as a songwriter are the lyrics.
Shelly | What A Wonderful Place The Earth Must Be Table Three Media (2017)
First they were Scout, then the fantastic Scout Boys, and in their final form Shelly has solidified into an unwavering force of contemporary emo and punk rock erupting forth from familiar territory for the genre: Long Island.Â
The Body | No One Deserves Happiness | Thrill Jockey (2016)
Two demons turned best friends in the bleakest depths of Hell taking turns singing ABBA songs on their haunted karaoke machine.
Mannequin Pussy | Romantic | Tiny Engines (2016) If Rolling Stone, NPR, Pitchfork or Stereogum couldn’t totally convince you Romantic is some of the funnest, fiercest and succinct 20 minutes of punk rock released in 2016 then I will add my voice to the ever growing echo chamber: this record is truly that good and this band is still playing venues without barricades (please do something with that information).Â
Axis / Seraph The Light | Good Fight Music (2016)
Bloodthirsty and burgeoning young metal bands take hints from some of extreme music’s most respected genre benders (The Body & Full Of Hell) and created their own monstrous collaboration album; equally illuminating the fire & fury of Axis as well as the dominance & discipline of Seraph The Light.
Big Eyes | Stake My Claim | Don Giovanni Records (2016) This is pure and honest rock & roll, but not that dumb mentality on rock that wants you to think music made with physical instruments is dying out of pop culture entirely - the way 8 year old kids think of rock & roll: effortless, awesome, fun.
Exalt | The Shape You Took Before The Ache | Good Fight Music
I may be playing favorites because a humble metalcore band from Canada that already sorta sounds like Cursed was kind enough to watch me play a solo punk set on a show with them a few years ago (w/ Old Wounds & Trenchfoot - it ruled) but this album sore higher above and farther away from any complacency, aimlessness, nostalgia or predictability that hardcore and metalcore alike may be guilty of.
Izzy True | Nope | Don Giovanni Records (2016) Nope is the album I’ve been going to at the end of those summer days where nothing explicitly bad happens, but nothing worth doing went down either; so you spend the night in trying to recall what exactly slanted your emotional equilibrium - but you never figure it out.
Signals Midwest | At This Age | Tiny Engines (2016) I would argue that Signals Midwest are the most wonderful asset of the entire emo revival; they’re one of the first bands to reinvigorate the style it by showing their deep respect for its origins without stealing the identity of any of the genre’s fore-bearers.
Free Cake For Every Creature | Talking Quietly Of Anything With You Double Double Whammy (2016)
When you’re definitely too old to have a tea party with all your stuffed animals, but you’d never dream of getting rid of them; so you light some candles, place your favorite animals on the foot of your bed and pass them popcorn they can’t eat while you watch home movies on your childhood VCR instead of going out.
Anthony Jay Sanders | I Will Be The One Who Goes | Near Mint (2016)
Whimsical, willfully unclassified and honest to the point that the listener feels like the weird one for not being anywhere near as vulnerable with their emotions; Anthony Jay Sanders (of The Island Of Misfit Toys) is the anxiety-ridden and exuberant voice of reason we could all use sitting on our shoulders.
Empty Houses | Daydream | Sargent House (2016)
Charles Bradley, Alabama Shakes, Leon Bridges, St Paul & The Broken Bones and many more have returned the essence and urgency of soul, blues and mo-town to the forefront of popular music; but I think Empty Houses are the band having the most fun bringing it back in Detroit where it all began.
PINKWASH | Collective Sigh | Don Giovanni Records (2016)
The wall of amps on stage says stoner metal, the wall of sound they conjure hints at shoegaze but the music contained on Collective Sigh indicate the two members of this powerhouse are in their own musical microverse closer to the structure Lightning Bolt or No Age use to smolder your synapses than Bongzilla or Boris.
Weak Wrists | Weak Wrists | Halo Of Flies Records (2016)
The fault line where hemorrhaging despair and insurmountable mania ensnare one-another; delineating the spectrums of screamo and metal-influenced-hardcore with an album of simultaneously disintegrating and daunting material.