
Discoholic đȘ©

Love Begins

Kiana Khansmith
occasionally subtle
d e v o n
đ©” avery cochrane đ©”
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
Claire Keane

No title available

if i look back, i am lost
The Bowery Presents
art blog(derogatory)
Monterey Bay Aquarium

tannertan36
đȘŒ
Show & Tell
RMH
Lint Roller? I Barely Know Her

No title available
Jules of Nature

seen from Bangladesh
seen from Bangladesh
seen from Egypt
seen from China
seen from France
seen from TĂŒrkiye
seen from United States
seen from United States
seen from Ecuador

seen from Ecuador

seen from Germany
seen from United States
seen from Luxembourg
seen from Algeria

seen from Thailand

seen from Argentina
seen from United States

seen from Ukraine
seen from Argentina
seen from Israel
@pssica
Solangeâs former loft for Apartamento Magazine, Issue #30, 2022.
Virginia Woolf, from a letter to Vita Sackville-West, featured in The Letters of Vita Sackville West & Virginia Woolf
El nigromante / The Necromancer, Leonora Carrington, 1950
Oil on canvas
"Remember how long you've been putting this off, how many extensions the gods gave you, and you didn't use them. At some point you have to recognize what world it is that you belong to; what power rules it and from what source you spring; that there is a limit to the time assigned you, and if you don't use it to free yourself it will be gone and will never return."
Marcus Aurelius - Meditations, Book 2, 4.
Joan Mitchell
Bluets
(Image: Philippe Migeat / RMN-GP)
Louise Bourgeois New York apartment / studio. Photo- François Halard
*
barthes
Ana Mendieta, Creek, 1974.Â
Super 8 Film. © The Estate of Ana Mendieta Collection, LLC.,Courtesy Galerie Lelong & Co.
mary oliver, staying alive
Enzo Cucchi's home in Rome
source / Haverst
James Baldwin on Art
âAN ARMY OF LOVERS SHALL NOT FAILâ lesbian shirt from the Wearing Gay History archive. Truly one of my absolute favourites.
â Louise Bourgeois, detail from 10 am is When You Come to Me (2006)
Rainer Maria Rilke, from a letter to Rudolf Zimmerman, featured in The Selected Letters of Rainer Maria Rilke
from Richard Kernâs Extra High