R A D I C A L
this is the most self indulgent doodle, but yo girls and big swords…..is a mood.
"I'm Dorothy Gale from Kansas"
$LAYYYTER

pixel skylines
I'd rather be in outer space 🛸

Kaledo Art

Product Placement
YOU ARE THE REASON
Today's Document
trying on a metaphor
cherry valley forever

#extradirty
todays bird
Xuebing Du
Sade Olutola
TVSTRANGERTHINGS
Cosmic Funnies

Andulka
Sweet Seals For You, Always
occasionally subtle
dirt enthusiast

seen from United States

seen from United States

seen from Germany
seen from Türkiye
seen from United States
seen from United States

seen from United Kingdom
seen from United States
seen from Vietnam
seen from Canada

seen from United States
seen from Germany
seen from United Kingdom
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seen from Mexico
@purposefullyme
R A D I C A L
this is the most self indulgent doodle, but yo girls and big swords…..is a mood.
R A D I C A L
this is the most self indulgent doodle, but yo girls and big swords…..is a mood.
R A D I C A L
this is the most self indulgent doodle, but yo girls and big swords…..is a mood.
Janelle Monáe - I Like That (2018)
Black Speculative Arts movement aka BsaM, is an annual Afrofuturism, black comics, and arts convention held at multiple colleges and universities throughout the United States. Our main annual convention, co-founded by associate professor and chair of the Humanities department at Harris-Stowe State University, Reynaldo Anderson, and founder of Midwest Ethnic Convention for Comics and Arts - MECCA, Maia Crown Williams, will include vending from a vast amount of comics, art, and artisan creators and vendors, live performances, a full international film festival via MECCAcon, seminars, classes, hand on workshops, plays, and much more. Students are also welcome to submit proposals to participate as well.
BSAM Philly is sponsored by Dr Molefi Kete Asante, MA, Ph.D., professor of African American Studies at Temple University, Amalgam Comics, Black Tribbles, and Atomic City Comics. For tix:: BSAMphilly2016.eventbrite.com ------ 6th annual The AfroFuturist Affair Ball FRIDAY NIGHT PARTY w/ Black Tribbles MECCAcon 2016 #MECCAcon2016 International Film Festival ARTIST ALLEY/ VENDORS BOOK SIGNINGS w/ Amalgam Comics & Coffeehouse, Inc. and Atomic City Comics (both black owned comic shops) ** PANELS/WORKSHOPS/LECTURES include** BLACK SPECULATIVE ART panel w/ Dr Amber Johnson, Dr Reynaldo Johnson, Dr Toniesha L. Taylor AFROFUTURISM 2.0: THE NEXT WAVE panel w/ Dr Reynaldo Anderson, Dr Tonja Lawrence, Dr Lonny J Avi Brooks, Dr David Deluliis BLACK COMICS workshop w/ Tim Fielder THE ART OF STORYTELLING workshop w/ N Steven Harris CHARACTER DEVELOPMENT 101 workshop w/ Shawn Alleyne AFRICOLOGY panel w/ Jennifer Williams, Ama Mazama, + BLACK QUANTUM REALISM w/ Rasheedah Phillips & Damion Scott official I Am Black Sci-Fi panel w/ Maurice Waters + DARK POLITICS & THE OCCULT lecture w/ Andrew Rollins HIP HOP & ARTIVISM w/ Moor Mother and Sole Rebel #BACK2BLACK : ACCURACY vs ACCEPTANCE in Today's Comics, moderated by comics creator/ filmmaker Tony Patrick BOOK READING/SIGNING w/ Sheree Renée Thomas THE LAST DAYS OF KARTIKA: OPUS live performance w/ Wi-Moto Nyoka and MORE!! Our events will be fully covered by Black Tribbles, Dark Matters, and Taji Mag!
If you are interested in moderating a panel, workshop, and/or lecture, the deadline is October 23rd. Afrofuturism and astro blackness have been practiced in our community for years, especially thru literature, visual arts, and music. Artists like Sun Ra, Octavia Butler, Basquiat, Fela Kuti, George Clinton, John Coltrane, Alice Coltrane, Samuel Delaney, Jimi Hendrix, Paschal B. Randolph, Toni Morrison, Amiri Baraka,Tananarive Due, and the ZULU NATION are excellent examples. Black Speculative Arts Movement is a loose umbrella term represented for different positions or basis of inquiry: Afrofuturism, Astro Blackness, Afro-Surrealism, Ethno Gothic, Black Digital Humanities, Black (Afro-future female or African Centered) Science Fiction, The Black Fantastic, Magical Realism, and The Esoteric. Although these positions may be incompatible in some instances they overlap around the term speculative and design; and interact around the nexus of technology and ethics. BsaM is a continuation of the historical behavior within the Veil to engage the ideas of Dubois, Wright, Everett and others to pierce the Color Line, the Color Curtain, and understand the Digital Divide in the face of the challenges of the 21st century. Links: http://BSAMphilly2016.eventbrite.com http://blackspeculativeartsmovement.wordpress.com https://www.facebook.com/events/1614789775501626/ https://www.facebook.com/blackspeculativeartsmovement http://MECCAcon.wordpress.com --------
Black girls, your magic is just the beginning
First, in light of the discussion of whether Black women should be magical or not, we have to take a moment to reflect on the power of words in this contemporary moment. Neologisms - new words and phrases - made into hashtags, spread like wildfire (for a time) and infect the public imagination with new ways of thinking about reality...yet, we, as black women, should have dialogue about whether these new self-categorizations, be it #carefreeblackgirl, #blackgirlmagic, etc, are not just repackaged problematic stereotypes with shiny exteriors Although the term may come from us, that does not mean that the term is safe, as the debate with n*gga has shown. We have to have these communal conversations to make sure that these terms are adding something of value to our interpretation of the Black experience; So, in short, I appreciate the public debate since it keeps us as the authorities of our own culture, and not a bunch of folks blindly jumping on bandwagons.
Now, #Blackgirlmagic has been bubbling in the internets for the last three years. It was created by CaShawn Thompson and exists as shorthand to acknowledge the contributions and success of Black women, and the beauty (inside and out) of being a Black woman. The hashtag is a term pregnant with history. It stands as a rejection of Black women’s invisibility in both the white cultural environment, as well as in our own patriarchy laden communities. It stands as a form of resistance against Black women’s humanity as Black women use it to publicly demonstrate the unique and amazing things about themselves and their sisters.
Yet, Linda Chavers has a knee-jerk reaction to the popularity of the phrase. She doesn’t want to be considered magical because those with multiple forms of privilege still do not see her humanity. Black women are missing, they are incarcerated, they are underemployed at higher rates when compared to other gender and racial groups. I agree with her that it may become a problem to be seen as magical in this climate for two reasons:
If ALL Black women are “magic,” or can tap into their magic reservoirs, then we can do the impossible without consequence too ourselves. We can be beautiful, successful, and flawless, and others will expect us to be so. When there is an overemphasis on Black women’s ability to do EVERYTHING and be AMAZING all day, every day, there is a chance that we leave ourselves the impossible task of attempting to fill the role of the infallible Black woman.
Individual Black women may fall silent when they aren’t expressing the lighter-side of the magic. Those of us who may be expressing #blackgirldarkmagic such as depression, anger, failure, and other complex emotions and issues that we have as humans may appear not fit into #blackgirlmagic. In the current environment of recognizing Black woman’s accomplishments and being, those other moments do not sound so “magical.”
In framing #blackgirlmagic this way, Chavers sees the hashtag to be just another method of putting Black women in unrealistic terms, just like the strong Black woman stereotype. #Blackgirlmagic is just another denial of Black women’s suffering.
However, I don’t think we are so black and white anymore about how we describe our being. I think we are in a moment where we are attempting to change the strict single categorical nature of what black womanhood is.
Chavers’ response comes from a different tactic of Black woman empowerment, where we acknowledge our struggle first and foremost and we make others see our struggle is valid. This way of demonstrating our humanity has been a powerful method in our history, especially since the early days of Black Feminism in the 1980s. There has been a long fight for Black woman to have to ability to show our scars - that we too bleed when we are hurt, that sometimes we need help. In those moments, Black women can heal from many avenues of trauma when we were able to express our pain without the expectation of someone saying that our show of ‘weakness’ is a rejection of our black womanhood.
On the other hand, Chavers’ logic only allows for people to exist at the extremes of a phenomena. She asserts that if Black women are magic, then they can’t be anything else. In the end of her article, she asks, were black women who were victims of white supremacy, “not magical enough?” This is not a valid question. It is here that Chavers shows that she only defines Black woman’s humanity by one’s show of struggle -that being a Black woman requires us to profess we are the mules of the world. I agree that these atrocities that are happening to us are horrible, and must be fought. However, I cannot accept that my humanity does not include moments (or years) of joy, pleasure, and high self-esteem.
There have so many instances over the last 5 years where Black people were made to show our pain publicly in great number. Yet, that iconic image of the downtrodden Black woman becomes a limitation as well. If the only way people will see the Black woman is during her times of pain, then we are again stuck with an unrealistic black womanhood that we have to embody or reject.
I believe, however, our tactic today has been to be more holistic in our presentation of Black womanhood. We are embracing all our emotions, although the popularity of one hashtag may led some to think otherwise. I think that as much as publicly acknowledging our pain is a demonstration of our humanity, being happy, proud, congratulatory, and in awe of ourselves and our sisters just as radical. Even moreso, our recognition that we can be carefree one day, magical another, strong one day, or in pain the next, is a step towards liberation. #Blackgirlmagic, in tandem with all other hashtags of black womanhood adds to our humanity because we are expressing ourselves as multifaceted beings...and that’s just fantastic.
African barbie dolls
I wish I had these when I was younger
Speechless.
All smiles, a beautiful traditional Ugandan wedding ❤️
[full size]
This is perhaps approaching graduate level information as far as digital costuming is concerned, but I think that the more fidelity professional game artists have access to, the more mindful the details ought to be. This is especially true in the case of low-tech/medieval/pre-industrial fantasy where everything in the world is handmade; these little details are really crucial to selling that look.
…and Flo-Jo
Flojo was so FLY. She had a style all her own.
Idol! I use to do all my projects on her!
was gonna do homework
but then loiter squad was on
and then i realized i’ve been sober for a week
so why not get high while listening to the weeknd
Allkpop: 'Royals' singer Lorde follows CL on Instagram.
Random fan comment: I follow CL too. Can I get my own article?
&ILOVEYOUTOO<3
SPREAD THE DAMN WORD
THAT WAS COOL
My hands are too small to do this effectively.
I wish I wasn’t iPod
if you’re on ipod you just hold down the reblog button
wtf just happened??
Jozi Maboneng for Elle South Africa January 2013
This just makes me smile!
Yeah, I’m diggin’ this.