Edouard Boubat: Lella's hands (1948)
EXPECTATIONS
Mike Driver
he wasn't even looking at me and he found me
ojovivo
2025 on Tumblr: Trends That Defined the Year
š

tannertan36

ellievsbear
Stranger Things

No title available
Fai_Ryy

Discoholic šŖ©
"I'm Dorothy Gale from Kansas"

#extradirty
Show & Tell

ā

izzy's playlists!
One Nice Bug Per Day

Andulka
let's talk about Bridgerton tea, my ask is open
seen from Colombia
seen from Japan

seen from Malaysia
seen from Finland

seen from Italy

seen from Malaysia

seen from United States
seen from Singapore

seen from United States
seen from Colombia
seen from United States

seen from United States

seen from Kazakhstan
seen from Moldova
seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from Colombia
seen from Spain
@quietwaste
Edouard Boubat: Lella's hands (1948)
png from this post
Ā ā Billy-Ray Belcourt, A History of My Brief Body
[text ID: To love someone is firstly to confess: I'm prepared to be devastated by you.]
i know weāre both just messing around pretending to be whole but look at me. if the train was coming would you move. if the ground was falling from under your feet would you even notice or would it just be another tuesday for you. if somebody stabbed you could it hurt worse than you already do. what iām saying is that i love you but i think we both drive over the speed limit when itās raining. what iām saying is that i want to hold your hand and i understand about how you sometimes have to sit down in the shower. what iām saying is that iām here for you and if the train comes please move.
i wrote this 7 years ago, somehow. every day someone else finds it and whispers to me - oh, i understand this. something always turns in the wash of my stomach: i am so, so glad you feel seen. i wish you had no idea what this post was about.
i wrote this while working in a program for new writers. on wednesdays, two of the teachers would be contractually obligated to read our writing aloud to the group of 300+ teens. i had never read my work in public before. i had something like 6k poems and was panicking about it. none of them are good enough. sometimes the train is howling. it is hard, actually, sometimes, even as an adult.
and then i thought - what is one thing i wish i could tell all of them. each of these 300 kids. what did i need to hear, at 16?
i wanted to tell them about the day you wake up, and the sun feels warm finally. i wanted to tell them about carving a life out of soapstone, your hands turning bloody. i wanted to tell them that sometimes yes - it actually does feel easy. i wanted to tell them about weddings and cookie dough and long road trips. about albums of new music and old friends laughing and the sound of snow falling.
you will learn the pattern of the train. you will learn to close your eyes when you hear the engine rumbling. you will learn to let yourself have the grey days in their lily-soft numbness. sometimes it will feel like life is wet paint, and god has smeared your canvas across a sewer grate. sometimes it will be so boring it isnāt even pronounceable - the tenacious, soundless blankness. survival isnāt just ugly nights and wild mornings. it is also the steady, unimportant moments. it is just driving with your seatbelt on. it is calling a friend on the way home. it is burying your face into the fur of your dog.
when i had finished reading this poem aloud, the auditorium was silent for a solid minute. someone stood up to take a picture of where it had been projected onto a screen, and then three more people followed the action, and then - like a bad internet story, people remembered they were supposed to be clapping. kids came up to me after it - thank you for writing that. i think i hear a train coming.
i would write this differently now, i think, but it has been 7 years. i still live by the tracks. i also havenāt picked up a blade in over 10 years. the scars are still there, but these days i only pick up scissors to cut my hair. i know why you canāt tell your mom about it. i know how the numbness slips over everything, a restless horrible cotton. i know how when you dropped the dish, you werenāt crying about the broken glass. i know about feeling like all the roads have closed their exits, that you arenāt supposed to still-be-here - and yet.
i am still here, and still yours, and i havenāt forgotten. what iām saying is if any hope is calling to you - i know itās hard, but you have to listen. iām saying keep driving, but slow down the car. sit down in the shower, iām not judging you. we can stay in the dark with the good hot water and do nothing but stare. notice the stab wound. make it through another tuesday.
i know what it is like to miss yourself. do what you need to. come home to me. i am writing to you, my past self, from the future. iāll be waiting for you.
and when the train is coming - please move.
āThe one where I begā by Ruth Awad from We Call to the Eye & the Night: Love Poems by Writers of Arab Heritage
Every day is a miniature house of worship
Magical portals
Tawanda Mulalu, āAll We Got Was Autumn. All We Got Was Winter.ā in Please Make Me Pretty, I Donāt Want to Die
Hurt me ⦠šŖ
āThe bottom line is this: You write in order to change the world, knowing perfectly well that you probably canāt, but also knowing that literature is indispensable to the world. The world changes according to the way people see it, and if you alter, even by a millimeter, the way people look at reality, then you can change itā¦If there is no moral question, there is no reason to write. Iām an old-fashioned writer and, despite the odds, I want to change the worldā
ā James Baldwin
from an interview given in Berkeley and published in the NYT
running errands like kurt vonnegut
ā¬ļø like so