The prettiest kitty
The Stonewall Inn

Product Placement

if i look back, i am lost
untitled
NASA
YOU ARE THE REASON
Cosimo Galluzzi
Color Me Curious
Claire Keane
todays bird

❣ Chile in a Photography ❣
𓃗
Keni

gracie abrams

Game Changer & Make Some Noise
Monterey Bay Aquarium
The Bowery Presents
hello vonnie
Sade Olutola
cherry valley forever
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@rambleonanxiety
The prettiest kitty
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YESSSSSSSS
With one strike already underway, SAG-AFTRA announced Friday that it will seek authorization for a second strike against the major video gam
Among the concerns - the threat of AI on the voice acting profession.
Voice actors for video games may be following TV and movie actors to the picket line.
Driving the news: SAG-AFTRA, the union that has a contract with leading gaming companies for actors who do voice or performance acting for video games, called for a strike Friday, citing lack of progress in renegotiating a contract that expired last November.
The union said Friday that its board has unanimously agreed to ask its members to vote for a strike by Sept. 25.
Details: The union is calling for a retroactive 11% wage increase, on-set medics for hazardous performance capture, and protections against the use of generative AI to replace working actors.
Be smart: While actors who contribute to video games seldom appear as themselves, on camera in a game, they regularly lend their voices to game characters. Many also have their facial and body movements captured to animate the roles they portray.
Actors have been sounding alarms about the potential for generative AI to clone their voices and speak lines for them, without them getting paid.
Strike Summer continues.
One of the requests is for BASIC SAFETY REQUIREMENTS. Like medics, for stunts, rest breaks for work - and yes, ising voice the way voice actors do IS strenuous and risks injury if overworked. So yes, please. Make them renegotiate.
One of the companies they name is Formosa... the one that handles the Genshin English VA and which is responsible for those sometimes questionable voice directions... and which recently was exposed by desperate VAs for not paying them on time. For work done LAST YEAR. Ao yes. STRIKE IF NEEDED, PLEASE.
sex workers fought in the street for you to be able to celebrate pride. sex workers rights should be an essential part of the pride celebration. I'm dead the fuck serious.
I love that so many people have mentioned Marsha P. Johnson in the tags, or made comments about black trans sex workers bc I know that includes Sylvia Rivera, but this post isn't just about them. This post is also about the kids who worked the streets of Greenwich Village who fought until the wee hours of morning on the first night of the stonewall uprising, even though THEY WEREN'T THE ONES THAT THE POLICE WERE TARGETTING THAT NIGHT. this is about those of us who have been fighting new censorship laws tooth and nail, the same laws that are now being used against trans and queer kids across the country and around the world. This is about the sex workers who tirelessly educated the public about safe sex methods during the AIDS crisis, when the government wouldn't even acknowledge that it is a sexually transmitted disease. Sex workers have fought for liberation from the very beginning and have CONTINUED to fight. we don't get to forget that our lives are considered "deviant". we are faced with that reality every single day, but many of us keep fighting for all "deviants" to be free to love, fuck, and live.
Every deviancy law that has ever been closed has been closed by a dog pile of sex workers tirelessly working to do so. Men, women, enbies, old sex workers, eighteen year olds who are homeless and angry, abled, disabled, black, white, latine, every race or ethnicity you can think of, but they all dogpile together on shitty laws and shitty authority figures and FIGHT for you. No cops at pride, keep the sex workers: cuz family friendly means you take care of the family that takes care of you, not sterilizing a protest for marketability.
"family friendly means you take care of the family that takes care of you, not sterilizing a protest for marketability."
fucking. this. thank you. 💜🌈
everytime I remember that lesbian couple that have a marble statue of the two of them embracing and sleeping on a bed together over where their graves will be because the artists didn’t believe they would be able to be married before they died, so what they couldn’t have in life they could have in death, I fucking breakdown
memorial to a marriage; patricia cronin
“on july 24th, 2011- the first day that same sex marriage was legal in new york state, particia cronin and deborah kass got married. that same year the marble ‘memorial to a marriage’ was replaced with a bronze version. rainwater pools in the space between their two sculpted bodies, and falling leaves catch on the metal in the autumn. the two women sleep peacefully through snow and ice, and the scorching days of summer. over time the hands of cemetery visitors will wear down the bronze, burnishing it into a smooth shine. one day this will mark the final resting place of the two women. and someday people will have to remember that there was a time, long ago, when this was a memorial to a marriage that two women never thought they’d have.”
- Caitlin Doughty, on the Death in the Afternoon podcast
For those curious:
Here’s the real-life couple in 2019 💖
happy 20th anniversary (nov 3, 2002) to patricia cronin’s marble sculpture that furthered art, advocacy, and lesbian breakdowns everywhere
I wanna be soft with someone and not regret it after
I don't watch many biopics - they have to be about people I actually know of and care about and/or respect for the impact they've had on culture - but I have some feelings. Is it just me, or are we going backwards in terms of how we depict queer women, especially, that came before us? It feels like biopics lately only want to subtly allude to women loving women, even as they show intimate, exposed sex scenes with men, explicit violence, and/or rape in those same films.
The most recent movies I've watched, being excited to see depictions of real queer women, and queer Black women at that, were Ma Rainey's Black Bottom (2020) and Billie Holiday vs. the United States (2021). I watched the latter one tonight and was disappointed to see that if you weren't paying attention and/or didn't know what to look for, you may never have known from the film that she was indeed bisexual. She was openly so in her real life, why couldn't it be shown on screen in 2021?
And though I liked the movie alright initially, the portrayal of Ma Rainey in general just felt completely disrespectful. She had less screentime than the men in her band in her own goddamn movie. She was depicted as a demanding, gross, disrespectful figure who didn't appreciate anyone who wasn't serving her exactly as she wanted and expected at exactly the right time. And her lover is depicted as being more into a fictional man than she is to Ma. And, you know, the longer I think about it, the less I do actually like the movie as a whole. The performances overall were great, don't get me wrong. (Chadwick Boseman's trumpeter was a compelling character, to be sure.) But I'm just sooo disappointed in the depiction of one of, if not the first, Black queer woman icons in US history. (I need to go watch Bessie from 2015 soon. I don't know that I heard about it when it came out, but apparently there's a much better, more respectful and accurate portrayal of Ma Rainey in that movie, in addition to Bessie Smith, obviously. Two phenomenal Black, queer, blues singing women who deserve at the very least the respect of everyone who loves music. Which should be all of us.)
I know it's not about a woman, but typing all this out is also making me think about Bohemian Rhapsody (2018) and how it only portrays one relationship Freddie Mercury had with a woman that comes across as mostly platonic. And it focused a bit too much on the partying and not enough on his musical processes, or even his involvement with the opera. Some things just felt unnecessary, and probably were as it's slightly fictionalized by the remaining band members, who were all straight, white, cismen. Freddie was Persian-Indian, bisexual, a musical prodigy and phenomenon. A man with a four-octave vocal range. How could you not want to look a little deeper into his life and career? (Probably because the other band members resented him for not wanting to spend all his talents exclusively on Queen, or at least it feels that way from the biopic.)
There's an intersection of homophobia, biphobia, racism, and misogynoir playing into these films, I suspect. I really did enjoy Billie Holiday vs the United States immensely from the music history and human rights perspectives, but did feel very much let down by the lack of meaningful acknowledgement of her bisexuality. Same with Bohemian Rhapsody, for the most part. And I already let you know my feelings about Ma Rainey's Black Bottom.
Hollywood, please! We can and must do better to honor these icons more respectfully and authentically. The people who paved the way for the future success of their communities deserve more.
Disclaimer: I got my vaccine yesterday and am very, very tired tonight. I'm also writing this off the cuff with little reference to anything outside of the movies or my existing knowledge about Billie Holiday, Ma Rainey, and Freddy Mercury, which may have deteriorated some over the past couple years, due to a few things. I am also white, afab nb, and pansexual. I have not thought this critically about much of anything in what feels like a very, very long time. I fully own that I may be misreading and/or skipping over somethings and I apologize if I have. If I have, please let me know, if you have the time/energy to do so.
Habits, Tics, Stims, Compulsions, and Behaviors
You are tapping your foot. Someone asks you to stop. You do. You feel no ill effects aside from maybe disappointment at having to stop. You tap your foot often. This is a habit.
You are tapping your foot, whether you want to or not. Someone asks you to stop. You can’t. If you try to it feels like holding in a sneeze and the pressure builds up. It might come out in a different, even less controllable action. This is a tic.
You are tapping your foot. Someone asks you to stop. You do, but immediately feel worse physically or emotionally. It was a way for you to express yourself and how you feel. You may feel pressure. This is a stim.
You are tapping your foot. Someone asks you to stop. You can’t, because if you do something bad will happen, possibly some specific bad thing. You know it’s irrational, but not doing it gives you anxiety. This is a compulsion.
You are tapping your foot. Someone asks you to stop. You can’t, because if you do this specific bad thing will happen. It is not irrational to you, although it is to others. This is an erratic/disorganized behavior.
if you are in high school and you follow me idc if you learn nothing else from me, but learn this: do not join the fucking military. they will promise you all sorts of things in exchange for joining their muder-system for a few years. do not listen to them. you won’t find a sense of purpose, you won’t find an adventure, you might not even get the money they promise you for college. if you survive, you’ll come back with blood on your hands, feeling just as aimless as before except knowing you’re a killer. the government will drop you like hot potatoes the second you are not useful to them, and you will be on your own with nothing but some ptsd and a more intimate understanding of the phrase “blood for oil.”
You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting. You only have to let the soft animal of your body love what it loves. Tell me about despair, yours, and I will tell you mine. Meanwhile the world goes on. Meanwhile the sun and the clear pebbles of the rain are moving across the landscapes, over the prairies and the deep trees, the mountains and the rivers. Meanwhile the wild geese, high in the clean blue air, are heading home again. Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting - over and over announcing your place in the family of things.
Mary Oliver, “Wild Geese,” Dream Work (Atlantic Monthly Press, 1986)
Nothing justifies rape.
a little PSA about giving & receiving comments
I have tried reaaalllly hard to not take “hey this looks like ____, reminds me of ____, or is just like _____” to not always mean a bad thing haha. This is a cool comic that helps everybody involved understand each other, I think : )
Your wife changes her hair color every season and her personality adjusts slightly. You’re secretly only in love with Autumn wife. She just came home sporting her Winter color.
it’s my fault. it’s just that when we met it was autumn; her red-orange hair and crackling laughter. there’s a little spooky in her, a lot of play. and what a better time for falling?
i didn’t realize it for the first few years - something shifting, something so subtle. the winter makes us all cold, the summer makes us all a little out of our minds. i just loved her, because she was incredible, and i was the luckiest person alive.
it’s just that i realized that spring came with sudden bursts of cold. it’s just that summer frequently raged in with fire sprouting from her lips. it’s just that winter was the worst of all, her eyes dead. it’s just that autumn loves me different; throws herself into it without the clingy sweat of summer. i used to love that summer girl, you know? i loved how wild she was, the way in summer she took every risk she could. but i carried her home drunk one too many times, cleaned up one too many of the messes she made for no reason than to enjoy the sensation of burning. and winter was worse; the shutdown, the isolation. how she became distant, a blizzard, caught up in her own head, unable to tell me what was wrong and unable to think i actually wanted to listen.
she comes home, her hair bleached white. a dark smile on her lips. the shadowy parts of her are back. they loom like icicles overhead. she kisses me with her body held at a distance, a peck on my cheek that feels like an iceberg. she makes polite conversation and we go to bed early, our bodies untouching.
it is a lonely season, i think on the ninth day of this. winter is cold. winter is known for the death of things. when i look at her, i see the girl i fell for, inhabited by an alien. she was the first women i loved so much i felt it would kill me. i can’t leave. when i wake her up with my crying, she tells me to shush and go back to sleep. she’s different like this, quiet, doesn’t eat.
three days later i stare at myself in the mirror. i wonder if it’s me. if the fat on my body or something in my face or the wrinkles and she doesn’t love me. i try prettier lingerie, lean cuisine, i try different hair, more makeup, try harder. it doesn’t work. she looks at me the same; that empty gaze that neither loves nor condemns my actions.
somewhere in februrary i lose it. we’re fighting again, from car to restaurant to car to home again. we fight about stupid things, small things; i tell her i feel she doesn’t love me, she says i’m not listening. the circle goes around and around, old pain peeling back, new pain unhealing. i sleep on the couch.
i wake up when i hear her crying, white hair around her all messed up. the kind of sobbing that only comes at two in the morning, heavy and thick and hurting. my winter girl. my heart is breaking. she looks up at me like i’m her anchor. “i’m sorry i’m like this,” she says. and i start saying, it’s okay i’m here we’re married, but she just shakes her head and says, “I know this isn’t the real me.”
i hold her cold hand. she stares at the blankets. “i am different in winter,” she whispers, “i know i am and i’m sorry.” she looks at me. “why do you think i dye my hair? cut it off? get rid of the old me?”
i tell her it’s okay. we’re together and it’s okay, and then she whispers, “i’m sorry you married four of me.”
we lay there like that, her head on my chest. she falls asleep. i stare at the ceiling, thinking of the way she sounded when she was crying. how i helped put her in that pain. how i promised in sickness and in health and everything in between.
the next day i spend at the library. there aren’t enough books on how to love someone with seasonal affective disorder so i make my own, notes and pages and little ideas on post-its. and i take a deep breath and make myself a promise.
she comes home to her favorite dinner and we kiss and she’s uneasy but that’s okay. the next day i bring home flowers and the next day she finds little love notes in her pockets. i love her quiet, the way winter demands, understand her sex drive is faltering; spend more time just cuddling. we drink wine and we kiss and some part of her starts relaxing.
the truth is there is no loving someone out of their mental illness. the truth is that you can love someone in despite of it; love them loud enough to give them an excuse to believe they can make their way out of it.
and i learn. i remember the rebirth of spring, when she starts thawing. we kiss and have picnics in pretty dresses. i remember her joy at little birds and her rain dancing. i fall in love with the flowers in her cheeks and the little bursts of cleaning. i fall in love with summer’s slow walks and milkshakes and shouting to music playing too loud on the speakers. i fall in love with her dancing, with the sunfire energy. and when winter comes; i am ready. i remember that snow used to look pretty. i fall in love with the hearth of her, with the holiday, with the slow smile that spreads across her face so shyly. i fall in love with how she looks in boots and mittens and every day i find another reason to love her the way she deserves - they way i always should have.
she comes home with her white hair and dark smile and a package in her hands. i ask to see what it is and that small shy grin comes creeping out. it’s a sunlamp packed in with medication. she looks at me with those wide eyes and that beautiful winter blush. “i’m trying to get better,” she whispers, “i promise.”
recovery doesn’t look immediate. sometimes it isn’t neat. i can’t say we never fight or that we’re suddenly complete. but each day, that tiny girl’s strength gives me another reason. i love her. i love her while she tames the roller coaster of spring; i love her for reigning in the summer storms; i love her for taking her winter and trying to be warm. it is hard, because everything worth it is hard. she spreads out her autumn leaves; mixes the best parts of her into everything. learns to take winter’s silence for a moment before yelling in summer. learns to take autumn’s spice and give it to spring. we are both learning.
one day she comes home and her hair is different, but it’s a style i don’t know. i kiss it and tell her that she’s beautiful and the inside of me swells like a flood. i’m so glad that she’s mine. every part of her. the whole. i am the luckiest person on earth. and i always have been. but she’s hugging me and saying, “thank you for helping me,” and i can’t explain why i’m crying.
this is what love is; not always an emotion but rather your actions. the choices we make when we realize our lives would be empty if the other was absent. this is what love is: letting them grow, helping them find their way in out of the cold. this is what love is: sometimes it takes work to see how the thing you planted together actually grows.
this is what love looks like in an autumn girl: it is winter and she glows.
I’m actually sobbing jesus christ
my heart is aching??? this is gorgeous
note to self: you are an intelligent woman. forgive yourself for all the times you were stupid and naive. you are a woman of heart. forgive yourself for the times you were soft when you should have been hard.