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★

JVL

Discoholic 🪩
Claire Keane

@theartofmadeline
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if i look back, i am lost
Alisa U Zemlji Chuda

tannertan36

izzy's playlists!
sheepfilms

titsay

shark vs the universe
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ
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No title available

roma★
🪼
seen from United Kingdom

seen from Malaysia
seen from United States
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seen from Maldives
seen from Singapore

seen from Canada

seen from Canada

seen from United States

seen from Türkiye
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seen from United States

seen from Belarus

seen from Malaysia
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seen from United States
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@pyuspyxidis
Yeah, soap. From Fight Club. Apparently it is also used by real life people as well, but I recognized it from the movie.
Tracks of meteors deriving from a radiant point during a meteor shower. Astronomy for the use of schools and academies. 1882.
we moved! after a very…ugly and long ass process, we were finally able to move into our new place. i’m currently in the middle of a blaze of interviews and my mom is waiting for shifts from her new job. because we have to start over, we’re kinda lacking to get food, basic household things, and i need to take the bus to get to and from work and interviews since our schedules don’t match. any help at all would be great, thanks to everybody who’s been such a big help in the past few months!!!!
https://cash.me/$bridgetssb
https://www.paypal.me/bridgetbee
Chanel Resort 2019.
completely unfunny on main
just totally blowing it
just embarrassing frankly on main
bjork is about to start dating jeff bezos
Lana Del Rey at the 2018 Met Gala, 7th May. (Heavenly Bodies: Fashion and the Catholic Imagination)
💁🏼♀️
In the Gingerbread house | friends_forever_company
Female cinematographers: Rachel Morrison Black Panther (2018) Directed by Ryan Coogler Aspect Ratio: 2.39 : 1
“If there’s anything consistent about my work it’s not flat. The criticism of Marvel movies whether it’s in the cinematography or in the Digital Intermediate is that sometimes sort of lack contrast and saturation. That certainly isn’t true of my work from the outset, so hopefully the look we’re presenting will hold through to the end. But I think in making something so big, if you take for example an exterior day scene that’s shot over 15, 20 days you’re not gonna have all sunny days so what happens at the end of shooting when it’s half sun and half cloud. The natural tendency is to lean into something in the middle, to kind of flatten out the contrast on the sunny day and maybe try to bump up the contrast on the cloudy day and find somewhere to meet in the middle. That was my biggest concern going in was that we don’t allow that to happen, so we would throw hard light at people on cloudy days just to kind of increase the contrast.” — Rachel Morrison
Terrarium coffee table.
retribution summed up