Giving queer pirate vibes and I'm LIVING for it
I'd rather be in outer space šø

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Mike Driver
𩵠avery cochrane š©µ
hello vonnie

Kiana Khansmith
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Game of Thrones Daily
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oozey mess
Cosimo Galluzzi
$LAYYYTER

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titsay
Fai_Ryy

⣠Chile in a Photography ā£
The Stonewall Inn
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YOU ARE THE REASON
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@ramblesofraven
Giving queer pirate vibes and I'm LIVING for it
Exploring abandoned buildings is always fun
Lost in another world. It's strange how much power words on a page can have
Cute outfit for my Double Show Day theatre trip the other day!
I'm still a HUGE theatre nerd and can't wait to see what 2023 brings
Throwback to my last Double Show Day in November!
Who's gonna 1V1 me? š® OF š Fansli š
Follow me, I'll be the light to guide you out of the darkness
Les MisƩrables West End Concert: First look at pictures of Alfie Boe, Michael Ball and Carrie Hope Fletcher
So a few months ago I asked this girl out. She said she couldn't because she was bisexual and I of course said that this doesn't matter to me. Then she clarified that she means that she is attracted to girls only from July to December and if I wanted to we could meet up in July. I thought she was messing with me but she did call me two weeks ago and we have been dating ever since. And I checked her social media and yeah she only dates girls for half an year. I am baffled. Have you heard of this?
But why only date women 6 months out of the year? And has she said what sheās gonna do if yāall continue to date up to her cut off point in December? Is all this linked to her Tarot work?
Honestly, is she willing to hold a panel? Because I have so many questionsā¦
The stunning conclusion to the Bisephone Saga that somehow manages to raise more questions than it answers:
id love for someone to please explain to me how i ended up terrified of any kind of intimacy while craving it constantly all at the same time
Abuse bro
Saving these tags bc I mean. Look at them
In-Depth Analysis of All You Wanna Do
Katherineās very confident and peppy at the beginning of All You Wanna Do, but her energy and cheekiness notably go downhill. When she starts on about Manox (I hope thatās spelled right, also legit he was 10 years older than her?? and she was 13??) she literally was taught from that young age that she was desirable and thatās real screwed up. Katherine is just searching for the right connection at first, she sees it as something trustworthy and something to try and build a relationship on. And may I say that Aimie Atkinsonās comedic timing is on point?
When she gets to Dereham, she kind of realizes that men are willing to do a lot to get in bed with her, but sheās still desperate for a true connection and spark. She just keeps hoping that each guy will be the one, but sheās naive because she doesnāt see that they donāt actually want her, they only want her body.
She starts to work in the court, and then Henry VIII (the turd) happens. At first, Katherineās just using his interest to fuel her career, which honestly, is valid, but then he takes a special shine to her. He starts giving her preferential treatment and endearments, and by this time, sheās realized that almost all the guys sheās dealt with are the same in this aspect. At this point in the song, she starts losing her enthusiasm. It becomes something thatās been drilled into her for years, that sheās wanted and an object of lust.
After Katherine marries Henry, she seeks comfort in her first mentioned āfriend,ā Thomas, and is elated that theyāre only friends. The illusion is shattered when he says the key phrase, they have āa connection,ā and her world falls to pieces. Hereās where we can get a glimpse of Aimieās talented vocals in action, because during the rest of the song, every note is on pitch, but she just breaks down in the last chorus. Itās terribly sad and angry, but itās just breathtaking. Katherineās reached that breaking point where she realizes that this cycle will never change for her, and that is where the song (and sadly her life) ends.
STOP šš» SEXUALISING šš» KATHERINE HOWARD šš»
(Iām gonna upset some theatre nerds, but I need to bitch for a good minute as I keep hearing the same parts from Six everywhere)
She was a minor all her life, being beheaded at the age of 18 or 19.
She was repeatedly molested at the age of 13 by her music teacher, who was likely in his 30s, pursued by a man ten years her senior at 15, and married Henry VIII (who was 49 at the time) when she was 16 or 17.
Reminder once again: SHE WAS A MINOR!
So once more:
STOP šš» SEXUALISING šš» KATHERINE HOWARD šš»
Grace Mouat: Super Swing and Queen of the West End
My brain wouldnāt let me sleep until I made this
Important details about the Marvel-Sony deal that nobody seems to be mentioning:
Sony does not make ANY money from the movies with Spider-Man in them that are not branded Spider-Man movies, they got no money from Civil War, Infinity War or Endgame, likewise, Marvel didnāt get much from Homecoming and Far From Home
Sony pays for 100% of the Spider-Man movies, they pay to make the movies, while Marvel takes a creative lead and makes most/all of the choices on what happens in the movies
So, when people sayĀ āMarvel made those movies and Sony just slapped their name on themā that is not true, Marvel did not pay a penny to make those movies, Sonyās the one that paid the bills to make those movies, itās just that people from Marvel were involved in making the movie, so Marvel, as a company, got to slap their name on the movie
The deal was only ever for five movies (so, Civil War, Homecoming, Infinity War, Endgame and Far From Home), so the deal was up, and then Marvel came in with idiotic demands and thatās what caused the new deal to dissolve
We also donāt know 100% if this means no Spider-Man in the MCU, the only thing we know is that, as of right now, Marvel/Kevin Feige will not be taking a creative lead in Spider-Man movies, that does not mean Spider-Man is banned from the MCU, maybe it does, but we have no idea
Also, theyāre probably still negotiating, so Sony might end up taking a deal, especially since idiots everywhere are berating them for not letting Disney be greedy (which is what Disney wants)
Also, lots of people are saying that Marvel helped Sony make their highest-grossing movie ever, which, while true, only surpassed Sonyās last highest-grossing movie by $2 million (and, since both those movies went above $1 billion, that means itās only roughly 0.2% higher), so them then asking for 50% of future Spider-Man movies is asking quite a lot, since that would mean roughly a half billion dollar loss on Sonyās part per movie, and theyāre supposed to be okay with that because Marvel helped them make $2 million more on this one movie than theyāve made before? None of the Spider-Man movies that Sony has ever made pulled in less than half of what Far From Home made
So, basically, what happened is this: Marvel, coming off the heels of making the number one highest-grossing movie in cinematic history (which Sony got no money from even though their characters were in the movie), and also having 5 of the top 6 highest-grossing movies of 2019 (the 1 they donāt have being Spider-Man: Far From Home), came to Sony and saidĀ āfuck you buddy we want 50% of the profits from your movies because we donāt have enough money,ā Sony saidĀ āhow about we stick to our original deal?ā and then Marvel decided they wouldnāt help Sony make Spider-Man movies anymore, probably because they figure that itāll lead to them being able to squeeze more money out of Sony. How the fuckĀ is Sony the bad guy here in anybodyāsĀ eyes?
DISNEY IS BEING GREEDY STOP ENABLING THEM.
Divorced | Beheaded | Died | Divorced | Beheaded | Survived | SIX
Big brain time