Rastel

@arockcandymetaling's writing sideblog

[inhumanliquid]

If this gets 100k notes I'll do one self-care.

[yourfavbloggersfavblogger]

REBLOG REBLOG REBLOG

[writing-prompt-s]

It turns out that the Statue of Liberty is actually a Weeping Angel, it’s just so big that it’s always been visible to someone. Now, with the smoke filling New York, it’s gone unobserved for the first time.

[chrispineofficial]

i’m not gonna argue with dean winchester. whatever you say, beautiful

[foolondahill17]

[destieltropecollection]

2023 SUBMISSION TIME HAS ARRIVED - I AM AFTER YOUR FICS!

The Destiel Trope Collection is a SELF-REC collection for destiel fanfic full of tropes. Every year the list is voted for by you and the highest voted gets listed for the 31 days of May. If you have any questions, please ask!

Below (the readmore) is a list of the tropes that will be included in this year’s collection (all voted by you peeps!).

SUBMIT YOUR FICS HERE

WHAT CAN YOU SEND?

Completed fic? YES

Work In Progress? YES (if currently being updated)

Old fics? YES

New fics? YES

Fics written specifically for this collection? YES

Short fics? YES (over 1k words)

Long fics? YES (no max word count)

10 fics? YES

1 fic? YES

WHAT CAN’T YOU SEND?

A fic that wasn’t written by you - if you co-authored it, then that’s fine as long as you have permission of your co-author to submit it

A fic shorter than 1,000 words. Due to a popular result on the feedback form, the minimum word count is 1k.

The same fic several times in several tropes. A single fic is only allowed in one list, so, if it fits in several, pick the best one, or draw straws (up to you).

See the full rules and submission guidelines here

SCHEDULE

1st January 2023 - Submissions open

25th April 2023 - Submissions close

1st May 2023 - Day 1 of the Trope Collection Posts

1st June 2023 - Masterpost goes up

QUESTIONS?

Send a message or IM to @destieltropecollection!

THE LIST

Keep reading

[abalonetea]

my writing fundamentally changed forever ten years ago when i realized you could use sentence structure to control people’s heart rates. is this still forbidden knowledge or does everyone know it now

[dreamtofswallowingcoins]

?????? *raises hand* I’ve been writing for years and don’t know this trick by these words! do tell?

[abalonetea]

Okay, so a few people have asked for me to cite the dark magics at them, and i’m super happy to share because it’s my favorite thing ever. 

so, let’s see if i can explain this the same way that i learned. read a sentence out loud. you come to a full stop when you hit the period, and you take a normal, breath. but, when you hit a comma, you take a slightly longer pause. and when you hit a dash - you take an even longer pause. 

this is a natural rhythm that we pick up when we’re first taught to read; we do it without even thinking. but when you start to think about it, you realize that it can become a tool.

think of your heartbeat. a period is badump. a comma is badump-dump. and a dash is thump badump. one breath. a longer breath. two breaths.

that means what you read automatically affects the rhythm of your breathing and your heartrate. which means that you can control the amount of physical tension your reader feels… by altering your punction and your sentence structure.

for fast paced scenes, you use short sentences. a lot of hard stops. mostly periods, with just a few comma’s thrown in for the full breath. your reader’s heartrate accelerates. their breathing is slightly and unintentionally, on their end, quicker. you hit the dramatic ending of the scene - and your reader’s body phsyically feels the gasp, the breath of fresh air, of these longer sentences.

now, read that paragraph again ant take note of your natural pauses, and how it subtly affects your breathing. 

the same thing can be said of comma’s and dashes. while they can be used as a breath of fresh air, they can also cause a new line of tension as they lead your reader to hold their breath. during this section, you should use longer sentences; breaking up the harshness of the pauses by using variations of punction. read this paragraph out loud from the start and take note of how long you go between pauses and full breaths. 

and then, comes the biggest trick.

the hard stop.

the paragraph.

because while the periods, commas, and dashes are variations on a short stop, the paragraph is a hard stop. you take a full breath. you pause for a moment, then move to the start of the next paragraph.

which means you can create an entirely new sort of dramatic tension. read the sentences that are in bold. see how you take a naturally longer pause at the end of each paragraph?

see how it makes you feel? 

how it makes you breath different? 

how doing it once, twice, or three times creates a different line of tension? 

this little magic trick can be used to cause a reader’s heartrate to speed up during a fight or chase scene. it can be used to cause their breathing to slow down during moments of dramatic tension, sorrow, or softness. and it can be used to create hard breaks that add a new level of physically felt emphasis to your written work.

i hope these examples make sense! it’s my favorite writing trick!

[generalluxun]

It works with thoughts too if the reader has an internal monologue. The hard stop can completely reset a mind, flushing it empty. Rapid flowing words can flood the brain with white noise. certain sounds have flavors and textures too.

[headspace-hotel]

i love how musicians cover each others songs and I think authors should do that with books. i want to see what steven erikson would do with warrior cats

[em-dash-press-deactivated202410]

How to Write Characters With Romantic Chemistry

Writing great chemistry can be challenging. If you’re not super inspired, sometimes the connection between your characters feels like it’s missing something.

Here are a few steps you can consider when you want to write some steamy romantic chemistry and can’t figure out what’s blocking your creativity.

1. Give the Love a Name

Tropes have a bad reputation, but they can be excellent tools when you’re planning or daydreaming about a story. Giving the romance a name also assigns a purpose, which takes care of half the hard plotting work.

You can always read about love tropes to get inspired and think about which might apply to the characters or plot points you have in mind, like:

Friends to lovers

Enemies to lovers

First love

The love triangle

Stuck together

Forbidden love

Multiple chance love

Fake lovers turned soulmates

There are tooooons of other tropes in the link above, but you get the idea. Name the love you’re writing about and it will feel more concrete in your brain.

2. Develop Your Characters

You should always spend time developing your characters individually, but it’s easy to skip this part. You might jump into writing the story because you have a scene idea. Then the romance feels flat.

The good news is you can always go back and make your characters more real. Give them each their own Word or Google doc and use character templates or questions to develop them. 

You should remember to do this for every character involved in the relationship as well. Sometimes love happens between two people who live nearby and other times it happens by:

Being in a throuple

Being in a polyamorous relationship

Being the only one in love (the other person never finds out or doesn’t feel it back, ever)

There are so many other ways to experience love too. Don’t leave out anyone involved in the developing relationship or writing your story will feel like driving a car with only three inflated tires.

3. Give the Conversations Stakes

Whenever your characters get to talk, what’s at risk? This doesn’t have to always be something life changing or scary. Sometimes it might be one character risking how the other perceives them by revealing an interest or new fact about themselves.

What’s developing in each conversation? What’s being said through their body language? Are they learning if they share the same sense of humor or value the same foundational beliefs? Real-life conversations don’t always have a point, but they do in romantic stories. 

4. Remember Body Language

Body language begins long before things get sexy between your characers (if they ever do). It’s their fingertips touching under the table, the missed glance at the bus stop, the casual shoulder bump while walking down the street.

It’s flushed cheeks, a jealous heart skipping a beat, being tongue tied because one character can’t admit their feelings yet.

If a scene or conversation feels lacking, analyze what your characters are saying through their body language. It could be the thing your scene is missing.

5. Add a Few Flaws

No love story is perfect, but that doesn’t mean your characters have to experience earth shattering pain either.

Make one laugh so hard that they snort and feel embarrassed so the other can say how much they love that person’s laugh. Make miscommunication happen so they can make up or take a break. 

People grow through their flaws and mistakes. Relationships get stronger or weaker when they learn things that are different about them or that they don’t like about each other. 

6. Create Intellectual Moments

When you’re getting to know someone, you bond over the things you’re both interested in. That’s also a key part of falling in love. Have your characters fall in intellectual love by sharing those activities, talking about their favorite subjects, or raving over their passions. They could even teach each other through this moment, which could make them fall harder in love.

7. Put Them in Public Moments

You learn a lot about someone when they’re around friends, acquaintances, and strangers. The chemistry between your characters may fall flat if they’re only ever around each other.

Write scenes so they’re around more people and get to learn who they are in public. They’ll learn crucial factors like the other person’s ambition, shyness, humor, confidence, and if they’re a social butterfly or wallflower.

Will those moments make your characters be proud to stand next to each other or will it reveal something that makes them second guess everything?

8. Use Your Senses

And of course, you can never forget to use sensory details when describing the physical reaction of chemistry. Whether they’re sharing a glance or jumping into bed, the reader feels the intensity of the moment through their five senses—taste, touch, sight, sound, and smell. 

Characters also don’t have to have all five senses to be the protagonist or love interest in a romantic story. The number isn’t important—it’s how you use the ways your character interacts with the world. 

-----

Anyone can write great romantic chemistry by structuring their love story with essential elements like these. Read more romance books or short stories too! You’ll learn as you read and write future relationships more effortlessly.

[annarts05]

The Truth About First Drafts

First drafts are not great quality. Some lines might be fantastic, but overall, it probably won’t be amazing. And that’s totally fine, it’s normal, it’s exactly what you want.

Our silly writer brains expect perfection on the first go for some reason?? Which makes no sense. 

They’re meant to be terrible, just thoughts spewing onto paper, really. Just get the dialogue out, get the story into a tangible, clear sequence of events that’s actually a readable story, not just an outline. You can fix it later <3

Think of it as the “zero draft” instead of the first draft. “Garbage draft” works too.

Write it out on paper with pen, or add messy notes to your documents everywhere to really reinforce the idea that there’s no pressure or expectation for perfection.

Don’t look at any of the draft as you write it until you’re done the draft. Looking back at bad writing while working on the same project can be really discouraging, so just don’t look. 

Once you finish the draft, wait a couple weeks. Long enough to distance yourself from it, so you can come back to fix it with a clear head. 

Don’t compare your first draft to published books. Ever. Those books might be on their tenth, twentieth, thirtieth draft. It’s unfair. Don’t bully yourself or your project.

Set yourself a goal, x words per day, x minutes spent writing, whatever you want. Just make sure it’s achievable. Don’t set yourself up for failure unless you’re asking for discouragement.

You got this <33 Just get that draft down. 

When you finish the draft, rewrite the whole thing, using the original draft as a reference if you like. There will almost certainly be countless details you want to change, so rewriting the story will be easier than fixing the original. 

[theplottery]

Color synonyms cheat-sheet

Here’s my ultimate list of synonyms for every colour that you can use in your descriptive writing! Save this post to find them easy later.

Red

scarlet

vermillion

ruby

blood

wine

cerise

crimson

cherry

maroon

coral

rust

sanguine

blush

burgundy

Blue

azure

cobalt

sapphire

cerulean

marine

navy

indigo

teal

denim

ocean

lapis

sky

turquoise

Yellow

amber

gold

lemon

sand

saffron

ivory

dandelion

honey

butterscotch

mustard

canary

flaxen

maize

Green

olive

emerald

grassy

verdant

sage

lime

pine

juniper

chartreuse

seafoam

moss

fern

jade

forest

Black

jet

obsidian

onyx

raven

charcoal

ink

shadowed

dark

midnight

grease

void

White

pearl

alabaster

egg shell

cotton

snow

ivory

frost

bone

powder

light

chiffon

cream

ashen

Orange

amber

tangerine

marigold

clay

apricot

peach

sandstone

honey

bronze

fire

ochre

titian

auburn

Purple & Pink

lavender

plum

lilac

violet

magenta

mauve

orchid

blush

fuschia

salmon

grape

mulberry

periwinkle

iris

Brown

chestnut

hazel

ginger

sepia

mahogany

cedar

cinnamon

beige

bronze

auburn

coffee

walnut

wood

umber

tawny

[write-it-motherfuckers]

Person A: “I can’t believe I agreed to this…”

Person B: “Me either honestly, I was certain I was going to have to bribe you.”

[slayingfiction]

Words to use instead of ‘said’

**Using the word ‘said’ is absolutely not a bad choice, and in fact, you will want to use it for at least 40% of all your dialogue tags. Using other words can be great, especially for description and showing emotion, but used in excess can take away or distract from the story.

Neutral: acknowledged, added, affirmed, agreed, announced, answered, appealed, articulated, attested, began, boasted, called, chimed in, claimed, clarified, commented, conceded, confided, confirmed, contended, continued, corrected, decided, declared, deflected, demurred, disclosed, disputed, emphasized, explained, expressed, finished, gloated, greeted, hinted, imitated, imparted, implied, informed, interjected, insinuated, insisted, instructed, lectured, maintained, mouthed, mused, noted, observed, offered, put forth, reassured, recited, remarked, repeated, requested, replied, revealed, shared, spoke up, stated, suggested, uttered, voiced, volunteered, vowed, went on

Persuasive: advised, appealed, asserted, assured, begged, cajoled, claimed, convinced, directed, encouraged, implored, insisted, pleaded, pressed, probed, prodded, prompted, stressed, suggested, urged

Continuously: babbled, chattered, jabbered, rambled, rattled on

Quietly: admitted, breathed, confessed, croaked, crooned, grumbled, hissed, mumbled, murmured, muttered, purred, sighed, whispered

Loudly: bellowed, blurted, boomed, cried, hollered, howled, piped, roared, screamed, screeched, shouted, shrieked, squawked, thundered, wailed, yelled, yelped

Happily/Lovingly: admired, beamed, cackled, cheered, chirped, comforted, consoled, cooed, empathized, flirted, gushed, hummed, invited, praised, proclaimed, professed, reassured, soothed, squealed, whooped

Humour: bantered, chuckled, giggled, guffawed, jested, joked, joshed

Sad: bawled, begged, bemoaned, blubbered, grieved, lamented, mewled, mourned, pleaded, sniffled, sniveled, sobbed, wailed, wept, whimpered

Frustrated: argued, bickered, chastised, complained, exasperated, groaned, huffed, protested, whinged

Anger: accused, bristled, criticized, condemned, cursed, demanded, denounced, erupted, fumed, growled, lied, nagged, ordered, provoked, raged, ranted remonstrated, retorted, scoffed, scolded, scowled, seethed, shot, snapped, snarled, sneered, spat, stormed, swore, taunted, threatened, warned

Disgust: cringed, gagged, groused, griped, grunted, mocked, rasped, sniffed, snorted

Fear: cautioned, faltered, fretted, gasped, quaked, quavered, shuddered, stammered, stuttered, trembled, warned, whimpered, whined

Excited: beamed, cheered, cried out, crowed, exclaimed, gushed, rejoiced, sang, trumpeted

Surprised: blurted, exclaimed, gasped, marveled, sputtered, yelped

Provoked: bragged, dared, gibed, goaded, insulted, jeered, lied, mimicked, nagged, pestered, provoked, quipped, ribbed, ridiculed, sassed, teased

Uncertainty/Questionned: asked, challenged, coaxed, concluded, countered, debated, doubted, entreated, guessed, hesitated, hinted, implored, inquired, objected, persuaded, petitioned, pleaded, pondered, pressed, proposed, queried, questioned, quizzed, reasoned, reiterated, reported, requested, speculated, supposed, surmised, testified, theorized, verified, wondered

This is by no means a full list, but should be more than enough to get you started!

Any more words you favor? Add them in the comments!

Happy Writing :)

[coffeebeanwriting]

Writing Purposeful Scenes

You’ll hear it said again and again: every scene of your book should have a purpose. However, some people mistake this to mean that every scene needs something big and important to happen. This isn’t true. A well-crafted and purposefully paced novel will have a balance of conflicts and resolutions.

If you’re following the Three-Act Structure (which most stories will touch on at least a little bit) your story will consist of:

set-ups

conflicts

resolutions

The Hunger Games does this amazingly. Let’s take a look:

Chapter 1 (SET-UP): Introduces us to the dystopian setting that is District 12 and shows us Katniss in her daily life. 

Chapter 2 (CONFLICT): Prim’s name is drawn at the Reaping and Katniss must volunteer. This is the inciting incident of the story.

Chapter 3 (RESOLUTION): Katniss’s family and friends come to say goodbye and Katniss has time to reflect.

Of course, story structures do not have to be followed strictly. You can reorder these plot points or even skip some to further fit the story you’re trying to tell.

This post is simply to remind you that while every scene should serve some kind of purpose, that purpose does not have to always be big conflicts or huge plot movements.

Here is a list of just some purposes your scene could include:

Character Development: Does your character change in this scene? Have they realized something or learned a new piece of information? Do their emotions toward a person deepen?

Information Revealed: Does your cast find out something that progresses them forward in the plot? This can be done through dialogue, action or narrative. Do they find the missing map piece? Or does a wise wizard tell them where the magical key is hidden? Does your protagonist find out that they’re adopted?

Further your World-Building: Does this scene deepen the richness of your world? Does the cast find out more about the culture or geography? Do they run into a mysterious creature or come across a magical plant?

Conflict: Is there a physical or mental obstacle in your protagonist’s way? Does an argument break out between two characters? Does an injury occur? Conflicts could be large, or minor… like a character forgetting something at home.

Build Tension: Does this scene further the suspense of your reader? Is your cast nearing the dark castle? Is a character on the brink of death? Is a steamy scene unfolding slowly? Does your protagonist feel like they’re being followed?

Instagram: coffeebeanwriting   

[fanficmemes]

[yesifitswithyou]

@indelibleevidence you're absolutely right

[makaylajade-author]

Things I do as a writer:

Not write

Daydream

Cry over fictional characters

Complain about my book not writing itself

Wait for inspiration

Write a sentence

Scroll through Pinterest

Delete a sentence

Daydream again

Not write

[aye-write]

Spotify wrapped, writer’s edition

[theplottery]

Character flaw ideas

Here are 27 character flaw ideas you can use to start building a character in your story!

Arrogant

Needs to prove themselves

Lacking self-agency

Control freak

Hot-headed

Obsessive personality

Self-deprecating

Always blaming others

Isolated, anti-social

Naive

Dependent

Not accepting of advice

Narrow-minded

Weak-willed

Coward

Allows other to step all over them

Comfortable being a victim

Self-sabotager

Untrusting or skeptical

Tactless or insensitive

Apathetic

Led by envy

Ignorant

Spiteful or vengeful

Judgemental

Manipulative

Paranoid

Have you got any of these in your characters already?

[coffeebeanwriting]

How To Develop Your Characters

1) Reveal your character slowly. If you info-dump too much about your protagonist straight away, there is no more wonder surrounding them. By slowly unraveling details about a character, the reader can understand them more fully and see their growth happen in real-time. When your character begins to open up naturally as the story progresses, they’ll reveal things about themselves through their actions or dialogue.

2) All protagonists should have a goal. When a character sets out to complete their goal, that is when the story is born as well as their character arc. The obstacles they have to overcome and the setbacks they face develop them as the story progresses. When you give your character a goal and make it hard for them to reach it, they begin to figure things out and grow as a person.

3) Create obstacles. And then more obstacles. The more conflict that you shove in your protagonist’s face, the more active they have to be in the story. It’s by actively making choices that someone begins to transform. Give your protagonist physical obstacles to overcome but also internal ones like doubt, regret, anger, confusion, lust, etc. 

4) Let them Fail. Overwhelm your character, push them to their limits, kick them when they’re low, make them feel like their heart will never heal… and then help them overcome the hardship. (Or not, if your story consists of a negative character arc). Regardless, failure is an important part of any story because no one is perfect and readers love seeing a protagonist overcome the impossible. Have your protagonist fail continuously throughout the story… big failures, little failures, half-failures… it all builds character.

5) Enhance their growth by having static characters in the story. Protagonists are typically dynamic characters which means they change throughout the story. It can be smart to contrast a dynamic character with a minor static/flat character who remains the same throughout the story. If two characters come from the same starting point but only one changes, the audience can see the growth that has really happened to them.

6) Give your character a past that they can overcome. A backstory, an origin, a past. We all start somewhere. The way we grew up undoubtedly shaped us into who we are today and it’s no different for a character. Whether your character comes from a backstory of hardships or privilege, you must know the reasons behind who they are at the start of your story. Then, you can start developing them… making them into a better or worse person.

For example, maybe your protagonist has a deathly fear of cars because of being in an accident as a child. Put them and a love interest in a car together or have them take walks by a highway late at night. Perhaps he even shows her what a car looks like under the hood and helps her to understand the safety features. This all develops your character into growing past their fear, which we understand because of their past.

7) Give your character’s flaws that are real. I don’t mean little flaws like being bad a math or extremely clumsy. While these are all aspects that are okay to give a character, your protagonist needs a more deep and intense obstacle to overcome. A werewolf who can’t control their anger and transforms sporadically. A cheerleader who shakes so badly from presentation anxiety that she risks dropping a teammate. These traits are realistic and relatable to the audience and can be overcome as the character develops, learns, and grows throughout the story.

Instagram: coffeebeanwriting