Photography by Shaun Jeffers
Today's Document
sheepfilms
noise dept.

roma★

pixel skylines

titsay
2025 on Tumblr: Trends That Defined the Year
official daine visual archive
Monterey Bay Aquarium

Love Begins
d e v o n
Three Goblin Art
tumblr dot com

Kiana Khansmith
YOU ARE THE REASON
Cosimo Galluzzi
Show & Tell

PR's Tumblrdome
DEAR READER

#extradirty
seen from United States

seen from Malaysia

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Oman
seen from Netherlands
seen from United States
seen from Argentina

seen from Argentina

seen from Malaysia
@putideasinmyhead
Photography by Shaun Jeffers
WITCHES WITH DEPRESSION:
☕ TEAS ☕
🔹 Chamomile (helps combat insomnia, a common symptom of depression) 🔹 Green (contains an amino acid known as theanine which is known to fight depression) 🔹 St John’s Wort (contains compounds known as hypericin and hyperforin, which may affect activity of the brain’s serotonin system) 🔹 Lemon Balm (works as a mild sedative and can ease anxiety and depression) 🔹 Ginger Root (helps to increase important neurotransmitters than can regulate your mood) 🔹 Lavender (research shows that lavender can help combat depression, and has been said to rival antidepressants) 🔹 Peppermint (the menthol in peppermint leaves helps calm mood and aides sleep)
💎 CRYSTALS 💎
🔹 Smoky Quartz (helps elevate moods, overcome negative emotions, and relieves depression) 🔹 Rose Quartz (is a known healer and can help replace negative feelings with love and compassion) 🔹 Amethyst (combats stress and releases a relaxed energy) 🔹 Citrine (emits a sunny, optimistic energy which can aide in combating depression and anxiety) 🔹 Angel Aura Quartz (is known to help with mental illness, and it’s energy can help process emotional disturbances, grief, or trauma)
🕯️ INCENSE 🕯️
🔹 Lavender (reduces stress physically and mentally, and promotes deep sleep) 🔹 Jasmine (helps with alertness, evokes an uplifting energy, and is believed to ease symptoms of depression) 🔹 Ylang Ylang (has a calming affect that elevates mood and is known to help with physical and mental symptoms of anxiety and depression) 🔹 Lemongrass (promotes emotional balance, and uplifts emotional weight) 🔹 Sandalwood (encourages calmness, serenity, and feelings of well being)
🔮 SPELLWORK 🔮
🔹 Daily Ritual To Ease Depression 🔹 Encourage Positivity Spell 🔹 Self Care Sachet! 🔹 Inner Peace Sigil 🔹 A Charm To Dispel A State Of Melancholy 🔹 Body, Mind, And Soul Purifying Spell 🔹 Motivation Charm Bag 🔹 I Am Free From Negative Energies Sigil 🔹 Bathe Me The Fuck Better Bath Spell 🔹 De-Stress, Self-Love Sugar Scrub 🔹 Insomnia Sigil 🔹 Depression Bottle Charm And Ritual 🔹 Icarus’s Self Love Powder 🔹 Soft Skin, Soft Soul Bath Ritual 🔹 Candle Spell To Help Combat Depression 🔹 Quiet Mind Sachet 🔹 Be At Peace Spell 🔹 Feel A Little Better Bath Spell 🔹 To The Sun Spell Jar
💙 TIPS 💙
🔹 Spend time in the sun, and in nature. Even if you only go and sit in your backyard, it will help, and make you feel a bit better 🔹 Drink water! LOTS OF WATER! Want an extra boost? Make a bunch of sun water and drink it on exceptionally low days to help with your energy and mood levels. 🔹 Ground yourself every night before bed to rid yourself of negative energies 🔹 Turn your sadness into creativity! Work on pages of your grimoire or book of shadows. Do some witchy DIY’s! Set up a new altar! Make some sigils! Being productive and creative are so helpful when you’re feeling melancholic. 🔹 Have some spoonie witch tips for low energy days! 🔹 Garden. Spending time in nature and creating something within the earth is not only rewarding, but gardening is actually a de-stressing activity and can soothe your mood. PLUS think of all the herbs you could grow to help with your craft! 🔹 Talk to someone. Other witches. Friends. A professional. A hotline. Anyone who is willing to listen. Put that energy out there and it will make a world of difference, I promise. 🔹 Let yourself have at least ONE self-care day a week. It doesn’t matter what it entails, as long as you’re taking that time for YOURSELF, magickal or not.
20 ways to draw a more consistent character
TAKEN FROM HERE: https://sites.google.com/site/houseotwisted/junk/20drawings
1. Draw the most common appearance for your character. This is your comfort zone. (Color)
2. Draw your character from the front, the side, and the back. This is something called a ‘turn sheet’. It’s a little boring to do, but will be very helpful to you in the future to have on hand.
3. Draw your character from the front, the side, and the back, but have them in nothing but their undies at most. This is to show off how your character is built. Drawing nothing but a straight pant-leg with no structure under it is no way to learn! (Skip this if your character doesn’t wear clothes)
4. Draw your character at three different ages than they currently are. (Must be noticeably different. No ages: 4, 5, and 6, etc.) Color one of them.
5. BANG! Your character just heard a loud noise right behind them. Draw their reaction!
6. Draw a bird’s eye view of your character.
7. Draw your character feeling very happy. Show body language.
8. Draw your character feeling very angry. Ditto.
9. Draw your character feeling very sad. You know the drill.
10. Draw your character with a different body type than they usually have. This helps you map distinguishing features onto different ‘templates’.
11. Draw your character if they were the opposite gender.
12. Draw your character as a different species than they normally are.
13. Somebody has just handed your character a live duck. Draw their reaction. Keep them in character.
14. Mary Sue the HELL out of your character. (Due to being asked “What is Mary Sue?” several times, I have included a link to the evil that is Sue: [Click if you dare.]
15. Draw your character lifting something heavy. (no magic allowed!)
16. Draw your character in an opposite role than they appear in your story/continuity.
17. Draw your character doing something they enjoy.
18. Draw your character doing something they do NOT enjoy.
19. Draw your character in a dynamic pose that is not a profile shot (from the side).
20. Draw the most common appearance for your character. Color it. (Pssst! See if it improved from the first one you drew. I bet it did!)
@lonicera-caprifolium not that you really need it with all the types of drawings you normally practise with, but for when you’re bored (or prompts)
Ooooh, yes, thank you!
Lavender Light & Secret Garden by Majeed Badizadegan
Find Majeed here: website || facebook
Some advice for when you’re writing and find yourself stuck in the middle of a scene:
kill someone
ask this question: “What could go wrong?” and write exactly how it goes wrong
switch the POV from your current character to another - a minor character, the antagonist, anyone
stop writing whatever scene you’re struggling with and skip to the next one you want to write
write the ending
write a sex scene
use a scene prompt
use sentence starters
read someone else’s writing
Never delete. Never read what you’ve already written. Pass Go, collect your $200, and keep going.
This is the literal best writing advice I have ever read. Period.
Special note: “Kill someone” means kill someone in the story. Please do not kill random real life passers by every time you hit a block. My lawyer says misunderstanding writing advice is not an acceptable defense. See you all in 25 to 50 years.
Ziad Nakad fall 2017 couture
The Winter Palace, St. Petersburg, Russia.
Source
An Actual Writing Tip From An Actual Author
Wow holy shit I’m gonna actually give you guys an actual writing tip, being a published and award winning author and all.
Anyways, a great way to work in TOTALLY UNRELATED little details about your setting or what have you that may or may not be relevant later on is through the use of metaphors, euphemisms, etc. in character dialogue.
“This cold is terrible! I’m wearing more layers than an Aenirian bride!”
Congratulations, you now know something about Aenirian marriage customs. You might not even know what exactly an Aenirian is, but you know that their brides wear lots of layers.
See where I’m going with this?
also even though it seems like common sense little details add so much depth and flavour to a story even and maybe especially when those details aren’t plot relevant
not everything in the real world connects neatly and seamlessly with everything else; there are TONS of loose ends in real life because there’s an entire world that keeps going regardless of one particular person or group’s drama
having proof of a world outside of and utterly unconcerned with the main conflict is such a nice touch and a really quick way to breathe life into dialogue
Excellent addition!
Natalia Vodianova for Guerlain “Shalimar”
Ensemble
Kansai Yamamoto
The Philadelphia Museum of Art
Jacket
Kansai Yamamoto, 1980s
Kerry Taylor Auctions
Teen French expressions
For if you want to make hip young friends.
Disclaimer: French people complain a lot. A lot. Don’t be surprised if 90% of these expressions are complaining.
Non mais oh - say this if someone does something mildly annoying and you want to express your shock and distaste.
Tu me fais chier - (alt. tu me fais chier, là.) literally ‘you make me shit’. means you’re pissing me off.
Carrément - translates to ‘squarely’. Means ‘literally’. If someone tells you something surprising or annoying, you can answer simply “ah carrément.” see: tu me fais carrément chier.
J’hallucine / je rêve - are you annoyed by something? say these.
C’est pas possible - a classic. anything bad happens - c’est pas possible. There is no cheese left? It’s not possible. I’m hallucinating. This is a burden on me that solely I can bear I cannot believe this is happening.
Ça commence à me gaver - I’m starting to get real sick of this. see: Ça commence carrément a me gaver là, putain.
T’es relou - verlan slang for ‘lourd’ meaning someone’s heavy, personality-wise. They’re tedious.
Ça me saoûle / ça me gonfle - similar to gaver, means something’s pissing you off, you’re sick of it.
Grave - totally.
C’est clair - totally/that’s clear. Like ‘claro’ in spanish. “Justine elle est trop relou” “C’est clair. Elle me fait chier.”
J’en ai marre - I’m sick of this.
J’en ai ras le bol - I’m sick of this.
J’en ai ras le cul - I’m sick of this (vulgar).
(J’en ai) Rien à battre - I don’t give a damn.
(J’en ai) Rien à foutre - I don’t give a fuck.
C’est bon, là. - That’s enough.
Perso, euh, - “Personally,” generally used at the start of a complaining sentence, to express how personal the matter is to you. Perso, euh, c’est bon là. J’en ai ras le cul.
Rôh là - general expression of distaste. Le longer the rôh, the more annoyed you are. Rôôôôôôôôôôôôôôôôôôôôôôôôôôôôh, c’est quoi ce bordel.
C’est quoi ce bordel ? - translates to “what’s this brothel”, means “what’s this shit?!”
C’est de la merde - It’s shit.
C’est une blague ? - Is this a joke?
Idem - ditto
J’ai la dal - I’m hungry
Ça caille - It’s freezing
Ouf - two meanings 1. phew or 2. verlan for “fou”, meaning crazy (as a noun or adjective). “Kévin, c’est un ouf! Il fait du vélo sans casque!” “Ouais carrément, c’était un truc de ouf!”
Kévin - there’s a running joke that all the young delinquents seem to be called Kévin.
Crever - slang for “to die”. Va crever, connard!
Connard/Connasse - c*nt, but a lot less vulgar in french peoples eyes
And finally,
T’es con. No English translation can express the power behind the words “t’es con”. While it may sort of translate to “you’re a c*nt/idiot”, it expresses something much deeper. You really are a god damn fool.
Medieval castle stairs were often built to ascend in narrow, clockwise spirals so right-handed castle defenders could use their swords more easily. This design put those on the way up at a disadvantage (unless they were left-handed). The steps were also uneven to give defenders the advantage of anticipating each step’s size while attackers tripped over them. Source Source 2 Source 3
Not really the best illustration since it totally negates the effect by having a wide open space for those ascending. Castle tower staircases tended to look like this:
Extremely tight quarters, with a central supporting pillar that is very, very thoroughly in the way of your right arm.
Wider, less steep designs tend to come later once castles moved away from being fortresses to simply noble family homes with the advent of gunpowder.
Oh! Pre-gunpowder military tactics are my jam! I don’t know why, but this is one of my favorite little details about defensive fortifications, because the majority handedness of attackers isn’t usually something you think about when studying historical wars. But strategically-placed walls were used basically worldwide as a strategy to secure gates and passages against advancing attackers, because most of the world’s population is right-handed (and has been since the Stone Age).
Pre-Columbian towns near the Mississippi and on the East coast did this too. They usually surrounded their towns with palisades, and they would build the entrance to the palisade wall in a zigzag – always with the wall to the right as you entered, to hinder attackers and give an advantage to the defender. Here’s some gates with some examples of what I’m talking about:
Notice that, with the exception of the last four (which are instead designed to congregate the attackers in a space so they can be picked off by archers, either in bastions or on the walls themselves) and the screened gate (which, in addition to being baffled, also forces the attackers to defend their flank) all of these gates are designed with central architectural idea that it’s really hard to kill someone with a wall in your way. In every culture in the world, someone thought to themselves, “Hey it’s hard to swing a weapon with a wall on your right-hand side,” and then specifically built fortifications so that the attackers would always have the wall on their right. And I think that’s really neat.
Ooh, ooh, also: Bodiam Castle in Sussex used to have a right-angled bridge so any attacking forces would be exposed to archery fire from the north-west tower on their right side (ie: sword in the right hand, shield on the useless left side):
These tactics worked so well for so long because until quite recently lefties got short shrift and had it trained (if they were lucky) or beaten out of them.
Use of sword and shield is a classic demonstration of how right-handedness predominated. There’s historical mention of left-handed swordsmen (gladiators and Vikings), and what a problem they were for their opponents, but that only applies to single combat.
A left-handed hoplite or housecarl simply couldn’t fight as part of a phalanx or shield wall, since the shields were a mutual defence (the right side of the shield covered its owner’s left side, its left side covered the right side of his neighbour to the left, and so on down the line) and wearing one on the wrong arm threw the whole tactic out of whack.
Jousting, whether with or without an Italian-style tilt barrier, was run shield-side to shield-side with the lance at a slant (except for the Scharfrennen, a highly specialised style that’s AFAIK unique.) Consequently left-handed knights were physically unable to joust.
There’s a creditable theory (I first read it in “A Knight and His Horse”, © Ewart Oakeshott 1962, 1998 and many other places since) that a knight’s “destrier” horse - from dexter, “right” - was trained to lead with his right forefoot so that any instinctive swerve would be to the right, away from collision while letting the rider keep his shield between him and harm. (In flying, if a pilot hears “break!” with no other details, the default evasive direction is right.)
The construction of plate armour, whether specialised tournament kit or less elaborate battle gear, is noticeably “right-handed“ - so even if a wealthy knight had his built “left-handed” it would be a waste of time and money; he would still be a square peg in a world of round holes and none of the other kids would play with him.
Even after shields and full armour were no longer an essential part of military equipment, right-hand use was still enforced until quite recently, and to important people as well as ordinary ones - it happened to George VI, father of the present Queen of England. Most swords with complex hilts, such as swept-hilt rapiers and some styles of basket-hilt broadsword, are assymetrical and constructed for right handers. Here’s my schiavona…
It can be held left-handed, but using it with the proper thumb-ring grip, and getting maximum protection from the basket, is right-handed only. (More here.) Some historical examples of left-hand hilts do exist, but they’re rare, and fencing masters had the same “learn to use your right hand” bias as tourney organisers, teachers and almost everyone else. Right-handers were dextrous, but left-handers were sinister, etc., etc.
However, several predominantly left-handed families did turn their handedness into advantage, among them the Kerrs / Carrs, a notorious Reiver family along the England-Scotland Borders, by building their fortress staircases with a spiral the other way to the OP image.
This would seem to be a bad idea, since the attackers (coming upstairs) no longer have their right arms cramped against the centre pillar - however it worked in the Kerrs’ favour because they were used to this mirror-image of reality while nobody else was, and the defender retreating up the spiral had that pillar guarding his right side, while the attacker had to reach out around it…
For the most part Reiver swords weren’t elaborate swept-hilt rapiers but workmanlike basket-hilts. Some from Continental Europe have the handedness of my schiavona with thumb-rings and assymmetrical baskets, but the native “British Baskethilt” is a variant of the Highland claymore* and like it seems completely symmetrical, without even a thumb-ring, which gives equal protection to whichever hand is using it.
*I’m aware there are those who insist “claymore” refers only to two-handers, however the Gaelic term claidheamh-mòr - “big sword” - just refers to size, not to a specific type of sword in the way “schiavona” or “karabela” or even “katana” does.
While the two-hander was the biggest sword in common use it was the claidheamh-mòr; after it dropped out of fashion and the basket-hilt became the biggest sword in common use, that became the claidheamh-mòr.
When Highlanders in the 1745 Rebellion referred to their basket-hilts as claymores, they obviously gave no thought to the confusion they would create for later compilers of catalogues…
Also, muskets had their whole “Flint and steel and gunpowder” thing on the right side so if you tried firing it lefty you’d get a face full of fire. More recently, rifles eject their spent shell casings to the right, so if you’re a lefty you get some hot metal in your eye.
Stirling Bridge and William Wallace Monument, Stirling, Scotland.
Paolo Sebastian AW 2016-17 Couture.
Writing With Color – Featured Description Posts
Some of our most useful posts on describing People of Color, all in one place.
Words to Describe Hair
Words to Describe Skin Tone
Describing Asian Eyes
Describing Wide Noses
Describing Undead & Sick Dark Skin
Describing POC and Avoiding Caricatures
Describing Unnatural Skin Tones: Green
Describing Unnatural Skin Tones: Jaundice
Indicating Race of Characters (FAQ Questions #3-4)
Not Indicating Race at All – Note: You Probably Should
Praising Beauty Without Fetishizing
Olive Skin, Race and Ethnicity
Specific Description Posts
Describing Skin as Swarthy (Spoiler alert: it’s sketchy)
Describing East Asian Skin as Porcelain (Spoiler alert: it’s also sketchy)
Describing Skin as Russet (Spoiler alert: it’s alright)
Describing PoC as Exotic (SA: it’s othering)
Describing Skin as Ebony (SA: it’s cliche)
Describing Natural Hair as Cloud-Like (SA: it’s cool)
Describing Black Hair as Unkempt (SA: it’s offensive)
Describing Black Hair as Kinky (SA: it depends)
Describing Skin as “Dark as Night” (SA: it also depends)
Describing Skin as Like Dirt or Soil (SA: See above)
Describing Skin as just “Dark.” (SA: it’s vague)
Describing Black Hair as “Nappy” (SA: it ain’t recommended)
Describing Skin With Food (SA: it’s a no-no)
–WWC