“Poems for My Lovers” an interview with Leo Ariel by Carly
Carly: Hi Leo, thank you for taking the time to interview with me! While reading your new book poems for my lovers, I was so impressed by your authenticity and emotional vulnerability throughout your collection of poems. poems for my lovers explores, in your words, “with and through elements (of) unrequited love, lust, falling in love, and heartbreak.” What inspired you to write this book?
Leo: Yeah dude, thank you so much, I’m honored.
The elements/parts of the book inspired me to write it. The delusion of unrequited love, burning lust for fucking, the fluidity and softness of falling in love, and the grounding that comes with having your heart broken. They are poems for my loverS because this book has to do with multiple people, people I know and love, people I have not yet met. There is a constant battle between being vulnerable and hard; this book/my feelings wade in that spectrum strait.
Carly: How did organizing the sections of your book into the elements come about?
Leo: Unrequited love literally means love that isn’t reciprocated or known about by the beloved. Until realizing it is unrequited love, you dwell in the delusion that they know of this love, that they reciprocate this love. Take the element of air: it is neither here nor there, here one minute, gone the next. It does not last, breezes are but illusions (delusions) on sweltering days, in the desert. In the middle stages of finalizing the book, it dawned on me that drawing a line through ‘unrequited love’ and renaming it delusions was the perfect way to convey my feelings on the subject-- overall and on an individual level.
Passion is fire. Sex is passion. Where would we be without lustful burnings for someone? Yes, some folks do not feel this, but I do. And I know other folks do, too. Lust is fleeting; as is the fire. The fire cannot always be raging, neither is lust. Fire is raw, and it burns, like good sex. I am fire. It is my element. I am passionate. I am vulgar and intense and fucking dirty when I fuck. The fire is hot, it leaves marks and burns and the ashes leave you liminally stained when you interact with it. Need I say more?
There’s a line in the lust section: “I love… fluid as the waters…” Love is fluid, as is water. Love is everywhere, it is nurturing. Love comes in waves but always has a current. It has highs and lows. It is tender, is it tangibly intangible. You can only contain it for so long, after that it’s either spilled or drunk up.
What is more grounding than getting your heart broken? After riding this wave of love, you either fall off or get off, come into contact with the earth. You hit the ground, you’re there: whether you like it or not. Once you’re there, you have to get reacquainted with the ground. You must ground yourself. You must come out of the water for a break every once in awhile, if not your fingers get pruny, and you may even start to drown if the waters are not still.
Carly: When are you at your most creative as a writer?
Leo: In pain. In joy. In dark. In light. There is no inspiration. There is no looking for inspiration. There is only creation. It is all around you. You do not need to seek or find inspiration, it is always there. It’s up to you whether to grab it or not. We all house the potential for creation. Some folks have it repressed or blocked up, they’re afraid. There is creation in fear, but so many dare not go there. But like, go there. Fucking go there.
Carly: What other forms of art do you create and how has this played into the making of poems for my lovers?
Leo: Collage is a medium I’ve been working with my whole life. Installation and performance pieces are also beloveds. When I read my work, it is a performance, I’m not just standing there reading. I pour all of myself into my poems, how can I not convey those sentiments when I’m reading them aloud? I am a leo after all. Drama for drama’s sake.
Carly: What did you learn from publishing your first book?
Leo: Patience. Programs aren’t that hard to figure out. It feels good to share my work with those who are open to it. I’m really bad at marketing and all that jazz, so I guess learn to appeal to capitalism more if I actually want to “make more of a profit” or reach out to a larger audience. Haha.
Carly: Who is your queer art influence?
Leo: Queer folx around me, queer artists around me, my queer community, artists who aren’t afraid to queer their work or themselves.
Carly: How does your queerness influence your artistry?
Leo: How doesn’t it? I have a poem written about brown boys where I talk about myself as a boi adjacent to a poem about my love for femmes and women. Can it get any queerer? Haha. On a more serious note, we shouldn’t be afraid to queer ourselves or our art. What for? You’re holding yourself back if you don’t. Queerness is a spectrum and a simultaneous breaking of that spectrum. I apply this to my writing. I’m not confining my emotions or my words: they aren’t static. Queerness isn’t static.
Carly: What advice do you have for up and coming queer artists?
Leo: Trust. Believe in yourself. Be queer as fuck. Queer the fuck outta your work because no one else will. Queer it until you sicken yourself, until it is so quintessentially you, so rawfully you, your essence seeps out like grease in a paper bag. Queer folks are fearless, sensual, sappy, and tender. Your work should be a reflection of who you are. Those engaging with your work will find reflections of themselves as well, or maybe they’re trying to find one. Who knows? But your work is with them for a reason.
Leo is a local artist, writer, and hidden femme sad boi. You can find more of their work here.
Leo recently published their book, “Poems for My Lovers.” which can be purchased by clicking here. Find out information on Polychroma Collective, a group Leo is a part of by clicking here.
This interview was done by Carly, yr local queer feminist studying Women, Gender, and Sexuality. She takes on too many big questions at once, but in this moment, she is concentrating on taking feminist action with emphasis on community.