Princess and Warrior (1906)
by Giulio Bargellini

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Stranger Things

Andulka
Peter Solarz
he wasn't even looking at me and he found me
Not today Justin
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Kaledo Art

JBB: An Artblog!
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trying on a metaphor
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Origami Around
Cosmic Funnies

pixel skylines

祝日 / Permanent Vacation

JVL

izzy's playlists!

Love Begins
Keni

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seen from Malaysia

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@preraphaelitism
Princess and Warrior (1906)
by Giulio Bargellini
The Beautiful Lady Without Mercy (1905)
by Rose Cecil O'Neill
An Ethereal Beauty Surrounded by Clouds and Accompanied by Putti (1885) by Luc-Olivier Merson (French, 1846 – 1920), oil on panel, 62 x 50 cm (24 1/4 x 19 1/2 in), Private Collection
The Strawberry Flower by Simeon Solomon (1892)
Sappho (1898) by Laurence Koe (British, 1869 – 1913), signed 'LAURENCE KOE' (lower right), oil on canvas, 103 x 127.5 cm (40 9/16 x 50 3/16 in), Private Collection
Bal Masqué (The Masked Ball), (Detail), (1880), by Charles Hermans (Belgian, 1839 – 1924), signed ‘Hermans’ (lower right), 126 1/2 x 158 in. (321.3 x 401.3 cm), Private Collection
Laodamia (1878) by George William Joy (Irish, 1844 – 1925) oil on canvas, 107.3 × 153.3 cm (42.2 × 60.3 in), Portsmouth Museums
The Golden Bowl
Artist: Frank Cadogan Cowper (English, 1877-1958)
Date: 1955
Medium: Oil on canvas
Collection: Private Collection
Description
The Golden Bowl represents the last flowering of Pre-Raphaelitism, painted well into the twentieth century in 1955 almost a hundred years after Rossetti had painted similar luscious depictions of exotically attired maidens in richly ornamented costumes. Here, an un-named maiden of an renaissance-type holds aloft a bowl of votive fruit, inviting the beholder to take one from her.
Pre-Raphaelite pioneer John Everett Millais was born on this date (6/8) in 1829. In addition to his influential paintings, Millais also did wood engravings. On the left, “Two Fair Maidens”, 1887. On the right, “Practicing the Piano”, 1860.
The Novice (1856) by James Sant RA (English, 1820 – 1916), oil on canvas, 61 x 51 cm (24 x 20 in), Harris Museum
Nymphea, c.1890 by Arthur Wardle (English, 1864–1949)
♡ ♡ ♡
“ 'I am half sick of shadows,' said The Lady of Shalott.” - Alfred Tennyson, The Lady of Shalott, 1832
William Holman Hunt, The Lady of Shalott, 1850, black chalk, pen and ink, 23.5 × 14.2 cm, NGV, Melbourne Felton Bequest, 1921
Fair Rosamund in her Bower - William Bell Scott
L'aube (Dawn) (1900) by Victor Prouvé (French, 1858 – 1943), Musée des Beaux-Arts de Nancy
A Nymph in the Forest (1893) by John Collier (English, 1850 – 1934), signed and dated bottom left ‘John Collier / 1893’, oil on canvas, 102 cm (40.1 in) x 127.1 cm (50 in), Swiss Private Collection
John White Alexander (1856-1915, American) ~ Lady Before the Mirror, n/d
The Beautiful Lady Without Mercy (1905)
by Rose Cecil O'Neill