designed and directed by his red right hand

she/he. 21. images and text posts. sometimes nsfw. dumping ground for everything i think looks cool. i'm not necessarily a fan of anything i reblog fanart for. in fact, if i reblog it here, it's likely i'm not. icon is takeshi kaneshiro, header is chase sui wonders.

[s-h-o-w-a]

A street in Tokyo, ca. 1970

[horizontalfall]

“One of the strongest feelings I remember from my childhood is, precisely, of being humiliated; of being knocked about by words, acts, or situations. Isn’t it a fact that children are always feeling deeply humiliated in their relations with grown-ups and each other? I have a feeling children spend a good deal of their time humiliating one another. Our whole education is just one long humiliation, and it was even more so when I was a child. One of the wounds I’ve found hardest to bear in my adult life has been the fear of humiliation, and the sense of being humiliated. Every time I read a review, for instance — whether laudatory or not — this feeling awakes. To humiliate and be humiliated, I think, is a crucial element in our whole social structure.”

— Ingmar Bergman; Interviews with Ingmar Bergman by Stig Bjorkman

[hometoursandotherstuff]

You must see this exceptional 1902 Victorian farmhouse in Portland, OR. 6bds, 4ba, 3857sqft, $2.375m.

It starts out with a nice, homey, living room.

Next, there's this pretty green dining area. Look at the border around the floor.

Beautiful fireplace in the kitchen.

The kitchen is so pretty. Love the colors and cabinetry.

But, look at this- it's open to a wonderful sunroom.

So pretty.

And, there's a matching pantry.

Nice large half bath with lovely cabinets.

Stairs to the 2nd floor.

Isn't this lovely? Shelving, a sitting nook, and a fireplace.

This bedroom. Look at the built-ins.

Even the smaller room has gorgeous built-ins.

There's a cozy family room up here, too.

How sweet is the updated bath?

And, there's a large bedroom, with some built-ins, in the attic.

Next to the main house, there's this cute house.

What a lovely home.

There's an art studio, too.

What an adorable bedroom.

And, the bathroom has everything. This is the first floor apt.

There's another one upstairs.

This is beautiful, too.

Lovely bedroom.

And, a very nice bath.

The gardens are so gorgeous.

0.62 acre lot.

https://www.zillow.com/homedetails/5006-SE-Long-St-Portland-OR-97206/176565628_zpid/?

[badarchitecturesucks]

Pedro Reyes

[mona-l1sa]

[girlsingreenfields]

before mowing the Pasteur, rain made strange landscape. Photographed by Yoshitomo Nara.

[fashioninmedia]

"You know what I think? I think that we're all in our private traps, clamped in them, and none of us can ever get out. We scratch and claw, but only at the air, only at each other. And for all of it, we never budge an inch."

PSYCHO (1960) dir. Alfred Hitchcock

[noxidae]

[ID: Four gifs from Psycho (1960), of Marion Crane and Norman Bates in the parlor. Marion, holding a sandwich, says, “Sometimes we deliberately step into those traps.” Norman replies seriously, “I was born in mine. I don’t mind it anymore.” “Oh, but you should. You should mind it.” He then puts on a smile, and says with a laugh and a shrug, “Oh, I do, but I say I don’t.” End ID.]

[eternallykakurenbo]

Ueno 2026

[cinemaspam]

The Double (2013) dir. Richard Ayoade

[chronivore]

Theseus and the Minotaur - Alice and Martin Provensen

Alice Rose Provensen ( 1918–2018) and Martin Provensen (1916–1987) were an American couple who illustrated more than 40 children's books together.

[cutiebabie]

what you allow will continue by jordan schiffer

jordan’s site

[oilpalette]

Homebound, 2024 by Eli McMullen (American, b. 1992); Acrylic and gouache on panel, 20 × 16 in

[bosconos]

“I’m Here, but Nothing”, 2000/2013, by Yayoi Kusama

[softinvasions]

DIRECTOR'S NOTE • Nov. 2023

You can't go home. This play has a particular care for and interest in its victims. The resident

inciting event is endless. tragedy is much more concerned with footnotes than it is with gods.

well acquainted with what happens afterward, storytellers claim they can't diverge from what's

written: resist. rage against what must be. tell a story about war without talking

about love. survive its aftermath. fail to find resolution. make this suffering

a home. There's no breaking this chain— fate, as always, gets its way.

Poetry assembled from the program of an Oresteia production. Nov. 2023.

[papayajuan2019]

2018

[eteroutsider]

Rhea Anthea who is always a delight to draw :) @juliusmode

[eteroutsider]

Interpretation of Gerda Wegener's illustration (she/her and they/she)