“eighteen-year old Elsje Christiaens from Jutland, Denmark...came to Amsterdam in April 1664 to find work as a servant. On the 27th of that month her landlady beat her with a broomstick because she failed to pay her rent. Elsje, in turn, grabbed an axe that was at hand. In the fight that followed, the landlady fell down the stairs to her death. Elsje fled but was quickly apprehended. She was sentenced on May 1st to be secured to a stake on a scaffold and choked until she died (a regular form of execution at that time) and then receive blows on her head with the same axe with which she had attached her landlady. The court had more to say. After her death she was to be displayed on Volewijk, an island in the River IJ just north of Amsterdamn, the guilty axe placed by her head, her body left to rot. The gallows field on Volewijk, seen by domestic and foreign sailors entering amsterdam’s harbor, was intended to deter crime...[one of] his only drawings of sensational contemporary events. In the one in which Elsje is seen frontally, her face has a childlike quality, not that of a convicted criminal. In the other, which is in less-than-good condition and has some wash added by another hand, Rembrandt gives equal attention to the limp, lifeless figure and to the straps, bolts, blocks, and timber stakes to which she has been secured.” Seymour Slive in Rembrandt Drawings