guy who never gets out of bed before noon: the day goes by so fast i have no time wtf
Peter Solarz
art blog(derogatory)
"I'm Dorothy Gale from Kansas"
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taylor price

Andulka

roma★

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almost home
Stranger Things
Xuebing Du
tumblr dot com
Misplaced Lens Cap
he wasn't even looking at me and he found me
wallacepolsom

Discoholic 🪩
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Janaina Medeiros
let's talk about Bridgerton tea, my ask is open
hello vonnie
seen from United Kingdom
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seen from United States
seen from Ukraine
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seen from United States
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seen from Taiwan
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@problem-w-problemz
guy who never gets out of bed before noon: the day goes by so fast i have no time wtf
My emotions include:
• vibing
• not fucking vibing at ALL
are u sleepin baby by YOurself. orareyougivinit to someone ELse. tryna find ya but i just. don’t. knOHOH. WHERE do broken hearts GO.
happy pride
Reminder for the hoes: go drink some fucking water
ok but the turn from “finally twenty-nine. Funny, just like you were at the time” to “finally twenty-nine. Seventeen would never cross my mind” in 29. The mention to daddy issues?? It’s something that should be talked about
No seriously
River Phoenix (1988 Interview)
(youtube)
River Phoenix as Danny Pope RUNNING ON EMPTY (1988) dir. Sidney Lumet
MY OWN PRIVATE IDAHO (1991) dir. Gus Van Sant
The centerpiece of River’s performance, and the film, is a campfire scene with Reeves. Scott Favor takes Mike Waters on a road trip (on a stolen motorcycle) to visit Mike’s brother. At night, sitting by a fire they’ve made, they discuss their respective childhoods: “If I had a normal family and a good upbringing, then I would have been a well-adjusted person,” Mike insists. What’s really on his mind: he’s in love with Scott, and he’s terrified of saying so.
“I only have sex with a guy for money,” a reclining Scott tells him. “Two guys can’t love each other.”
A miserable Mike says haltingly, “I could love someone even if I, you know, wasn’t paid for it. And I love you, and you don’t pay me.” Curling up in a ball, he tells Scott, “I really want to kiss you, man.” The scene ends with Scott gently holding Mike, stroking his hair.
“This is the best part in the film,” Van Sant said, “and was chosen by River to be his big scene.” At River’s request, Van Sant scheduled it for the last day of shooting. River rewrote it himself, making it more lyrical and making his love for Scott explicit (in Van Sant’s original script, the relationship was more ambiguous).
“‘I love you, and you don’t have to pay me’—I’m so glad I wrote that line,” River said. “I think that in his private life, Mike was probably a virgin, so he only relates sex with work.” River had spent some time thinking about situational virginity, and the emotional consequences of having sex when you didn’t want to have it.
— Last Night at the Viper Room: River Phoenix and the Hollywood he left behind by Gavin Edwards
jellybean_xxdd
arms
girls im going to keep it real with u im getting worried about my spotify wrapped already