Set of 24 plaques, after Albrecht Dürer’s woodcut series entitled The Small Passion from 1511 (ca. 1570-1625)
Held at the Wallace Collection, London, accession number C596
- Historical accuracy: look, he’s blond, OK, but he’s also bleeding rather profusely somehow under the loincloth? I don’t really know. However, it looks like there’s only 3 nails, a (hidden up at the top) INRI, a crown of thorns, and a wound, what a wound, also their clothes are so clearly medieval (4/10)
- Physical appearance: he is so white and grey, but other than that he is very buff, or at least bits of him are, his upper arms need a bit of work (6/10)
- Aesthetic appeal: as we all know, blue enamel is amazing, need I say more? Fine, it’s missing a bit of that red that would really make it pop, you know? It all looks a little muted (7/10)
- Accessories: 3 nails, crown of thorns, INRI, a loincloth that is somehow not being stained with blood (5/10)
- Cross: it exists, which is enough, I guess. It does look like wood, if that helps (3/10)
- Emotional appearance: JC is dead, and Mary doesn’t look particularly perturbed, but Mary Magdalene is inconsolable, lamenting (kissing?) JC’s lily-white feet (see this is where the red would have worked, right, because she’s traditionally depicted in red and also the symbolism of JC’s blood and all that…), I think John is really what makes this though, with his hands in the air like he just doesn’t care (I lied, he cares a lot), the other women are crying/wiping their faces, while the soldiers look on with unconcealed boredom (7/10)
Bonuses: the stars +2
Total rating: 5.9/10









