No, I'm not a human.
ojovivo

Love Begins

#extradirty

Product Placement
he wasn't even looking at me and he found me

Kaledo Art

shark vs the universe
One Nice Bug Per Day
trying on a metaphor

祝日 / Permanent Vacation
Xuebing Du
KIROKAZE
taylor price

Janaina Medeiros
Lint Roller? I Barely Know Her
wallacepolsom

blake kathryn

No title available
NASA

⁂
seen from United States

seen from United States

seen from Türkiye
seen from United States
seen from Canada

seen from Brazil
seen from United States

seen from United States
seen from Türkiye
seen from Türkiye
seen from United States
seen from Brazil
seen from Argentina
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
@prometheanvisions
No, I'm not a human.
Syd Mead
Uneasy listening.
“…exploring distinct layers of connectivity that compose a body in terms of intensive degrees of affinities – that is, nonexact measures – rather than given categories. These affinities are mental, social, technological, biological, desiring, physical, intuitive and perceptual, and operate beneath (and across) the macroaggregations of positions such as gender, class, race, as well as human, animal and machine. Hence a body always entails an environment of relations between distinct milieus, which are however associated by intensive – amodal or virtual – links. Such links are arranged in accord with velocities of compositions – speeds and slownesses of conjunctions and disjunctions – and affective impingement – the non-emotional yet felt activities amongst bodies triggering transformations in the states and conditions of each composition. There is no inherent naturalness in such ecology since this latter envelops a primary process of relational invention. … Relations therefore are never relations between parts summed up together to make the same whole. Rather machinic relationality entails a primary invention of the new out of mismatching connections between the abstract and concrete worlds of a body.”
— Luciana Parisi, The Nanoengineering of Desire
Burned Negatives by Delainey Bernier (source)
“There is no authentic or essential woman up ahead, no self to be reclaimed from some long lost past, nor even a potential subjectivity to be constructed in the present day. Nor is there only an absence or lack. Instead there is a virtual reality, an emergent process for which identity is not the goal but the enemy, precisely what has kept at bay the matrix of potentialities from which women have always downloaded their roles”
— Sadie Plant, ON THE MATRIX
“For K-Punk // By the North Sea”, Dir. by Mark Fisher and Robin Mackay - 28 January, 2022
“Abstract Culture: Digital Hyperstition” CCRU, 1999
Happy 64th, Irvine Welsh.
Moody Scotland from above
EmmaBernhoff
DIY Aphex Twin cigarette pack
Concept art by Peter Ellenshaw for The Black Hole (1979)